David Ruether's USENET Posts
From Mid 1995 Through End 2002...A plethora of information and opinions on cameras,
lenses, camcorders, and other topics...
Go to: Posts Beginning 2003 Through Mid 2004
Go to: Posts Mid 2005 Through Mid 2007
Go to: Posts Beginning 2009 Through Mid 2010
Go to: Articles Index
Go to: David Ruether Photography
Email: d_ruether@hotmail.com(Note: in the following posts, use as my
email address, "d_ruether@hotmail.com".)
- 'AI'
- 'new' vs 'old'
- (operationally-obvious cameras2)
- -(B Atkins on diffraction)-
- -(responses to 28-200T posts)-
- --300mm Nikkor zooms
- --cheap-- dealers...
- -best- Mini-DV camcorder...
- -best- Mini-DV camcorder...2
- -best- Mini-DV camcorder...3
- -best- camcorder....
- -hum- with the MKE-300 on TRV900...
- -image-matte- in Premiere
- -objective- lens reviews...
- -sharpness-...
- -silent- tracks in Premiere...
- 0.7X WA converters for VX-2000
- 1 vs 3-chip camcorders...
- 1 vs 3-chip camcorders...2
- 1-30th for film-look in video...
- 1-30th for film-look in video...2
- 1-30th for film-look in video...3
- 1-30th second effects in video
- 1-30th second effects in video2
- 1-6th inch CCD camcorder...
- 1-CCD camcorder characteristics ..
- 1-CCD vs 3-CCD cameras .
- 1-CCD choice advice ..
- 1-CCD vs 3-CCD DV cameras ....
- 1-CCD vs 3-CCD camcorders...
- 1-CCD vs 3....
- 1-CCD 680-k vs megapixel pictures
- 1-CCD camcorder for low light...
- 1-CCD camcorder for low light...2
- 1-CCD vs 3-CCD...
- 1-chip vs 3-chip Mini-DV camcorders
- 1-chip Mini-DV vs 3-chip
- 1-chip vs 3-chip camcorder picture quality
- 1-chip vs 3-chip camcorder picture quality2
- 1-chip vs 3-chip camcorder picture quality3
- 1-chip vs 3-chip image quality
- 1-chip vs 3
- 1-chippers vs 3-chippers for image-quality
- 1-chippers and TRV900 for low-light
- 1-chippers and TRV900 for low-light2
- 1.4 vs 1.8
- 1.4X converters
- 1.4X converters for 500 mirror...
- 1.4X TC for 80-200 f2.8 AF
- 10 generations of rendering with Canopus codec ..
- 10, 8, 7.5, 6.2mm fisheyes...
- 10-generations forced renderings...
- 100 - 300mm f5.6
- 100 - 500mm f5.6-8 Cosina
- 100 and 135 E lenses
- 100 mm E 2
- 100 mm E
- 100-300 f 5.6
- 100-300 f5.6 zooms...
- 100-300 mm f5.6
- 100-300 Nik vs Tok 2
- 100-300 Nik vs Tok
- 100-300
- 100-300mm f56 2
- 100-300mm f56
- 100-500mm zooms...
- 1000 vs 2000 vs 150...
- 1000mm f10 MTO
- 1000mm mirror vs 500 + converter
- 1000mm mirror
- 100E vs 105M AF
- 100mm f2.8 E
- 100mm lenses...
- 100mm E compares well with the best...
- 105 f2.5 vs 105M
- 105 f2.5 for close-ups, and 500 f5...
- 105 f2.5 vs AF 105 M
- 105 f25 for macro
- 105 f25 vs f18
- 105 M AF vs MF versions
- 105 value
- 105 vs 100E
- 105's
- 105f18 vs 105f2.8 for portrait
- 105f18 vs 105f28 for portrait 2
- 105f28M vs 105mm f4M
- 105M + 180 vs 80-200
- 105M as short tele
- 105M CRC
- 105M MF Nikkor..
- 105M on tubes, converters, achromats 2
- 105M on tubes, converters, achromats
- 105M, 180, 80-200
- 105MFLAT
- 105mm Nikkors
- 105mm choice
- 105mm f1.4.....
- 105mm f1.4.....2
- 105mm f1.8
- 105mm f2.5 versions
- 105mm f2.5's
- 105mm f2.5
- 105mm new vs old
- 105mm Nikkors ++
- 105mm Nikkors +
- 105mm Nikkors 2
- 105mm Nikkors
- 105mm rear element differences
- 10th generation forced renderings with Raptor codec
- 12-02-97 FS posts
- 12-24mm f4 Nikkor ..
- 12-bit sound ...
- 12-bit vs 16-bit settings...
- 12-bit default in video cameras...
- 12-bit Premier problems
- 12-bit sound conversion
- 12-bit to 16-bit audio...
- 12-bit vs 16-bit recording
- 120 1000-speed film
- 128 vs 256 megs for Premiere 5.1
- 135F2
- 135mm f2.8 Nikkors ..
- 135mm f2.8 Nikkors ..2
- 135mm f2.8
- 135mm f2.8 E-Series
- 135mm f2.8 compact
- 135mm f2
- 135mm Tamron
- 14, 15, 16mm lenses
- 14A vs 14E
- 14XCONV
- 15 and 16mm Nikkors
- 15 and 16mm Nikkors2
- 15's
- 150-2000 vs 900
- 15mm f5.6...
- 15mm f5.6 and 16mm f3.5...
- 15mm f5.6 vs f3.5
- 15mm flare w gel
- 15mm polarizer
- 16 by 9 for video....
- 16mm f3.5
- 16mm f3.5 fisheye
- 16mm f3.5 Nikkor described
- 16mm f3.5 Nikkor
- 16mm fisheye vs 18mm non-fisheye...
- 16mm for landscapes
- 16mm vs 18mm 2
- 16mm vs 18mm 3
- 16mm vs 18mm
- 16_85
- 17 mm Tokina
- 17 mm Tokina2
- 17-28,19Viv
- 17-28mm Vivitar
- 17-28mm Vivitar
- 17-28mm Vivitar 2
- 17-28mm Vivitar lesson
- 17-28mm Vivitar
- 17-35 Nikkor ..
- 17-35 vs 20 Nikkor...
- 17mm Tokina
- 17mm Tamron
- 17mm Tokina ATX AF
- 18 vs 20 vs 24
- 180 ED
- 180 vs 80-200
- 180 + 2X vs 400 Sigma
- 180 AF versions
- 180 AF on TC
- 180 AF TC's
- 180 AF versions
- 180 AF vs 200 MF
- 180 AF vs MF
- 180 MF and AF
- 180 MF vs AF.
- 180 MF vs AF
- 180 panorama
- 180 vs 80-200 f2.8
- 180 vs 80-200 f2.8
- 180 vs 80-200
- 180 w converters
- 180's 2
- 180's 3
- 180's
- 180AF + TC201
- 180AF vs MF
- 180mm AF converters
- 180mm AF no probs
- 180mm with converters
- 180mm's
- 180_ZOOM
- 18mm f3.5 vs 20mm f2.8
- 2 drives on IDE cable...
- 2 kinds of photographers
- 2 Nikon lens lines
- 2-gig AVI limit...
- 2-hour Mini-DV masters on DVCam
- 2-ring zoom opinion
- 2-stop down ROT
- 20 vs 24
- 20 vs 18
- 20 vs 20-35
- 20's
- 20-24 non-D vs D
- 20-35 vs 20 + 35 vs 17 + 24
- 20-35 vs 24-120
- 200 AF + 6T and converters
- 2000 dollar 3-chip camcorders...
- 2000 vs 1000...
- 200mm + 1.4X
- 200mm f2 problem
- 200mm f4 AIS Nikkor ..
- 200mm f4 as macro lens
- 200mm macro lenses at infinity
- 2020 CLA 2
- 2020 operations
- 20mm Nikkors
- 20mm f2.8...
- 20mm f2.8...2
- 20mm Nikkors
- 20mm vs 24
- 20mm f2.8
- 20mm AF vs MF
- 20mm and sun
- 20mm f2.8 AIS vs AF
- 20mm f2.8 Nikkor vs zoom...
- 20mm f2.8 performance
- 20mm f2.8, -legendary-
- 20mm f3.5 vs f2.8
- 20mm lenses
- 20mm N vs 20-40 T
- 20mm vs 24mm
- 20mm vs zoom.
- 20mm vs zoom
- 20NvsCheapos
- 20X optical zoom vs digital zoom...
- 20X optical zoom vs digital zoom...2
- 20_16
- 21-35 Sigma and 90 Ser I 2
- 21-35 Sigma and 90 Ser I
- 21mm f4
- 21mm fit cameras
- 24 vs 20
- 24 AF vs 24 MF...
- 24 Sigma vs Nikkor vs zooms
- 24 vs 20
- 24's and CRC
- 24+50 vs 35-70
- 24-120 vs 24-85...
- 24-120 vs 24-85...2
- 24-120 vs 24-85...3
- 24-120 vs 24-85...4
- 24-120 comments
- 24-120 compared with other WA wide-range zooms
- 24-120 compared with other WA wide-range zooms2
- 24-120 distortion
- 24-120 distortion2
- 24-120 mag reviews 2
- 24-120 mag reviews
- 24-120 Nikkor rediscovered...
- 24-120 Nikkor rediscovered...2
- 24-120 Nikkor rediscovered...3
- 24-120 on N2000
- 24-120 revisited...
- 24-120 vs 28-200
- 24-120 vs 28-50 & 50-135
- 24-120 vs 28-70 + 70-300
- 24-120 vs 28-70 or 85
- 24-120 vs primes
- 24-120 vs T 28-200 2
- 24-120 vs T 28-200
- 24-120...
- 24-120mm vs primes
- 24-120mm quick description
- 24-120mm review 10--
- 24-120mm review 10
- 24-120mm review 2
- 24-120mm review 3
- 24-120mm review 4
- 24-120mm review 5
- 24-120mm review 6
- 24-120mm review 7
- 24-120mm review 8
- 24-120mm review 9
- 24-120mm review site address 2
- 24-120mm review site address 3
- 24-120mm review site address
- 24-120mm review
- 24-120mm zoom creep 2
- 24-120mm zoom creep 3
- 24-120mm zoom creep
- 24mm f2.8
- 24mm Nikkors .
- 24mm 2.8 CRC change
- 24mm 2.8 CRC
- 24mm and 28mm PC lenses...
- 24mm f2 vs f2.8
- 24mm f28 versions
- 24mm widest use stop
- 25-50mm f4
- 250 watt bulbs
- 28 - 200mm's
- 28 - 200mm zooms
- 28 - 70mm f3.5-4.5
- 28 and 85 lens recommendations...
- 28 PC
- 28-135mm T & wide-range zooms
- 28-135mm Tamron SP.
- 28-135mm Tamron SP
- 28-200 zoom
- 28-200 on F4...
- 28-200 vs 24-120
- 28-200 vs 28-135 Tamron
- 28-200's
- 28-200, 70-300, and JS and MP reviews
- 28-200mm first impressions
- 28-200mm first impressions2
- 28-200mm Tamron ASPH
- 28-200mm Tamron for concert
- 28-200mm...
- 28-50mm f3.5
- 28-70 vs 24-120 vs prime
- 28-70 vs 28-105 vs 24-120
- 28-70, 35-105's
- 28-70mm Tokina vs....
- 28-70mm Tokina vs....2
- 28-85 and 135E
- 28-85mm MF
- 28-90 Vivitar
- 283 voltage
- 285 vs 283
- 28E vs 50 quality
- 28mm Nikkors
- 28mm Nikkors
- 28mm Nikkors2
- 28mm D
- 28mm f2.8 E-Series
- 28mm f28's continued 2
- 28mm f28's continued 3
- 28mm f28's continued
- 28mm Nikkors ..
- 28mm Nikkors ..2
- 28mm Nikkors ..3
- 28mm Nikkors ..4
- 28mm Nikkors ..5
- 28mm Nikkors ..6
- 28mm Nikkors - and fast WAs ..
- 28mm quality comments
- 28mm aperture questions
- 28mm E 2
- 28mm E
- 28mm f1.4 Review
- 28mm f2.8 AIS vs AF-D
- 28mm f2.8 AI vs AIS...
- 28mm f28's 2
- 28mm f28's
- 28mm f3.5 non-AI
- 2CONVERT
- 2nd curtain sync...
- 2X converters
- 2x - 14x
- 2X converter recommendation
- 2X converter uses
- 2X converters on the 80-200 f2.8 AF
- 2x converters 2
- 2x converters
- 2X disadvantages
- 2X for 300 f2.8
- 2X for 50 f1.8 for macro
- 2X in macro work
- 2X Macro Vivitar doubled 2
- 2X Macro Vivitar doubled
- 2X with 105mm f2.8
- 2X's again
- 2X+ macro gear
- 3 - camera shoots and Premiere
- 3 vs 1 chip for light-source color
- 3-chip camcorder comments...
- 3-chip image recorded to TRV-9
- 3-D TV
- 3-D image-making
- 3-D images...
- 3-D stills and video, timelapse...
- 3-D stills from video frames
- 3-D TV
- 3-D video production...
- 3-D video
- 3-D video2
- 300 f4 vs f28
- 300's + converters
- 3000-dollar camera for docu
- 300AF vs 400AF
- 300mm f2.8 and TC300
- 300mm f2.8 vs f4
- 300mm and 400mm on converters
- 300mm choices
- 300mm f2.8 Nikkor vs the competition...
- 300mm f2.8s
- 300mm f4 problems
- 300mm f4 versions
- 300mm f4-4.5s on converters
- 300mm f4.5's on 1.4X converters
- 300mm f4.5EDIF on TC14A
- 300mm Nikkor f2.8s vs others
- 30mm filters, and alternatives...
- 30mm filters, and alternatives...2
- 30mm filters....
- 30th second video shutter speed for film look
- 30th second video shutter speed for film look2
- 32kHz to 44kHz in Sound Forge
- 35 - 200 mm
- 35 - 200 mm
- 35 and 28mm choices
- 35 f1.4 N vs 35 f1.4 L Asph.
- 35 f14 Leitz vs 35 f14 Nikkor 2
- 35 f14 Leitz vs 35 f14 Nikkor
- 35 f14 vs 35 f2
- 35 f3.5 PC not for F4
- 35 PC types
- 35 to X zooms
- 35 vs 50 f1.4 - bokeh
- 35-105 AF vs MF
- 35-105 D vs non-D
- 35-105D and slide evaluation
- 35-105mm AF-D
- 35-105mm Nikkors
- 35-105mm AF-D vs MF vs 35-70 f2.8
- 35-105mm revisited
- 35-200 vs 24-120
- 35-200mm Nikkor vs 35-70, 80-200 f2.8
- 35-70 f33-45
- 35-70 f2.8 vs 35-105 MF
- 35-70 f28
- 35-70 vs 50 vs 35, 85
- 35-70mm f2.8
- 35-X advice
- 35mm PC
- 35mm PC2
- 35mm f1.4
- 35mm architecture gear
- 35mm carrier that shows sprockets
- 35mm E
- 35mm f1.4 versions
- 35mm f2 Nikkors
- 35mm f2 vs f1.4
- 35mm f2 vs f1.4
- 35mm f2s 2
- 35mm f2s
- 35mm lens equivalents for video lenses
- 35mm lens for large format
- 35mm lens on 4x5
- 35mm Nikkor differences
- 35mm Nikkors...
- 35mm to TV and PC
- 35mm vs 120 VF's
- 35mm vs MF vs LF
- 35mm's compared
- 35mm-format lenses on video camera
- 35mm-lenses best-aperture...
- 35_14
- 35_14_2
- 36 exp w FE
- 36-72mm E
- 37mm-threaded camcorder lenses...
- 3D photos 2
- 3D photos 3
- 3D photos
- 3X converter
- 4 - DISTANCE GLASSES . . .
- 4 - distance glasses ..
- 4-distance glasses 2
- 4-distance glasses
- 4-distance glasses...
- 4-distance glasses...2
- 4-element enlarging lenses
- 4-pin and 6-pin FireWire
- 4-pin vs 6-pin FireWire problems...
- 4-way glasses
- 4-way glasses
- 4-way glasses
- 4-way glasses - diopters
- 4-way glasses pointer
- 4-way glasses solution
- 4-way glasses
- 400 f3.5 + 2X vs 800
- 400 film at 100
- 400 speed slide film
- 400 vs 300 + 14 x vs 80-200 + 2x
- 400+ lens suggestion
- 400-speed slides
- 4004 and filters-lenses
- 400mm f5.6
- 400mm cheap lenses
- 400mm's
- 43 - 86mm
- 43 - 86mm
- 43-86 mm
- 43-86, again
- 43-86, and other surprises...
- 43-86mm....
- 45mm TS EOS
- 4x5 tanks
- 4x5...
- 4x6 prints from 35mm vs 120
- 4x6 prints from 35mm vs 120B
- 5 0 mm f1.8 comments...
- 5, 7 lux and what it means for video shooting...
- 5-8-98 SLEMN pointer
- 50 75-150 questions
- 50 vs 60 for general use
- 50 vs 60 for general use2
- 50 E
- 50 f1.2 vs f1.4 vs f1.8...
- 50 f1.4 vs 28-70...
- 50 f14 vs 50 f18
- 50 to replace 35-80
- 50 vs 35-70
- 50 vs cheap zoom
- 50's 2
- 50's compared, again...
- 50'S(2)
- 50'S(3)
- 50'S(3A)
- 50's.
- 50'S
- 50-300mm
- 50-58mm f1.2s
- 50-58mm lens differences
- 500 mirror, grit in focus
- 500mm f8 mirror
- 500mm f8
- 500mm mirror
- 500mm f5
- 500mm f8 mirror...
- 500mm mirror DOF
- 500mm Nikkor mirror
- 500mm DOF return
- 500mm f8 older
- 500mm mirror comments 2
- 500mm mirror comments
- 500mm mirror quality 2
- 500mm mirror quality
- 500mm mirror recommendations
- 500mm mirror uses
- 500mm mirrors.
- 500mm mirrors
- 500mm mirrors2
- 500mm mirrorz
- 500mm mirz
- 500mm Nikkor mirror
- 500mm Nikkor mirrors
- 50E match for FM
- 50mm versions 2
- 50mm versions 3
- 50mm versions
- 50mm f1.4 vs f1.2-2
- 50mm f1.4 vs f1.2
- 50mm f1.8 Nikkors and AI vs non-AI
- 50mm f18's
- 50mm - D lens
- 50mm f1.2 vs f1.4 vs f1.8s
- 50mm f1.4 at wide stops
- 50mm f1.8 AF problem 2
- 50mm f1.8 AF problem
- 50mm f1.8 AF
- 50mm f1.8 vs zoom
- 50mm f1.8E problem
- 50mm f18 vs f14
- 50mm for full-length portraits
- 50mm macro
- 50mm suggestions
- 50_1P8'S
- 55 f12
- 55 vs 60
- 55mm f1.2 CRT
- 55mm oil on diaphragm blades
- 55mm on tubes
- 55mm vs 60mm sharpness
- 55mm vs 60mm 2
- 55mm vs 60mm
- 55mm f1.2 CRT Nikkor.
- 55mm f1.2 CRT Nikkor
- 55mm f1.2 CRT reversed at 3.5X
- 55mm f3.5 vs f2.8 2
- 55mm f3.5 vs f2.8
- 55mm f35 (copy lens 2)
- 55mm sticky diaphragm
- 55mm versions
- 55mm vs 60mm vs 105mm
- 55mm vs 60mm
- 58mm f1.2 Noct-Nikkor
- 58mm f1.4 value...
- 6.2-750mm Nikkor FS
- 60 vs 105 near 1X, w converters
- 60 vs 105M for...
- 60 vs 50 for general use
- 6006 TTL fill ratios
- 6006 vs 8008
- 6006 vs N50-N70
- 6006 with flash...
- 6006 with flash...2
- 600mm Solid CAT
- 60mm Micro-Nikkor
- 60mm Micro-Nikkor2
- 60mm at infinity.
- 60mm at infinity
- 60mm Micro-Nikkor at infinity - and now people believe...
- 60mm on 2X
- 60mmdiff
- 6db MIC PAD
- 70 - 210 f4 - f5.6
- 70 - 300mm, again
- 70 - 300mm, again2
- 70 - 300mm
- 70-180 macro.
- 70-180 macro
- 70-180 macro2
- 70-180 + F4 exposure oddity
- 70-180 comments
- 70-180 macro speed
- 70-180, 200M, 80-200 2-ring, 180
- 70-210 f4-5.6
- 70-210 f4E
- 70-210 E vs 80-200 f4.5
- 70-210 f4 vs f4-5.6
- 70-210 f4 vs f4-5.6
- 70-210 Sigma vs Nikon technology
- 70-210 vs 80-200 at corners
- 70-210 vs 80-200
- 70-210's recommend
- 70-210
- 70-210AF alternatives
- 70-210f4AF
- 70-300 vs 75-300.. .
- 70-300 vs 75-300
- 70-300 vs 75-300
- 70-300....
- 70-300....2
- 70-300mm ED comments
- 70-300mm ED comments2
- 720 vs 640x480...
- 720x480, viewed...
- 75-150E vs 70-210E
- 75-150mm E
- 75-150mm f3.5 vs. 80-200mm f2.8
- 75-150mm f3.5E optical quality
- 75-240, and other Nikon disasters...
- 75-300 + converter
- 75-300 vs 70-300...
- 75-300 vs 100-300
- 75-300mm tripod mt quality
- 8 vs Hi-8 image quality
- 80-200 converters
- 80-200 f2.8 on 2X converter
- 80-200 vs 180
- 80-200 with converters
- 80-200 + converters
- 80-200 + TC14 vs other zooms...
- 80-200 + TC14
- 80-200 D vs non-D
- 80-200 f2.8 for macro...
- 80-200 f2.8 on converters
- 80-200 f2.8 sharpness
- 80-200 f2.8 wide open
- 80-200 f28 w converters
- 80-200 f4 vs f45
- 80-200 f4.5 converter
- 80-200 on 2X vs...
- 80-200 vs 75-300
- 80-200 vs the to-300mm zooms
- 80-200, 300, 500, 1000 + converters compared 2
- 80-200, 300, 500, 1000 + converters compared
- 80-200, 70-210's
- 80-200mm f2.8
- 80-200mm f2.8 AF
- 80-200mm f2.8 converters
- 80-200mm f2.8 converters2
- 80-200mm f2.8 converters3
- 80-200mm f2.8 sample variations...
- 80-200mm f2.8 sample variations...2
- 80-200mm f2.8 for macro 2
- 80-200mm f2.8 for macro
- 80-200mm f2.8 versions
- 80-200mm f2.8 vertical brackets
- 80-200mm f4 AF....
- 80-200mm Nikkor...
- 80-200mm on t-pod 2
- 80-200mm on t-pod
- 80-200mm problems
- 80-200mm tripod mounting 2
- 80-200mm tripod mounting
- 80-200mm w converterz
- 80-min tape in TRV900
- 800 ASA color negatives
- 8008 vs 8008s
- 8008 vs 8008s meter pattern 2
- 8008 vs 8008s.
- 8008 vs 8008S
- 8008 vs N90
- 8008 vs 8008s 2
- 8008 vs 8008s 3
- 8008 vs 8008s.
- 8008 vs 8008s
- 8008 + SB-24
- 8008 and N90
- 8008 as manual camera
- 8008 auto-fill ratio with flash
- 8008 batteries dying
- 8008 cable release 2
- 8008 cable release
- 8008 crack
- 8008 electronic front releases
- 8008 jamming
- 8008 LCD illuminator
- 8008 loading behavior
- 8008 lockup 2
- 8008 lockup
- 8008 metering vs 8008s
- 8008 operation
- 8008 quirks
- 8008 rear curtain flash
- 8008 screen in N90..
- 8008 VF light
- 8008 vs N90...
- 8008 vs N90...2
- 8008 vs 8008s 4
- 8008 vs 8008s 5
- 8008 vs 8008s, N90, N90s
- 8008 vs 8008S
- 8008 vs N60...
- 8008 vs N90 finder sharpness
- 8008 vs N90
- 8008, 8008s meter patterns
- 8008...
- 8008S meter pattern
- 8008s vs N90s
- 8008s
- 800MHz vs more...
- 800mm f11 Solid Cat
- 801 replacement
- 801s
- 85 f1.4 CRC
- 85 f1.4 vs f2
- 85 mm Nikkors
- 85, 105, 135 MF quality
- 85-180 or 85-80 to 200
- 85AF vs 105
- 85mm f1.8AF
- 85mm Nikkors
- 85mm Nikkors 2
- 85mm Nikkors...
- 85mm Nikkors
- 85mm f2 Nikkor's ratings...
- 85mm f2 Nikkor's ratings...2
- 85mm Nikkors....2
- 85mm Nikkors...
- 85mm Nikkors...2
- 85mm plus TC14A
- 85mm z
- 85mm's
- 85mm, used
- 8mm converters on 35mm
- 8mm f2.8 alternatives
- 8mm Nikkor vs Sigma
- 8mm vs Mini-DV...
- 8mm vs Mini-DV...2
- 90 Sigma, achromat
- 90-180 Ser I
- 90-180mm Vivitar
- 90-180mm Vivitar
- 90mm Sigma macro
- 90mm f2.5 Vivitar Series I
- 90mm Vivitar Series I
- 90mm f2.5 Series I...
- 90mm f8 Nikkor coverage
- 90mm Sigma macro
- a couple of primes, or a zoom...
- a dishonest seller warning
- A features bury M features
- a sorority's good advice...
- a u c t i o n s . . .
- A-D pass-through with Sony camcorders...
- A-Spherical element
- about a Super Video Director
- about Fred Whitlock
- about lens tests 2
- About Lens Tests 3
- about lens tests
- about post line lengths
- about posting
- about Snappy
- about the 300mm problems person
- about the F2
- About zooms...
- accessories for a TRV25
- accessories for getting started in video
- accessories for PC9...
- accessories for the 30mm PC9 lens
- accessories for TRV950...
- accessories for video camera...
- accessories on F3 finder
- accessorizing the tiny PC9...
- accessory LCD monitor
- accurate viewfinders
- achromat makers
- achromats and close-up lenses for video...
- achromats for macro work
- achromats on 50mm...
- achromats on zoom lens
- achromats vs tubes
- achromats, tubes, and distortion
- Action finder for F, F2
- Action finder
- Acufine advice
- Acute-Matte screen
- ad hype and lens names...
- adapter rings, difficult combinations...
- adapting fisheye to 4x5
- adapting the MKE-300 mic to the VX2000...
- add diaphram to projector lens
- add fuse to flash supply
- Add-on motor snap vibration
- add-ons to 105M
- adding 2X to 60 macro
- adding more RAM for Premiere...
- adding still frame to extend clip in Premiere
- ADDITIO2
- addition to CHANGING CODECS
- ADDITION
- adjusting audio levels in NLE
- adjusting brightness-contrast in Premiere
- advice for camcorder and computer and accessories...
- advice for photo work
- advice in lens selection
- advice on F3 and lenses...
- advice to a beginner
- Advice to Beginner
- AE on F2 and D screen
- AE-bias on Sony 3-chippers
- aerial photography
- aerial photo lenses
- aerial photography
- aerial vs fixed focus planes...
- aerials, zooms, and advice
- AF accuracy
- AF accuracy
- AF indicator error
- AF VS MF rant
- AF vs MF
- AF - and distortion
- AF - M compatibility
- AF accuracy 2
- AF accuracy
- AF accuracy2
- AF accuracy3
- AF and zoom rant
- AF camera VF unsharpness
- AF camera VF unsharpness2
- AF camera VF unsharpness3
- AF camera VF unsharpness4
- AF complaints
- AF Curmudgeon Statement
- AF error with lens flare and ghosts
- AF for the needy
- AF gear quality vs old...
- AF improvements in video...
- AF indicators and locking problems
- AF lens barrel quality
- AF lens gaps
- AF lens on F2 2
- AF lens on F2
- AF lens on Nikkormat
- AF lens serial no location
- AF lens wobble
- AF lenses as MF lenses
- AF lenses on F2A
- AF lenses, flash recommendations
- AF on MF bodies
- AF problem
- AF slop range
- AF vs MF lens choice...
- AF vs MF 24mm...
- AF vs MF accuracy
- AF vs MF lens quality
- AF vs MF, 3-D subjects
- AF zoom comments
- AF'ing with converters
- AF, E, AIS quality
- AF-lens clunks...
- AF-RANT
- AFing MF lenses
- After Effects ..
- After Effects ..2
- AG-DVX100 vs VX2000, sigh....
- AG-DVX100 vs VX2000, sigh....2
- AGC comments...
- AI vs AIS MF lenses ..
- AI vs AIS MF lenses ..2
- AI - non-AI compatibility 3
- AI and newer features
- AI identification
- AI lenses on old bodies
- AI tab position
- AI vs AIS on N90
- AI vs AIS
- AI vs non-AI - how to tell
- AI vs non-AI bodies 2
- AI vs non-AI bodies
- AI vs non-AI identification
- AI' ing
- AI'd OK on AF body
- AI'D-NON
- AI'er 2
- AI'er
- AI'ing - White
- AI'ing lenses, whitejt3@aol.com
- AI'ing lenses
- AI'ing
- AI, again....
- AI-ing people 2
- AI-ing people
- AI-S lenses...
- aids for holding video camera
- air bulb instead of canned air...
- air-conditioner filter wind screen
- AIS aperture actuator lever function
- AIS aperture actuator lever function2
- AIS converters
- AIS on N70
- AITOAIS
- AK, SY on Weston repair
- alcohol on eyepiece
- aligning multiple sound tracks with clips in Premiere
- All-Rights photo contest
- Alps printer comments
- Alps printer
- Alps vs Epson and HP printers
- Alt-key scrubbing in Premiere
- Alt-key scrubbing in Premiere2
- Alt-scrubbing in Premiere...
- altering DV image characteristics
- alternatives to 80-200 f4...
- amateur gear choices......
- Ambi+Flash
- an effect in Premiere...
- analogue vs digital video ...
- analogue vs digital video ...2
- analogue vs digital video...
- analogue and DV input to computer
- analogue capture with camcorder
- analogue input for DV
- analogue input to VX-1000...
- analogue input with DV
- analogue pass-through hookups for Sony camcorders
- analogue vs digital audio capture...
- analogue vs digital vs mixed editing
- analogue vs digital vs mixed editing2
- analogue-input on camcorders
- analogue-input on Mini-DV camcorders
- anamorphic decoding in Premiere
- anamorphic decoding in Premiere2
- animated text in Premiere...
- animation with Mini-DV...
- animation with Sony camcorders
- animations with Mini-DV
- announce Bob's Baseball Game
- announce IR stereo photo
- announce SLE(MN)
- anti-spam2
- anti-spam3
- anti-spam4
- antispam1
- Aopen tube MB ..
- aperture and SS on cheap camcorder...
- aperture increments
- aperture readout of MF lenses on AF bodies
- Aperture Sequence
- aperture sequences
- aperture shift with variable-aperture zooms
- aperture shift with zooming...
- aperture shift with zooming...2
- aperture symmetry 2
- aperture symmetry 3
- aperture symmetry, area, etc
- Aperture, Shutter Speed, and Gain AND MORE...
- aperture, shutter speed, and gain...
- aperture
- apertures continuously variable
- APO vs non-APO
- appeal vs practicality in camcorders and computers
- applying audio filters uniformly to clips in Premiere
- AR-9 soft release, and long cable release
- archiving DV-footage
- archiving Mini-DV ...
- archiving DV footage...
- archiving Hi-8 on DV tape
- archiving Mini-DV...
- archiving video...
- arranging footage in Premiere...
- arranging footage in Premiere...2
- ART FILM-VIDEO...
- art video makers...
- ARTHUR
- AS-7 shoe
- ASA for tungsten exposure
- aspherics in converters
- ATI Xpert video card
- Attributions of posts
- audio and photo nutty myths
- audio bumps in editing video
- audio clipping causes, cures
- audio control in Premiere
- Audio ears vs meters
- audio gear quality for video...
- audio in video...
- audio interleave nos. for Spark
- audio into computer
- audio level control in Premiere
- audio mixing in Premiere
- audio mixing in Premiere2
- audio model types
- audio pops in Premiere
- audio pulse in captured DV
- audio settings...
- audio-mania. .
- audio-mania. .2
- audio-mania. .3
- audio-track saving tools
- audio-track saving tools2
- audio-track saving tools3
- audiomania and cables...
- audiomania and cables...2
- audiomania and cables...3
- auto flash as light timer
- auto macro advice for DOF
- auto-loading jams
- auto-shutdown and PD150...
- auto-shutter mode...
- Autocord vs Yashicamat
- AVIs and long videos...
- avoiding crashes in Premiere
- avoiding dropped frames with preview-quality...
- avoiding dropped frames with preview-quality...2
- avoiding light source reflections in lens
- Azden mic systems
- Azden mic systems2
- Azden mics
- Azden mics2
- Azden or other wireless mic system ..
- Azden radio mic system
- Azden wireless mics
- Azden wireless comments
- Azden wireless mics
- Azden wireless system...
- B & H - import vs US film
- B & W from color negatives
- B & W prints from color slides
- B and E screens
- B&H...
- B&W Filters
- B&W filter recomendation
- B&W filters have little effect
- B&W filters
- B&W from color neg
- B&W TTL error
- B&W tung exp different
- B&W vs Hoya vs Tiffen
- B&W vs Hoya vs Tiffen2
- B-H uproar...
- B-W video viewfinders ..
- B1, geared, and fluid heads
- back-pack video camera...
- back-up, storage of video files
- back-up, storage of video files2
- back-up, storage of video files3
- backfocus and focus-shift with zooming
- backfocus and focus-shift with zooming2
- bad combo of lens, body, flash
- bad copyright case judgement
- bad copyright case judgement2
- bad copyright case judgement3 - MP
- bad filter 2
- bad filter
- bad Nikkors 2
- bad Nikkors
- bad reciprocity-failure answer...
- bad track to mono...
- bad trade
- bad video dealers...
- balanced or unbalanced mic lines...
- Ball Heads
- bank video story
- bare-bulb flash cheap
- barrel-distortion and Canon WD-58
- Basic camera outfit
- basic DV editing info...
- Basis for the Nikkor evaluation list numbering
- BAT-PACK
- batteries for FE
- batteries for small Sony camcorders
- batteries for the VX2000
- batteries, chargers, and cases for Sony camcorders
- battery chargers for Sony camcorders...
- battery-less shutter operation
- battery-less shutter operation2
- battery-pack suggestion
- bayonette play
- bayonette play2
- BC posts...
- beaten equipment
- beep-fix
- beep-fix-2
- beep-fix-3
- beep-fix-4
- beep-fix
- beeper timer
- beeps on playback
- beginner questions
- beginning with Premiere
- being a Sony rep......
- bellows for F3
- Bellows use
- bellows vs other for macro
- bellows
- belt-pods and audio for VX-2000...
- Bessa vs Hexar...
- Bessa vs Leica...
- best 8mm fisheye...
- best light meter ..
- best 1-chip Mini-DV camcorders vs TRV900
- best 28-135 zoom
- best 3-chipper for low-end low-light work
- best 500mm mirror
- best AF in video cameras
- best all-around Mini-DV camcorder....
- best aperture
- best camcorder under $800...
- best camcorder under $800...2
- best camera for big-screen under $7500
- best codec for Mac...
- best DV card...
- best DV codec,,,
- best DV tape...
- best DV-codecs ..
- best fast lenses...
- best finders for eyeglasses wearers
- best Hi-8 vs worst mini-DV...
- best large format lenses....
- best lens around 200mm
- best lens line
- best lenses
- best low-light Mini-DV camcorder
- best mid 2001 video camera for stills...
- best Mini-DV tape...
- best mini-DV viewfinder...
- best Nikkor normal lens...
- best Rollei 35 versions
- best shutter speed for video ..
- best shutter speed for video ..2
- best slide films, projectors
- best stop, and checking lenses
- best stops for best sharpness
- best stops for best sharpness2
- best tele converters for the VX2000...
- best times for buying, selling gear
- best ultrawides
- Best under 1500-dollar camcorder...
- Best under 1500-dollar camcorder...2
- Best under 2000-dollar camcorder...
- best under-$1500 camcorder
- best very-wides...
- best video and still image quality
- best WA zoom
- best way for large moon image
- best way to see camcorder-comparison clips...
- better color under lights
- better image quality than the TRV20...
- better zooms...
- bifocal set-up
- big battery power for TRV900...
- big battery power for TRV900...2
- big tele vs small + converter
- bigger FG
- binocular-image in Premiere...
- bird lenses
- black bars at frame edges
- black letter edges in Premiere titles
- black monks cloth
- black print borders
- blacking tape ...
- blacking tape for time-code continuity
- blacking tape...
- blank frames with N2000
- blanks between takes...
- bleeding edge computers...
- blotchy yellow in PC101 images...
- blow up 85mm image vs 300mm
- blue outdoor WB...
- BLUE_SKY
- blurred edge, sharp center in Premiere
- bmp jitter...
- BN aka HTH aka DR + style
- BN aka HTH aka DR
- BO-MING
- Bob Atkins help
- Bob White, and the theater organ
- bodies that accept WL finders
- bodies with glasses
- body choices, metering
- body focus errors 2
- body focus errors 3
- body focus errors
- Bogan geared head
- Bogen tripod for video...
- Bogen video tripod...
- boring-video ideas...
- bounce flash
- bounce TTL flash
- brand preference
- breathing on lens
- bright screen in F 2
- bright screen in F
- bright screens
- bright-screens...
- brightening video footage...
- brightening footage in Premiere...
- brighter F3 screen
- brilliance vs contrast
- brilliance, contrast, signal-processing
- bringing slides into Premiere
- broadcast video quality...
- broken AI tab
- BS' credibility...
- bug photos
- bug shooting gear
- bulk loading 2
- bulk loading 3
- bulk loading tips
- buy an XL-1 or TRV-900...
- buy deck or camera...
- buy the demo TV, not the new one ..
- Buying a camcorder ...
- buying a PD150 ....
- buying a TV...
- buying camcorder ...
- buying a camcorder...
- buying a Mini-DV camcorder and accessories
- buying a Mini-DV camcorder and accessories2
- buying a small camcorder...
- buying a TRV-900...
- buying a TV...
- buying a used body
- buying and selling experience
- buying new vs used electronics
- buying used long lens
- Buz workaround...
- Buz workaround2
- C A L I B R A T I N G camera meters....
- c a m c o r d e r advice...
- c a m c o r d e r choice...
- c a m c o r d e r selection
- c h o o s i n g a c a m c o r d e r . . .
- c h o o s i n g a c a m c o r d e r . . .2
- c h o o s i n g a camcorder.....
- c h o o s i n g a camcorder.....2
- c h o o s i n g a camcorder...
- c h o o s i n g a camcorder...2
- C L A's
- c lens checking article
- c lens checking
- C mount adapters
- c o d e c s . . . for Mini-DV
- c o n v e r t e r s
- C o o l E d i t ..
- c opyright
- cable release for 8008, N90
- cable release substitution N2000
- cable-release adapter for 8008
- CALIBRATING camcorder for WB and exposure
- calibrating camera meters
- calibrating meters
- calibrating TTL meters
- call for insurance info replies
- call for insurance info
- Cambron 500mm f8
- camcorder choice....
- camcorder choice...
- camcorder choice...2
- camcorder selection ...
- camcorder sound...
- camcorder standards...
- Camcorder buying advice . . .
- camcorder comparison articles...
- camcorder comparison issues...
- camcorder for serious use...
- camcorder mics
- camcorder or deck for second transport...
- camcorder purchase advice...
- camcorder purchase advice
- camcorder resolution
- camcorder REVIEW URLs
- camcorder reviews ...
- camcorder s e l e c t i o n . . .
- camcorder selection ...
- camcorder service ...
- camcorder vs DV-VCR
- camcorder - comparisons...
- camcorder - Sony or Canon
- CAMCORDER - STANDARDS
- CAMCORDER - STANDARDS2
- CAMCORDER - STANDARDS3
- CAMCORDER - STANDARDS4
- CAMCORDER - STANDARDS5
- CAMCORDER - STANDARDS6
- camcorder and editor on a budget...
- CAMCORDER ATTRIBUTES TO LOOK FOR...
- camcorder audio mini-plug...
- camcorder auto turn-off
- camcorder auto-turnoff...
- camcorder basic features needed
- camcorder battery pack
- CAMCORDER CHARACTERISTICS to look for...
- camcorder choice basics...
- camcorder choice....
- camcorder choice...
- camcorder choice..
- camcorder choosing...
- camcorder close-up lenses
- Camcorder Comparison article comments
- camcorder comparison plug, again....
- camcorder comparison plug, again...
- Camcorder comparison web site
- camcorder comparisons, and the GL-1...
- camcorder comparisons, and the GL-1...2
- camcorder connections for TV-viewing
- camcorder exposure lock and shift control
- camcorder feature wishes...
- camcorder fisheye
- camcorder FL 35mm equivalents
- Camcorder FL equivalents
- camcorder for -film-...
- camcorder for catching a thief
- camcorder for concerts
- camcorder for evening wildlife work
- camcorder for events work
- camcorder for landscape shooting...
- camcorder for product demos
- camcorder for skiing video-stills
- camcorder for skiing...
- camcorder for video-film transfer
- camcorder for web stills and clips
- camcorder frame grabbing
- camcorder HDs...
- camcorder Kenko .5X
- camcorder lens quality...
- camcorder lens distortion
- camcorder lens near-focus changes with zooming...
- camcorder lens optimum stop
- camcorder lens quality...
- camcorder lens quality
- camcorder lenses
- camcorder lenshoods
- camcorder line-level input ..
- camcorder low-light VX-1000 vs XL1 images
- camcorder mics
- camcorder mikingA
- camcorder mikingB
- camcorder model changes...
- camcorder model changes...2
- camcorder model equivalents...
- camcorder picture noise...
- camcorder picture resolutions
- camcorder picture resolutions2
- camcorder pixel-count, etc, and image look
- camcorder ports...
- camcorder resolution
- camcorder resolutions and copy formats
- Camcorder review pointer
- camcorder reviews types...
- camcorder reviews...
- camcorder run on 6 V vs 7V
- camcorder steady-shot types, effects
- camcorder steadying aids
- camcorder stereo sound
- camcorder stills vs still-camera stills...
- camcorder TRV900-VX2000...
- camcorder type advice...
- camcorder web-sites...
- camcorder whine, other shortcomings
- camcorder zoom 35mm equivalent FLs...
- camcorder-comparison websites
- CAMCORDER-COMPARISON URLs
- camcorder-cord resolution differences
- camcorders and low-light...
- camcorders vs still digital cameras for stills...
- camcorders for story productions
- camcorders for story productions2
- camcorders getting smaller...
- camcorders stored cold...
- camera for event work
- camera reliability
- camera bag for working...
- camera body for nature-landscape photography...
- camera choice info...
- camera choice
- camera collecting
- camera distance and front size for brightness...
- camera distance and front size for brightness...2
- camera distance and front size for brightness...3
- camera for 4X recording of sports
- camera for architecture.
- camera for architecture
- camera for stills and video for trip...
- camera meter color error
- camera meters disagreeing
- camera or edit-system first...
- camera wrist strap
- camera-film improvements since 1973...
- camera-lens storage...
- camera-lens storage...2
- camera-mode vs memory-mode in Sony camcorders
- cameras for low light...
- cameras for low light
- cammer mirz
- canned air, ugh...
- Cannon = boom, Canon = click
- Cannon vs Nikkor lenses...
- Canon 24mm f1.4 AF
- Canon 24mm f1.4 ...
- Canon vs Nikon 3
- Canon vs Nikon
- Canon WD-58...
- Canon 24m T-S lens
- Canon 500D achromat on fast zoom...
- Canon advertising...
- Canon camcorders vs. VX-2000...
- Canon f1 lens ..
- Canon f1 lens ..2
- Canon IS 'test'
- Canon lenses
- Canon religion and AI-2
- Canon religion and AI-3
- Canon religion and AI-4
- Canon religion and AI
- Canon vs Nikon 2
- Canon vs Nikon marketing
- Canon vs Nikon
- Canon vs Sony one-chippers...
- Canon vs Sony rants...
- Canon WA lens converters
- Canon-myopia and pixel-count...
- Canon-myopia and pixel-count...10
- Canon-myopia and pixel-count...2
- Canon-myopia and pixel-count...3
- Canon-myopia and pixel-count...4
- Canon-myopia and pixel-count...5
- Canon-myopia and pixel-count...6
- Canon-myopia and pixel-count...7
- Canon-myopia and pixel-count...8
- Canon-myopia and pixel-count...9
- Canons vs Nikkors
- Canopus advantages...
- Canopus DV-Raptor, first impressions
- Canopus products...
- Canopus versions...
- cap or not to cap video lens - and sun
- cap or not to cap video lens - and sun2
- capture-play on C drive
- capturing stills from video
- capturing stills from DV camcorder...
- carbon tripods and damping
- CARTLOAD
- case for VX2000...
- CC correction for skyline sunset
- cc30M filter
- CCD characteristics
- CCD size and resolution....
- CCD size and resolution....2
- CCD size and resolution....3
- CCD size, pixel count, CCD type, and low-light range...
- CCD type, pixel count, and stabilization in low light...
- CCD used area and effective FL ..
- CCDs....
- CCDs...
- CDs vs LPs, subwoofers, and LF reproduction...
- CDs vs LPs, subwoofers, and LF reproduction...2
- CDs vs LPs, subwoofers, and LF reproduction...3
- Celeron 300a overclocking
- Celeron 300a overclocking2
- center-weighted vs matrix
- Century Optics vs alternatives...
- Century vs Kenko-Raynox WA converters
- Century vs Kenko-Raynox WA converters2
- Century vs Kenko-Raynox WA converters3
- Century vs. Canon WD-58 for VX-2000
- changing timeline scale in Premiere
- changing timeline scale in Premiere2
- charging batteries in-camera or externally...
- charging nothing for work...
- Charlie Hand on Video Resolution
- chart testing pitfalls
- chart-testing 28-105 vs 24-120...
- chart-testing lenses
- cheap lav mic ...
- cheap 4-500mm lenses-mirrors
- cheap big easel
- cheap external mics for video...
- cheap mic for music
- cheap mics for the VX2000
- cheap mirror lenses
- cheap Nikkors 100-200mm
- cheap Nikkors 100-200mm2
- cheap Nikons, repairs
- cheap older 70-210 zoom quality
- cheap paper safe
- cheap shot-gun mics
- cheap stiorage for Mini-DV...
- cheap upgrade for editing
- cheap upgrade for editing2
- cheap vs expensive converters
- cheap vs expensive filters 2
- cheap vs expensive filters
- cheap vs expensive lenses...
- cheap, bright lav mic
- cheap-but-good lenses
- cheapest light meter
- check-sum and reprograming camcorders...
- checking audio levels in video
- checking BW TTL flash accuracy
- CHECKING Cameras .
- checking dropped lens
- checking F3 ISO TTL w meter
- checking filters
- checking for bad pixels in CCD
- checking for flare
- checking for vignetting with megapixel one-chippers
- Checking Lens Alignment
- checking lens distortion
- checking lens field flatness in viewfinder
- checking long lenses...
- checking mirror alignment
- checking shutter for damage
- checking TTL flash w B&W
- checking used camera
- Checking used F3
- checking VF alignment
- CHEPLEN2
- CHEPLENS
- choice for one camera and lens...
- choice of 4 filters 2
- choice of 4 filters...
- choice of camcorders to review...
- choice of mini-DV camcorders
- choooosing a camcorder...
- choosing a video camera ..
- choosing a video camera ..2
- choosing a camcorder .....
- choosing a hand-held video camera ..
- choosing a mini-DV camcorder
- choosing a mini-DV camcorder
- choosing a camcorder.....
- choosing a camcorder....
- choosing a camcorder...
- choosing a mid-range zoom...
- choosing bit-rates and video modes on XL-1
- choosing camcorders and digital still cameras
- choosing codec for output...
- choosing codec for output...2
- choosing codec for output...3
- circular fisheye types and prices
- circular video image in black background
- circular video image in black background2
- clean titles in Mini-DV
- cleaners for cameras
- cleaning SLR mirror
- cleaning inside lens
- cleaning lenses
- Cleaning lenses
- cleaning lenses2
- cleaning lenses3
- cleaning MC filters ...
- cleaning multicoated filters ...
- CLEANING OPTICS-2
- CLEANING OPTICS
- Cleaning SLR Mirrors and Screens
- cleaning tape for Mini-DV ...
- cleaning tape for Mini-DV
- cleaning VFs
- cleaning viewfinders
- cleaning cameras
- cleaning contacts
- cleaning filters and lenses
- cleaning lenses
- cleaning mirror - screen
- cleaning monitor screens
- cleaning multicoated filters
- cleaning SLR mirror 2
- cleaning SLR mirror 3
- cleaning SLR mirror
- cleaning SLR mirrors
- cleaning spot on lens
- cleaning tape use ...
- cleaning tape brand for Mini-DV...
- cleaning VF screen
- cleaning video camera viewing screens
- clear-centered F3 screens
- Clinton's crime...
- clip filter for wide-screen effect...
- clipping on loud sounds in audio for video...
- clipping on loud sounds in audio for video...2
- clips moving across screen in Premiere
- close to bugs...
- close-up lenses ...
- close-up advice...
- close-up vs converter 2
- close-up vs converter
- close-up and tele add-ons...
- close-up and tele add-ons...2
- close-up lens on video camera
- close-up lenses and video
- close-up lenses
- close-up methods
- close-ups and flash...
- close-ups and flash...2
- close-ups w step-downs
- close-ups w zooms, tubes, CU lens
- close-ups with Canon zooms
- coated vs multicoated filters
- coating and flare visibility...
- coating damage
- COD scam
- Code of Transactional Conduct
- codec differences
- codec differences2
- codec effects...
- codecs and editing programs...
- codecs and multi-generation renderings
- codecs and multi-generation renderings2
- codecs and multi-generation renderings3
- codecs and multiple levels of rendering ...
- codecs and multiple levels of rendering ...2
- codecs and non-rendering in video editors
- codecs and titlers for Mini-DV...
- cold-weather camcorder...
- collector value of -
- color accuracy and one-chip DV
- color adjustment on TVs
- color and other filtering during editing ..
- color bleed in Mini-DV...
- color correction filters
- Color Correction Filters 2
- Color Correction Filters
- COLOR error in meters, and compensation ..
- COLOR error in meters, and compensation ..2
- COLOR error in meters, and compensation ..3
- COLOR error in meters, and compensation ..4
- color errors in TTL camera meters ...
- color film recommendations 98
- color filters, high country
- color light correcting...
- color of enhancing filter
- color of TVs...
- color phots of X rays
- color slide film preferences to 96
- colored filter usefulness...
- coloring flash complimentary to wall
- coloring IR video footage
- colors of lens brands
- coma test results
- comment on web page ponters...
- comments on camcorder comparison
- comments on camcorder-reviews article...
- comments on DW post on WTC events and more...
- comments on Fred W digital photo
- comments on Ken Starr's report
- comments on Ken Starr's report2
- comments on Ken Starr's report3
- comments on Ken Starr's report4
- comments on Ken Starr's report5
- comments on my camcorder reviews
- comments on my camcorder reviews2
- comments on Nikkor teles
- comments on Nikon page
- comments on seeing-perspective, 4-way glasses
- comments on the 2000 election...
- compact 35's
- compact 35mm SLRs
- compact camera
- compact-light camcorder selection...
- COMPARATIVE SITES URLs for camcorders...
- COMPARATIVE SITES URLs for camcorders...2
- comparing image quality with specs....
- comparing lens lines...
- comparing lens lines
- comparing Mini-DV camcorders...
- comparing Nikkor AF-D zooms
- comparing prices of PD-150 and XL-1...
- comparing small cameras...
- comparing some Sony camcorder models...
- comparing some Sony camcorder models...2
- comparing some Sony camcorder models...3
- COMPARING some Sony camcorder models...4
- comparing Sony 1-CCD megapixel and not types...
- comparing Sony 1-CCD megapixel and not types...2
- comparing Sony camcorders...
- comparing the Nikkor 105M's
- comparing VHS tapes
- comparing video FLs with 35mm camera lens FL
- comparing video formats...
- compatibility of new, old Sony tape
- compensation effects 2
- compensation effects
- compensation for damaged slides 2
- compensation for damaged slides
- Componar-Opemus opinion
- Componon vs Comparon
- Componon vs Comparon2
- Compur-Hasselblad
- computer building advice...
- computer cooling
- computer printers 2
- computer printers
- computer speed differences...
- computer-monitor problems...
- connecting external mic when camcorder in VCR mode
- connecting Raptor, deck, and TV
- consistency of Nikkors vs -
- constant aperture zoom
- constant vs variable aperture zooms ..
- Consumer Reports reliability...
- contact print standards
- Contaflex
- contest-club judging
- contrast change with aperture
- contrast vs resolution
- convenience of zooms vs primes
- convergence and distortion in TVs
- conversion vs B&W filters
- convertable lens
- converter compatibility
- converter advice...
- converter for 300mm...
- converter for 80-200 f4
- converter for XL-1
- converter on a zoom...
- converter on slow mid-range zoom
- converter with 28-200
- converter with faster 3
- converters for 80-200 AF
- converters for 80-200 f2.8
- converters for 80-200, +...
- converters for the 80-200 f2.8
- converters on short FL lenses
- converters 2
- converters and XLR mic adapter for TRV-900
- converters for 80-200 f2.8
- Converters for 180 AF
- converters for 300 f4.5 EDIF
- converters for 80-200
- converters for 80-200mm f2.8
- converters for AF lenses
- converters for macro lenses
- converters on macro lenses
- converters on N 300mm's 2
- converters on N 300mm's 3
- converters on N 300mm's
- converters on short lenses 2
- converters on short lenses
- converters vs primes, lens testing
- converters with faster 2
- converters with faster than f2
- converters, sharpness, DOF, matching
- converters.
- converters
- Converters1
- converting 12-bit to 16-bit sound
- converting lenses to PC
- converting VHS to DV...
- CON_DIFF
- Cool Edit...
- Cool Edit...
- Cool Edit...2
- Cool 3-D user problem...
- Cool Edit noise reduction
- Cool Edit praise...
- Cool Edit and mixing different beat-count tracks
- Cool Edit noise reduction...
- Cool Edit noise reduction
- COOL_REG
- copied Nikon web page info...
- Copy work camera 2
- Copy work camera
- copy work equipment
- copying VHS copies, instead of purchasing...
- copying VHS to VHS...
- Copyright Address
- copyright advice 2 (registration info)
- copyright advice 3 (registration info)
- copyright advice
- copyright infringement 2
- copyright infringement 3
- copyright infringement 4
- copyright infringement
- copyright law 2
- copyright law 3
- copyright law and fair use
- copyright law.
- copyright law
- copyrights
- Corel Lumiere
- corner effects and insets in Premiere
- correcting video errors in editing...
- Cosina 100-500
- Cosina 100-500b
- Cosina 100-500mm
- Cosina 100-500
- Cosina 100-500mm 2
- Cosina 100-500mm 3
- Cosina doubled lights
- cost of Mini-DV tape...
- cost-effective upgrades for faster video rendering
- covering long events
- covering some bad lines in video image
- CPU rendering speed
- cpu speed and RAM size vs render times
- CRC on wides
- cross-talk with VX2000, Beachtek
- CRT Nikkors...
- Crystal Optics filter rip-off
- curing the TRV-900 -blues-
- curing the TRV-900 -blues-2
- curing the TRV-900 -blues-3
- curing the TRV-900 -blues-4
- cut-away editing in P-LE
- cutting together 2 and 3 camera shoots, Premiere
- Cyber vs real galleries
- D Atzenberger Comments
- D O F 2
- D O F
- D or non-D MF 35-105 better...
- D Rosen on APO
- d u s t in lens
- D vs B vs K-screens
- D-8 and Mini-DV...
- D-8 and Mini-DV...2
- D-8 and Mini-DV...3
- D-8, 8mm, etc...
- D-screen, and 80-200 as macro...
- D25 - and what comes next ..
- D25 format differences
- D8 for Hi-8, and longevity...
- D8 megapixel vs not...
- D8 or Mini-DV with legacy Hi-8 tapes...
- D8 questions ...
- D8 record time
- D8 vs Hi-8
- D8 vs earlier Hi-8 and DV...
- D8 vs Mini-DV and longevity, etc...
- D8 vs Mini-DV, and other concerns...
- D8 vs similar formats...
- DA-2 action-finder
- damaged and repaired Nikon lenses
- DamagFilmPro
- dangerous yard-sale flash...
- dark FE vf 2
- dark FE vf 3
- dark FE vf
- dark stills from video camera...
- darkroom suggestions
- data buried in DV...
- data, time-codes, and dates are on Mini-DV tape
- David Rosen nice piece on spherical perspective
- David Rosen nice piece on spherical perspective2
- DAVID ROSEN on vignette, roll-off, corner-cutting
- day for night with video...
- day for night
- Daylight Infrared Video
- DAYLIGHT IR ENABLING with PC100-2
- DAYLIGHT IR ENABLING with PC100
- daylight--IR shooting
- DB nonsense, again...
- DC30 vs Raptor...
- DE-5 F3 prism
- dead pixels and dealer returns...
- dead pixels...
- deciding on a 1-chipper video camera ..
- deciding on a 1-chipper video camera ..2
- Deckle edges
- decreasing feature sets with increasing price...
- Delta 400
- demise of Nikon MF
- description of SONY CAMCORDER line
- designing work area for new building...
- detachable lensed video camera...
- determining f-stop...
- developer characteristics
- developing for fine grain
- developing old TMY
- developing T-Max
- developing TMX, Plus-X
- DG rant about Compuserve Photoforum
- DH on digital vs analogue, etc ...
- diaphragm asymmetry
- different lenses for video...
- different lenses for video...2
- different Nikkors...
- different performance on B&W vs color film
- diffraction and sharpness - and IMAGE MAKING..8
- diffraction and sharpness ..
- diffraction and sharpness ..2
- diffraction and sharpness ..3
- diffraction and sharpness ..4
- diffraction and sharpness ..5
- diffraction and sharpness ..6
- diffraction and sharpness ..7
- diffraction - and optimum stop for resolution
- diffraction - and optimum stop for resolution2
- diffraction 2
- diffraction 3
- diffraction in video lenses - optimum stop
- Diffraction limits 2
- Diffraction Limits 3
- diffraction limits 4
- Diffraction limits
- diffraction star effect
- DIFFRACTION URL reference
- DIFFRACTION URL reference2
- diffraction vs DOF
- diffraction vs DOF2
- diffraction
- diffusers, bouncers, etc
- Diffusers
- diffusing flash...
- Diffusion
- DIFLIMIT
- Digital video ...
- digital zoom in video...
- digital file sizes for printing
- digital stills from camcorder....
- digital video medium...
- digital vs analogue video formats confusion...
- digital vs analogue video transfer
- digital-camera stills vs video camera stills...
- digitizing 8mm tapes...
- digitizing just the audio from video
- diopters on video cameras
- directional inexpensive mics
- directional mic for EZ30U for nature
- dirt on negatives
- dirty viewfinders
- DIS vs OIS ...
- DIS vs OIS...
- DIS and OIS for Sony
- DIS and OIS for Sony2
- DIS and quiet mics...
- DIS and tricking it into using 60th second shutter speed
- DIS and tricking it into using 60th second shutter speed2
- DIS image res. loss...
- DIS image res. loss...2
- DIS in the TRV-9...
- disabling demo-mode and auto-shutoff...
- disadvantages of LP Mini-DV mode
- discontinued models...
- dishonest dealer ploys
- distortion in Nikkor wides for architecture
- distortion in Nikkor wides for architecture2
- DISTORTION types, and seeing...
- Distortion Types
- Distortion, 35-105 etc.
- DIY Omni-Bouncer
- DLARKIN
- DLARKIN2
- DM - on differences between stills and motion-images
- DOF issues and solutions...
- DOF issues and solutions...2
- DOF issues and solutions...3
- DOF uses 2
- DOF uses
- DOF and close-up methods
- DOF and hyperfocal distance fudging
- DOF and video...
- DOF and video...2
- DOF and video...3
- DOF considerations...
- DOF considerations...2
- DOF considerations...3
- DOF control with VX-2000
- DOF difference between 85, 105...
- DOF differences in lenses
- DOF differences in two lenses
- DOF Explanation
- DOF infinity fudging
- DOF near infinity 2
- DOF near infinity
- DOF with 500mm mirror
- DOF
- DOFbutton
- DOField vs DOFocus 2
- DOField vs DOFocus 3
- DOField vs DOFocus
- DOFocus in enlarging
- don't mix Mini-DV tape brands...
- double arrow tool use...
- double TTL flashes
- double-arrow tool in Premiere
- double-arrow tool in Premiere...
- double-arrow tool in Premiere
- double-exposure bodies
- DP on 5400 vs 7200 hard-drives...
- DPS Spark...
- DPS Spark...2
- DPS Spark...3
- DPS Spark
- DPS Spark comments
- DR-3 magnification + 6X
- DR-3 magnification
- dreaded zoom-creep w 24-120
- dri ve for DV...
- drive advice for DV
- drive asignments for video ..
- drive asignments for video ..2
- drive for VAIO
- drives for DV editing
- drives for miniDV...
- drives fast enough for DV
- drives for Mini-DV...
- drives for mini-DV
- drives for DV and analogue
- Drives for DV on Mac
- drives for DV
- drives for mini-DV, again.....
- drives for mini-DV, again.....2
- drives for mini-DV, again.....3
- drives for mini-DV, again....
- drives for mini-DV, again...
- dropout problem....
- dropouts and Sony newer vs old tape
- dropouts on DV
- dropouts with miniDV...
- dropped frames with Sony VAIO-2
- dropped frames with Sony VAIO
- dry-box storage problems...
- DSR 200 and 250 - and VX1000 and 2000...
- DSR-200A match with VX-2000...
- DSR-PDX10 low light performance...
- DSR-PDX10 low light performance...2
- dual - monitors for NLE...
- dual monitor use with Raptor
- dual monitors in Win 98
- dual precision AT pot
- dual wireless system...
- dual-mono-to-stereo mini-plug adapter ..
- dual-wireless Azden systems on VX2000
- Duetta comments
- dump PC for Mac...
- Dupe sharpness
- dupe sharpness solutions
- durability of D8 vs Mini-DV tape...
- dust in lens
- dust in lens
- dust in lens
- dust in lenses...
- dust in SLR finder...
- dust in lenses
- dust in lens
- dust in VF's
- dust on lenses - blobs in images
- dust spot in camcorder
- DV tape...
- DV edit cards
- DV editing system advice
- DV Spark editing system
- DV system...
- DV - advice
- DV and monitor vs tape image
- DV artifacts, suitability
- DV audio drift
- DV basics...
- DV basics...2
- DV bleeps in Premiere...
- DV board and software bundled or not...
- DV boards, Spark comments...
- DV camcorder low-light ability
- DV camcorder (Sony) question
- DV camcorder choice for low-light
- DV camcorder for NLE storage 2
- DV camcorder for NLE storage
- DV camcorder shooting data...
- DV camcorder with analogue input
- DV camcorders overexpose...
- DV capture cards...
- DV card advice...
- DV changes in time...
- DV codecs...
- DV drives
- DV drop-out rate
- DV dropouts
- DV dropouts2
- DV editing comments
- DV editing comments2
- DV editing gear needed
- DV editing system
- DV for NLE
- DV good enough to broadcast...
- DV image proportions in Premiere
- DV image proportions in Premiere2
- DV image proportions in Premiere2a
- DV image proportions in Premiere3
- DV info...
- DV irrationalities...
- DV master tape
- DV pixelization on large display
- DV production advice...
- DV Spark comments
- DV tape supply
- DV tape advice...
- DV tape brand incompatibility...
- DV tape problems
- DV to Hi-8 to VHS copies
- DV transfer problem...
- DV transfer rate...
- DV vs Hi-8
- DV vs analogue for family video
- DV vs analogue video copying
- DV vs Hi-8 camcorder quality
- DV vs Hi-8
- DV-AVI file moves...
- DV-capture card recommendations...
- DV-card advice
- DV-card advice2
- DV-codec variations...
- DV-codec comparison test URL
- DV-codecs and quality
- DV-Deck...
- DV-dropouts...
- DV-editing.....
- DV-in equal DV-out...
- DV-S straight vs off tape...
- DV-S straight vs off tape...2
- DV-speed differences...
- DV-speed differences...2
- DV200 output problems...
- DV200 output problems...2
- DVC-10 vs VX-2000
- DVDeck comments
- DVX100 Panasonic ..
- E 100, 135, Sigma 90
- e B a y . . .
- E converters on non I-S lenses
- E lenses
- E old vs new cosmetics
- E-DIS stabilization vs optical in video cameras
- E-Series lenses
- E-series lens quality
- E-series lens quality2
- E-series lens quality3 + more
- E-series lens quality4 + more
- E-series lenses
- E1600 versions and exposures
- E6 heat damage
- earliest zoom
- early 24-25mm lenses...
- early DV editing...
- easier-focus with fast lenses stopped down a bit ...
- easy frame motion and letter-boxing ..
- easy frame motion and letter-boxing ..2
- ECM-Z157 mic
- ED and aspherics - for...
- ED glass inf focus 2
- ED glass inf focus
- ED teles focus beyond infinity ..
- edge vs center performance...
- edited DV detectable or not...
- edited DV detectable or not...2
- editing computer advice
- editing computer advice
- editing 3-camera shoot - instructions
- editing computer advice...
- editing computer comments...
- editing computer drive arrangement
- editing computers...
- editing computers...2
- editing DV tapes
- editing solutions...
- editing solutions...2
- editing sound for video
- editing strategies for multi-line work
- editing strategies for multi-line work2
- effect of adding, removing RAM...
- EFFECTS OF INCREASING PIXEL COUNTS in video CCDs-2
- EFFECTS of increasing pixel counts in video CCDs
- effects of stopping down lens
- EIS vs OIS-2
- EIS vs OIS-3
- EIS vs OIS-4
- EIS vs OIS-5
- EIS vs OIS
- EJN website...
- Ektar 203mm
- El Cheapo zoom vs older Nikkor prime...
- election-day comment
- elements, groups, etc in lenses...
- elements-groups numbers
- elements-groups
- Elite vs Elite II 100
- EM identification
- EM meter problem...
- EM vs FG
- Empty text
- empty
- Enabling daylight-IR ability on Sony camcorders
- end dates for various Nikons
- end of Spark...
- enhancing filter
- enjoyable weddings
- enlargement vs converters
- enlarger timer
- enlarger lenses
- enlargers
- enlarging lenses
- enlarging lens ad
- enlarging lens differences
- enlarging lens no of elements
- enlarging lenses recom
- enlarging lenses..
- entering photo business
- entry-level Nikon
- EOS lenses on XL-1...
- Epson fading
- Epson Photo 700...
- Epson Photo 700...2
- Epson quality
- EQing before digitizing video
- equalizing audio levels of clips in Premiere...
- equip F S
- equip sugs for someone
- ES-5000 sound
- ES-X000 protection mode 2
- ES-X000 protection mode
- Estar curl solution
- evaluating camcorders-digicameras...
- evaluating teleconverters....
- EVALUATING video comparison frame-grabs
- evaluative metering
- EX vs PR Sony mini-DV tape
- Exa
- exaggered edge effect - sharpening
- example of a video shoot...
- exchanging F screens
- exchanging Boris Effects
- exp change w focus
- expensive P&S...
- experimental video...
- exporting video to camera w Premiere...
- exporting with Raptor and P-5.1a
- Exposure Accuracy 2
- Exposure Accuracy 3
- Exposure Accuracy 4
- Exposure Accuracy 5
- Exposure Accuracy 6
- Exposure Accuracy
- exposure and the TRV30
- exposure compensation
- Exposure Controls
- exposure latitude for direct-positive media ..
- exposure latitude for direct-positive media ..2
- exposure substitute surfaces
- exposure variables
- exposure with video cameras ..
- exposure with VX2000-PD150-2
- exposure with VX2000-PD150
- exposure, markets
- Exposure
- EXP_ASA
- ext flash - internal flash together
- ext tubes vs closeup lenses
- extended warranties on video cameras
- extension cable for XL-1 mic
- extension tube and focus ring range...
- external mics for camcorders...
- external VF for VX-1000...
- extra frame problem in P-5
- extra frame...
- eyepiece correction lens
- EZ30 vs TRV-900...
- EZ30U comments...
- F 3
- F G
- F - F2 finder interchangeability
- F 2
- f a s t lenses ...
- F finder interchangeability
- f i l t e r s . . . .
- f i l t e r s, again
- F I L T E R S
- F I L T E R Z
- f i r e w o r k s 2
- f i s h e y e s
- f l a s h add-ons
- f l a s h m a x v o l t a g e 2
- f readout and 300 28 w converters
- F screen glass interchangeability
- F screen interchangeability 2
- F screen interchangeability.
- F screen interchangeability
- F w bad meter
- F, F2 finder exchange
- F, F2 lens-meter coupling
- F, F2, F3 shutters
- F-series finders
- f-stop basics...
- F-stop change with focus
- f-stop for sharpness 2
- f-stop for sharpness 2a
- f-stop for sharpness 3
- f-stop for sharpness 4
- f-stop for sharpness 5
- f-stop for sharpness 6
- f-stop for sharpness
- f-stops
- f1 lenses
- f1.2 Nikkors 2
- f1.2 Nikkors
- F100 vs with grip vs F5...
- F100, AF, and mid-range zooms...
- f14's on converters
- f16 for less graininess...
- f18 E and AF vs f14
- F2 metering ...
- F2 models
- F2 things
- F2 versions
- F2 vs F3
- F2 continuous speeds
- F2 meter chk and adjust
- F2 questions
- F2 stop-down metering
- F2's
- f28 vs f35, 75-150 vs 70-210
- F2A AI lockout
- F2A meter
- F3 finders
- F3 screens
- F3 flash
- F3 flashes 2
- F3 flashes
- F3 ISO TTL
- F3 T setting
- F3 T setting2
- F3 TTL flash
- F3 vs F2 2
- F3 vs F2
- F3 vs FA
- F3 - discontinued question
- F3 - F3HP differences
- F3 - ISO shoe adapter
- F3 A uto lock
- F3 advantages
- F3 and fill-flash, TTL and Auto
- F3 and flash
- F3 and ISO TTL 2
- F3 and ISO TTL
- F3 finder magnifications
- F3 flash compensation
- F3 flash TTL features...
- F3 flashes...
- F3 flashes.
- F3 flashes
- F3 ISO TTL +
- F3 ISO TTL flash
- F3 leader frames
- F3 life
- F3 life2
- F3 not TTL new flashes
- F3 power loss
- F3 questions
- F3 reserve battery
- F3 s-down metering in Auto mode
- F3 screen choice 2
- F3 screen choice 3
- F3 screen choice 4
- F3 screen choice 5
- F3 screen choice
- F3 screen comments...
- F3 screens and 200 macros
- F3 shutter questions
- F3 TTL adapter - again
- F3 TTL adapter for ISO flash foot...
- F3 TTL adapter for ISO flash foot...2
- F3 TTL flash fill-ratio set-up
- F3 TTL flashes - and adapters
- F3 TTL flashes and fill
- F3 vari-aperture lens
- F3 versions
- F3 VF brightness problem
- F3 Vivitar TTL adapter
- F3 vs F3T-2
- F3 vs F3T
- F3 vs F4 screens in F3
- F3 vs F4
- F3 vs FM VF's + TTL shoe
- F3 vs FM VF's
- F3 vs N90 2
- F3 vs N90, N70
- F3 vs N90
- F3, FM screen brightness types
- F3-F3HP FM body differences
- F3-HP-SF
- F3
- f35 is f35 continued
- F3FILLFL
- F3T
- F3TTLflash
- F4 and 80-200mm lenses ..
- F4 and 80-200mm lenses ..2
- f4 PC and John White
- F4 screens for F3
- F4 vs 8008...
- F4 vs 8008...2 - manual vs automatic cameras
- F4 vs 8008...3
- F5 or F100.................
- F5 vs F100
- F5 and Matrix metering
- F5 color metering
- f5.6 vs f5.6
- FA ...
- FA - AF lenses
- FA durability 2
- FA durability
- FA focus problem
- FA lenses for Matrix, and metering...
- FA lockup
- FA questions
- FA vs F2
- FA vs FE release time
- FA vs FE
- FA works w AI and AI'd lenses
- FA
- fade to bl-wh in Premiere
- fade-in or out in Premiere..
- fade-out, and basic instructions...
- fall-color videography
- fast wides
- fast 105 macros
- fast films for weddings...
- fast poor zooms vs slow good ones...
- fast vs slow lens versions 2
- fast vs slow lens versions
- fast zooms that include WA...
- fastest available lens...
- fastest stop on converters
- favorite F body
- favorite lenses.
- favorite lenses
- favorite Nikon bodies
- FCP vs P-5 rendering speed
- FCP vs Premiere ...
- FCP vs Premiere...
- FCP vs Premiere...2
- FCP vs Premiere...3
- FCP vs Premiere...4
- FCP vs Premiere...5
- FCP vs Premiere...6
- FCP vs Premiere...7
- FCP vs Premiere...8
- FCP vs Premiere...9
- FE brighter screens
- FE vs FM metering 2 + FA
- FE vs FM metering
- FE-2 fill flash procedure 2
- FE-2 fill flash procedure
- FE-2 vs FA 2
- FE-2 vs FA..
- FE-2 vs FA.
- FE-2 vs FA
- FE-2 and FM2n
- FE-2 flash LED indications
- FE-2 overexposure problem
- FE-2 vs FA, 8008, F3 A
- FE-2 vs FA, 8008, F3 B
- FE-2 vs FE
- FE-2 vs FM-2
- FE-FM lock-up
- FE2 and flash fill ratio
- FE2 vs FA
- ferrinerz...
- FG advice ..
- FG advice ..2
- FG use
- FG use2
- FG battery
- FG characteristics
- FG P mode 2
- FG P mode
- FG re-evaluation...
- FG reliability
- FG-20 and TTL flash
- FG.
- FG
- FGFEFMFA
- field curvature
- field 4x5 comments
- field curvature and AF 2
- field curvature and AF
- field curvature vs linear distortion
- field-order problems with a matt in editing
- field-order problems with a matt in editing2
- figuring FL, angle of view
- figuring FL, aperture, and angle-of-view
- figuring format normals
- figuring lens angle of view for camcorders
- figuring lens FLs for different formats
- figuring lens view angle
- fil-ters
- fil-terz 2
- fil-terz
- file type, length for mini-DV
- fill flash w F3
- fill ratios by angle setting
- fill-flash without N6006
- film exposure ..
- film look ...
- film bulk-loading
- film developing
- film latitude - range
- film latitude
- film macro and color neg exposure
- film opinions
- film scratches and causes ..
- film scratches and hairs
- film speed above 800 2
- film speed above 800
- film speed rating standards
- film speed
- film storage
- film streaking
- film thawing
- film warming
- film-developer recommendations
- film-look for video...
- film-look for video...
- film-look, again...
- film-look, again.....
- film-look, VX2000, web-video articles...
- film-look...
- films that store well
- FILMSPEE
- filter brands
- filter quality
- filter recommendations
- filter brands 2
- filter brands 3
- filter brands 4
- filter brands 5
- filter brands VI
- filter brands
- filter color compensations
- filter comments...
- filter quality
- filter questions ...
- filter questions ...2
- filter recommendations
- filter test ...
- filter advice for video
- filter brand recommendation 2
- filter brand recommendation
- FILTER BRANDS
- filter color and TTL flash
- filter dialogue
- filter effect on sharpness, again....
- filter factor 2
- filter factor TTL compensation
- filter factor TTL compensation2
- filter factor TTL compensation3
- filter factor TTL compensation4
- Filter Factors
- filter for cheap lens
- filter for cheap lens2
- filter for cheap lens3
- filter for IR pinhole work
- filter for TRV27...
- filter for tungsten light
- filter info
- filter mythology...
- filter mythology...2
- filter on tele vignette
- filter quality ....
- filter quality ....2
- filter quality ....3
- filter quality ....4
- filter quality ....5
- filter quality ....6
- filter recommendation...
- filter sharpness checks
- filter sharpness.
- filter sharpness
- filter stacking 2
- filter stacking 3
- filter stacking
- filter standards
- filter use test
- filter vignetting
- filter-meter error
- filtering for best VHS to VHS dubs
- filters for tungsten
- filters for flourescent light
- filters and WAs for video ...
- Filters for B&W
- filters for B&W
- filters for video...
- filters for video
- filters for video2
- filters for video3
- filters for video4
- filters for video5
- filters for video6
- filters for video7
- filters - and examples of effects ...
- filters - and examples of effects ...2
- Filters ...
- Filters ...2
- filters 2
- filters for flourescent lights
- filters for flourescent lights2
- filters for VX2000 ...
- filters for VX2000 ...2
- filters for 16 f2.8 and 15 f3.5
- filters for 24mm
- filters for B&W film
- filters for B&W film2
- filters for B&W film3
- filters for beginner
- filters for color film
- filters for flash
- filters for indoor illumination
- filters for slide duping
- filters for video...
- filters on superwides
- filters
- filterz . . . , a g a i n
- filterz fer sail
- filterz, agin
- Final-Cut Pro......
- Final-Cut Pro.....
- Final-Cut Pro....
- Final-Cut Pro...
- Final-Cut Pro..
- finder and zoom distortion
- finder image sharpness difference
- finders on Mini-DV cameras...
- Finding my SLE-MN
- fire 2 cameras together
- FireWire advice....
- FireWire card transfer quality
- FireWire comments
- FireWire copying and changing bit-depth...
- FireWire cords, copying, etc.
- FireWire differences in quality...
- FireWire set-up...
- fireworks
- first photo publications
- first roll should be a test...
- fisheye converters
- fisheye converters2
- Fisheye Perspective
- fisheye vs rectangular perspectives ..
- fisheye 2
- fisheye and WA converters
- fisheye and WA converters2
- fisheye and WA converters3
- fisheye and WA converters4
- fisheye comments
- fisheye for VX-1000
- fisheye for VX2000-PD150
- fisheye for video advantages...
- fisheye magnification
- fisheye using
- Fisheye vs. Rectangular Perspective...
- Fisheye vs. Rectangular Perspective...10---
- Fisheye vs. Rectangular Perspective...11----
- Fisheye vs. Rectangular Perspective...12---
- Fisheye vs. Rectangular Perspective...2
- Fisheye vs. Rectangular Perspective...3
- Fisheye vs. Rectangular Perspective...4
- Fisheye vs. Rectangular Perspective...5
- Fisheye vs. Rectangular Perspective...6
- Fisheye vs. Rectangular Perspective...7----
- Fisheye vs. Rectangular Perspective...8
- Fisheye vs. Rectangular Perspective...9---
- fisheye
- fisheyes for camcorders
- Fisheyes.
- fisheyes
- FISHRECT
- fitting close-ups to lens
- fix TR101 or go DV...
- fixing slipping lens rubber
- FL equivalents for video in various modes
- FL figuring
- flare effects of filters and shades and body-design
- flare effects of filters and shades and body-design2
- flare problem...
- flarey 50mm
- flash diffusers
- flash output
- flash - again
- flash add-ons 2
- flash add-ons 3
- flash add-ons
- flash diffusers, a g a i n . . .
- flash diffusers...
- flash diffusers...2
- flash diffusers
- flash diffusion again
- flash during wedding
- flash for F3
- flash for FG
- flash guide number...
- Flash Add-ons Statement
- flash advice (2)
- flash advice
- flash and diffusion...
- flash and diffusion...2
- flash and diffusion...3
- flash and diffusion...4
- flash and diffusion...5
- flash and diffusion...6
- flash aperture readouts in TTL mode
- flash at Olympics 3
- Flash at Olympics 4
- flash brackets and proper flash placement ..
- flash comp on N6006
- flash compensations for fill
- flash contacts
- flash during wedding
- flash during wedding 4
- Flash During Wedding 5
- flash during wedding 6
- flash during wedding
- flash ext pack 2
- flash ext pack
- flash for FM
- flash for both F3 and FE-2
- flash for F
- flash for F4
- flash for FA
- flash for FE 2
- flash for FE
- flash for FM
- flash guide number and high synch speed
- Flash ideas
- flash metering ambient and flash
- flash metering mixed with ambient
- flash mods for wide angle
- flash overexposure
- flash polarizer
- flash positioning
- flash questions
- Flash shadows, cup
- flash source size 2
- flash source size
- flash sync problem
- flash TTL, A, M modes
- flash-diffusers etc...
- flash-diffusers..
- FLASHA~1
- flashes for F3.2
- flashes for F3
- flashes - bodies
- flashes at Olympics 2
- flashes at Olympics
- flashes for 6006, etc
- flashes for 8008
- flashes for close-up work
- flashes for FE-2
- flashes for N2020
- FLATFELD
- Flicker removal in slow motion with P-4.2
- flourescent corrections 2
- flourescent corrections 3
- flourescent corrections
- flourescent light shooting
- flourescent filters 2
- flourescent filters 3
- flourescent filters
- flourescent light filtering
- flourescent filtering
- flourescent filters
- FLOURFIL
- fluid head
- fluid heads for video...
- fly-on-the-wall video...
- fly-on-wall vs get-attention video at weddings
- fly-on-wall vs get-attention video at weddings2
- FM vs F3
- FM inbetween speeds
- FM shutter repair
- FM vs auto body
- FM vs FM2 vs FM2n
- FM vs N70-90
- FM's
- FM, F3 regular vs titanium
- FM-2 vs FM-2n
- FM2 vs FM2n 2
- FM2 vs FM2n 3
- FM2 vs FM2n synch speed
- FM2 vs FM2n.
- FM2 vs FM2n
- FM2 250th sync
- FM2 versions and AF lens compatibility
- FM2 versions and AF lens compatibility2
- FM2 vs FM2n
- FM2 vs FM2n - titanium vs aluminum shutter
- FM2 vs FM2n
- FMVSN90
- foam decomp 2
- foam decomposition
- foam replacement
- foc neg off-center
- focal-length 35mm equivalents for video
- focal-length 35mm equivalents for video2
- focal-length question
- FOCERROR
- Focus aids and methods...
- focus aids
- focus ease and lens speed
- focus error in zooms
- focus problem at tele with Sony camera...
- focus shift with filters
- focusing - metering PCs 2
- focusing - metering PCs
- focusing aids vs GG
- focusing macro rig
- forcing dual-mono sound with camcorder
- form-type for video cameras...
- Format Choosing 2
- Format Choosing
- four - distance glasses
- Foveon CCD and camcorders...
- Foveon CCD and camcorders...2
- Foveon chip and video ..
- Foveon chip...
- FP shutter and lens changing 2
- FP shutter and lens changing
- FR var. due to imped. matching
- fractional f-stops
- frame spacing
- frame-level editing
- free work, and its harmful effects on the market
- Fresnel lens
- Front converters
- front fisheye converters
- front converters for still work...
- front- vs rear-mounted lens converters
- front- vs rear-mounted lens converters2
- Ftn lens compatibility and prices
- fuel spray photos
- Fuji B & W films
- Fuji E-6
- Fuji GA-GS645
- Fuji Phoenix lab
- Fuji processing
- Fuji vs Kodak slide mailers
- full-circle fisheyes
- full-frame fisheyes...
- full-size cameras.....
- fungus on slides, and cleaners...
- funny Canon vs Nikon story
- G L - 1 . . .
- G L - 1 vs V X - 2 0 0 0 vs T R V - 9 0 0-2
- G L - 1 vs V X - 2 0 0 0 vs T R V - 9 0 0
- G L - 1 vs V X - 2 0 0 0
- Gap and Lincoln effects...
- gear choices for travel
- gear depreciation vs expensing
- gear for starting out with DV editing
- gear special-prices to college departments...
- generation losses with DV, analogue
- generic Li-ion battery experience...
- get deck vs transport replacement...
- getting into video
- getting started in video...
- getting started with Premiere
- getting to menu with TRV Sonys
- GL-1 vs VX-2000...
- GL-1 vs VX-2000...2
- GL-1 vs VX2000....
- GL-1 vs VX2000....2
- GL-1 vs VX2000
- GL-1 vs VX-2000-2
- GL-1 vs VX-2000-3
- GL-1 vs VX-2000-4
- GL-1 vs VX-2000-5 and Mac vs PC
- GL-1 vs VX-2000
- GL-1 vs XL-1...
- GL-1 vs XL-1...2
- GL-1 vs VX-2000...
- GL-1 vs VX2000 sound...
- GL-1 - VX2000, again...
- GL-1 - VX2000, again...2
- GL-1 ...
- GL-1 and high contrast...
- GL-1 black bars at frame edges
- GL-1 comments....
- GL-1 comments....2
- GL-1 comments....3
- GL-1 comments....4
- GL-1 comments....50
- GL-1 comments....6
- GL-1 image width, and editing...
- GL-1 PS-mode...
- GL-1 test conclusions...
- GL-1 vs VX-2000 ...
- GL-1 vs Pan DVC15 vs VX2000...
- GL-1 vs TRV-900 reviews...
- GL-1 VS TRV-900, countering a rant...
- GL-1 VS TRV-900, countering a rant...2
- GL-1 vs TRV900 vs XL-1 vs VX2000...
- GL-1 VS TRV900, TRV900 vs XL-1
- GL-1 vs TRV900-VX2000
- GL-1 vs VX-1000.
- GL-1 vs VX-1000
- GL-1 vs VX-2000 a g a i n . . .
- GL-1 vs VX-2000 for frame mode...
- GL-1 vs VX-2000-2
- GL-1 vs VX-2000
- GL-1 vs.....
- GL-1...
- GL-2 announcement...
- GL-2 announcement...2
- GL-2 announcement...3
- GL-2 announcement...4
- GL-2 announcement...5
- GL-2 announcement...6
- GL-2 announcement...7
- GL1 vs PC101 ..
- GL1 vs PC101 ..2
- GL1 vs PC101 ..3
- GL1 vs PC101 ..4
- GL1 vs VX2000...
- GL1 vs VX2000...10 STANDARDS
- GL1 vs VX2000...11 STANDARDS
- GL1 vs VX2000...12
- GL1 vs VX2000...13
- GL1 vs VX2000...14
- GL1 vs VX2000...15
- GL1 vs VX2000...16
- GL1 vs VX2000...2
- GL1 vs VX2000...3
- GL1 vs VX2000...4
- GL1 vs VX2000...5
- GL1 vs VX2000...6
- GL1 vs VX2000...7
- GL1 vs VX2000...8
- GL1 vs VX2000...9
- GL1 vs ....
- GL1 and audio noise ..
- GL1 black edges...
- GL1 vs DVC15
- GL2 questions...
- GL2 vs VX2000...
- GL2 ...
- GL2 comparison review
- GL2 comparison review2
- GL2 vs VX2000...
- GL2 vs VX2000...2
- glass diameter in mounted filters
- Glasses and SLRs - and automation
- Glasses and SLRs
- Glasses and Camera VF's 2
- Glasses and Camera VF's 3
- Glasses and Camera VF's 4
- Glasses and Camera VF's
- glasses and Nikon bodies
- glasses and VF 2
- glasses and VF 3
- glasses and VF's
- glasses optimization
- glasses-friendly bodies...
- goersh, thenks!
- good -family- video camera...
- good -family- video camera...2
- good video tripod ...
- good vs bad bokeh
- good 1-CCD camcorder...
- good 2X converters
- good 400mm lens...
- good 90-100mm macros
- Good and Bad lenses 2
- Good and Bad lenses
- good beginner NLE info site...
- good body vs good lens 2
- good body vs good lens
- good c 90mm macro lenses
- good cheap camcorders...
- good cheap lens...
- Good cheap non-TTL flash
- good cheapish M-A body
- good comments on progressive-scan video...
- good compromise video camera...
- good digital camcorder...
- good filter brands
- good fisheye converter
- good generic WA converter
- good inexpensive video system
- good lens buys
- good long lens for Nikon...
- good low-end Mini-DV camcorder...
- good low-light video camera ...
- good macro lenses, combinations
- good magnifiers
- Good Post on AE-AF....
- good review...
- good short tele zooms
- good small teles longer than 400mm
- good sound sweetening program ..
- good speed wide-angles for 35mm
- good TC for 80-200 f2.8
- good under $1000 camcorder...
- good viewfinders
- good vs bad BOKEH
- good vs bad lenses
- grading used gear
- graduated ND filters for video ..
- grafic view I
- Grafmatic holders
- grain, shutter-speeds, and stills with camcorder
- GRAPHIC PROPORTIONS FOR USE IN VIDEO4
- Graphic View I
- graphics proportions for use in video
- graphics proportions for use in video2
- graphics proportions for use in video3
- graphics proportions for use in video5
- grass is greener choices and video-to-film...
- grass is greener choices and video-to-film...2
- grass is greener where I aint...
- greater than life size advice
- Grey vs US lens
- grey-market low-priced camcorders...
- grey-market low-priced camcorders...2
- greyblocks in DV
- ground loops ...
- grounding, and voltage appearing on gear
- Guide frame in VX2000-PD150
- gunk on camcorder lens...
- gunk on camcorder lens...2
- gunk on camcorder lens..
- gyro letter
- Gyro-S + IS
- Gyro-Stabilizer ..
- Gyro-Stabilizer ..2
- Gyro-Stabilizer
- gyrostabilizers 2
- gyrostabilizers 3
- gyrostabilizers
- H. Wulff on fisheyes...
- Haikus forwarded by BD ..
- hair in finder 2
- hair in finder
- halh inch vs third inch CCDs
- hand-held mirrors
- hand-hold rule of thumb
- HAND-HOLDING AID for the VX2000
- handle for camcorder
- handles for camcorders
- HARU site - VX2000, TRV950, GL2 comparisons
- HARU site - VX2000, TRV950, GL2 comparisons2
- HARU site - VX2000, TRV950, GL2 comparisons3
- Hass X-Pan comments...
- haze filter
- HD requirements for DV
- HD's for mini-DV-2
- HD's for mini-DV
- HDs for DV
- HDs in video cameras...
- head clog problems...
- head clog...
- head-cleaning tapes...
- head-cleaning with DV, and head contact
- head-clog source ...
- head-clog source ...2
- head-clog source ...3
- heat damaged Fuji slides
- heat damaged Fuji slides2
- Hi-8 vs DV quality
- Hi-8 as good as D8...
- Hi-8 camcorders
- Hi-8 dubbing on DV tape
- Hi-8 vs D8 tape for D8 cameras
- Hi-8 vs Digital Video
- Hi-8 vs Mini-DV
- hi-res video on the net...
- hidden functions on one-chip Sony camcorders...
- high res 4x5 lenses
- high speed filming
- high vs low quality camcorders for domestic use
- high, simple flash bracket ..
- high-magnification macro gear
- high-magnification macro with standard lenses
- higher price for faster lens buys what
- highest ASA for TTL flash use
- hijacking...
- hiking long lens
- Hill Plasma Speaker
- Hmmmm, 10-2-96
- holding upright-style camcorder
- hole in shade purpose
- Hoodman LCD surrounds...
- hooey-factor in audiomania...
- Horizon 202 image quality
- how fast synch speed
- how film mailers work
- how split-filter can work...
- how try out so many lenses
- Hoya filters
- Hoya and Tiffen ...
- Hoya filters ...
- Hoya filters
- Hoya vs Tiffen filters
- Hoya 2 (filters) 2
- Hoya 2 (filters)
- Hoya 2 filters 3
- Hoya 2 filters 4
- Hoya defects
- Hoya
- HP vs non-HP finders
- HP finders..
- HP finders.
- HP finders
- hum with XLR mics on TRV900...
- humidity
- IBM 45-gig 75GXP HD problems...
- IBM 45-gig 75GXP HD problems...2
- IDE, not RAID...
- ideal camera...
- ideal light tele zoom...
- identifying Nikkor non-AI, AI, AIS ..
- identifying non-AI, AI, AIS lenses
- identifying UV and Skylight filters
- ignored camera brands
- ill effects of filters
- ill effects of religion...
- illumination fall-off
- image blends in Premiere
- IMAGE CHARACTERISTICS IN VIDEO...
- image quality in finder vs on film
- Imaging characteristics and the TRV30 and 950...
- Imaging characteristics and the TRV30 and 950...2
- IMAGING STANDARDS FOR VIDEO CAMERAS...
- impeachment, again...
- impedance effects in audio
- impedance effects in audio2
- import proportions in video...
- importing into Premiere odd-sized graphics
- importing into Premiere odd-sized graphics2
- improving fireworks sounds in video...
- improving low-light picture with PC100...
- improving low-light picture with PC100...2
- improving render speed
- improving render speed
- improving scanned or grabbed images
- In Defense of Reporting...
- in-between stops 2
- in-between stops 3
- in-between stops
- incident light metering
- incorrect backfocus in zooms...
- Incorrect Return Addresses
- increasing volume without increasing noise...
- increasing volume without increasing noise...2
- increasing working distance in macro...
- increasing working distance in macro...2
- inexpensive 300mm
- inexpensive TLR
- Infolithium batteries....
- INFOLITHIUM BATTERY CARE...
- infrared and video ...
- infrared filtering of source and lens...
- infrared lights...
- INFRARED VIDEO ..
- insurance for wear...
- insurance
- interchangeable finders
- Interlaced vs. Progressive Scan Video .
- interlaced and non-interlaced viewing...
- INTERLACED vs PROGRESSIVE-SCAN video
- INTERLACED vs PROGRESSIVE-SCAN video2
- interlaced vs progressive-scan video...
- interlaced vs progressive-scan video...2
- interlaced vs progressive-scan video...3
- interlaced vs progressive-scan video...4
- interlaced vs not for video
- internal lens reflections
- interval - frame shooting ..
- intervalometer for video...
- Inverting picture in Premiere
- INVERTING video picture, KEEPING QUALITY
- IP5 vs PC120...
- IR film handling
- IR and Kodalux
- IR and UV shooting .
- IR filter placement
- IR for video ...
- IR in daylight with newer Sony cameras...
- IR in daylight with newer Sony cameras...2
- IR in daylight with newer Sony cameras...3
- IR info...
- IR on newer camcorders...
- IR see-through camcorder feature
- IR see-through camcorder feature2
- IR see-through camcorder feature3
- IR see-through camcorder feature4
- IR see-through effect
- IR see-through effect2
- IR shooting in daylight
- IR slide experience
- IR uses...
- IR video filters
- IR vs. night-vision for TRV-9
- IR with non-IR camcorders...
- IR-mode in daylight...
- IR
- irritating artifacts in early digital audio, video...
- IS test revisited
- ISO TTL on F3.
- ISO TTL on F3
- Ithaca scenery
- Ithaca...
- J-j AUE SLE(MN)
- JA - on computer and video displays
- Jacobson On Lens Abberations
- Jacobson retro illumination
- Jacobson tipped element
- jaggies with mini-DV
- Japanese camcorder-comparison site
- Japanese frame-grab web site conclusions...
- JB-site comparing GL-1 and TRV900 sharpness
- JC - MFGR Address List
- jerky Premiere transitions...
- jitter with BMPs in Premiere...
- JKs apology and my response...
- John Beale's web-site...
- John Dyson on DV resolution...
- John Dyson on DV resolution...2
- joined PC images 2
- joined PC images 3
- joined PC images
- JT INFO on camera repair places
- jump where in the DV technology curve...
- just FireWire card...
- JVC DV500 vs Pan DVC200 vs PD150 for ENG...
- JVC-DV500 vs VX-2000-2
- JVC-DV500 vs VX-2000-3
- JVC-DV500 vs VX-2000-4
- JVC-DV500 vs VX-2000
- JVC300 vs VX2000 vs XL1s resolution
- JVC300 vs VX2000 vs XL1s resolution2
- JVC300 vs VX2000 vs XL1s resolution3
- JW info on tape aging
- K screen in AF body
- K. Rockwell observations on VF screens
- K6-233 vs PII-400 with P-rendering
- K64 vs K200
- K64
- keeping continuity in video shooting...
- Ken-Lab gyrostabilizer
- Kenko .5X for VX-1000 camcorder
- Kenko converters ...
- Kenyon Gyro-Stabilizer comments
- keyframes in the Premiere timeline
- keyframes in the Premiere timeline2
- keying titles in Premiere...
- Kiron macro..
- kiss-black transition...
- kite camera
- KM on image blur removal software
- know my stuff...
- knowledge vs speculation - openmindedness...
- Kodachrome vs Fuji
- Kodachromes
- Kodak stack loader
- Kodak vs Leitz projectors
- Kodalux push processing
- Kodalux quality
- Kowa 35mm lens
- Kowa body
- Kowa vs Rollei
- KS-4 stabilizer
- kvetching...
- l e n s c h o i c e . . .
- L37c vs L37
- L39
- Lanc controllers ...
- Lanc controllers
- Lanc controller for steady zoom speed
- Lanc controller for steady zoom speed2
- Lanc controllers-2
- Lanc controllers-3
- Lanc controllers-4
- LANC CONTROLLERS
- Lanc flashes for video cameras...
- Lanc for a remote camera
- Lanc...
- landscape lenses
- landscape cameras
- large vs small camcorders...
- LARGR4X5
- LARKINAD
- lasso and double-arrow tools in Premiere
- lasso and double-arrow tools in Premiere
- LCD panel VFs
- LCD life
- LCD panels vs eyepiece finders
- LCD screens, discontinued models, etc.
- lead-acid charging -JRP
- learning what Premiere can do...
- LED vs needle meters
- left-eyed photographers...
- LEIC-NIK
- Leica CL
- Leica snobs
- Leica-Canon comments 4
- LEICACL
- Leicz-Canon comments 5
- Leitz 19mm
- Leitz comments - PERCEPTIONS 2
- Leitz comments 3 - PERCEPTIONS
- Leitz vs Nikon used value
- Leitz vs Nikon
- Leitz vs others, mfgring quality
- Leitz-Canon comments 2
- Leitz-Canon comments 3
- Leitz-Canon comments 4
- Leitz-Canon comments
- Leitz-Minolta 40mm f2
- LeitzvsNik
- lens advice...
- lens checking
- lens conditions
- lens advice
- LENS CHECKING
- lens chioce ....
- Lens Choices
- lens converters . . .
- lens FL
- lens pricing
- lens selection...
- lens sequencing...
- lens sequencing...2
- lens sequencing...3
- lens shades
- lens testing methods ...
- lens (checking) faults
- lens (rotational) play
- lens (used) checking
- lens add-ons
- lens and MF advice...
- lens barrel distortion...
- lens bubbles
- lens changes with distance (NS)
- lens characteristics, and audiomania...
- lens checking answers to Q
- lens checking addenda 2
- lens checking adenda
- lens checking answers to Q
- lens checking - center at f8 as reference
- lens checking - details
- lens checking - field curvature
- lens checking - more
- lens checking 20mm
- lens checking adddddenda
- lens checking addddenda
- lens checking adddenda
- lens checking and sample variation
- lens checking approaches
- lens checking exerpt
- lens checking exp uniformity
- lens checking film 2
- lens checking film
- lens checking for alignment
- LENS CHECKING METHOD
- Lens Checking Standards...
- Lens Checking Technique
- lens checking with a screen
- lens checking
- lens choice advice
- lens choice
- lens choices around 400mm
- lens choices...
- Lens ckecking - out of focus uniformity
- Lens Cleaning...
- lens coatings and chromatic aberrations ..
- lens coatings and chromatic aberrations ..2
- lens converters for video...
- lens converters for still and video cameras
- lens coverage figuring
- lens design for VF brightness 2
- lens design for VF brightness
- lens designations
- lens differences at small stops 2
- lens differences at small stops 3
- lens differences at small stops 4
- lens differences at small stops
- lens disassembly advice
- lens disassembly
- lens distance sensitivity
- lens distortion in VF
- Lens Distortion Types
- Lens Distortions 2
- Lens Distortions 3 !
- Lens Distortions
- lens edges and corners 2
- lens edges and corners important
- Lens eval lists..
- lens evaluations
- lens exposure irregularities
- lens FL advice
- lens flare
- lens flare2
- lens focus beyond infinity
- lens for copy work
- lens for copy work
- lens for FG
- lens for jewelry
- lens for night work
- lens for portraits
- lens for slide dups
- lens for very wide coverage...
- lens for whales
- lens for XL-1 with footage scale
- lens for XL-1 with footage scale2
- lens for Yellow-stone...
- lens front diameter and angle of view...
- lens front diameter and angle of view...2
- lens front size...
- lens illumination fall-off, and vignetting
- lens internal dust
- lens left wide-open on F4...
- lens line choice
- LENS LINES ...
- lens lines
- lens max aperture 2
- lens max aperture
- lens meter coupling questions
- lens meter coupling questions2
- lens metering w. F2 2
- lens metering w. F2
- lens non-AI clip
- lens optimum stop
- lens or printing problem...
- lens outfit recommendation...
- lens price difference justification
- lens protection filters 2
- lens protection filters
- lens quality requirements
- lens ratings...
- lens recoms
- lens repair
- lens resolutions vs the media...
- lens sample variation
- lens sequences I have used...
- lens sets
- lens sharp corners
- lens shorteners
- lens size and -lightgathering- power...
- lens size and -lightgathering- power...2
- lens size and -lightgathering- power...3
- lens size and -lightgathering- power...4
- lens size vs performance 2
- lens size vs performance
- lens speed on different formats
- lens speed questions
- Lens System
- lens testing - focus errors
- lens testing - more
- lens testing focus distance
- Lens Testing Pitfalls
- lens testing syndrome
- lens testing, AF, and other things...
- lens testing.
- Lens testing
- lens tests - and best lens - and Fred....6
- lens tests - and best lens....
- lens tests - and best lens....2
- lens tests - and best lens....3
- lens tests - and best lens....4
- lens tests - and best lens....5
- lens tests - and best lens....6
- lens tests and statistics
- lens tests useless
- lens variability testing
- lens variability.
- lens variability
- lens vs body quality
- lens wish list
- lens-body underexposure...
- lens-car description joke ..
- lens-checking 35-105 versions, etc.
- lens-film balance
- lenses for landscapes
- lenses and light transmission...
- lenses for 6006
- lenses for architecture 2
- lenses for architecture 3
- lenses for architecture 4
- lenses for architecture 5
- lenses for architecture
- lenses for F3
- lenses for honeymoon trip...
- lenses for Matrix on FA
- lenses for N90
- lenses for old F
- lenses for PB-4
- lenses for slide copying
- lenses for slide copying2
- lenses for the F3
- lenses for video
- lenses for weddings
- lenses needing shades
- lenses that fit F
- lenses that fit F2 Photomic
- lenses that fit FM
- lenses to fit F, Nikkormats 2
- lenses to fit F, Nikkormats
- lenses to fit FTn
- lenses to fit Nikkormat
- lenses with & without prongs
- lenses, flash for N70-2
- lenses, flash for N70
- LENSEVA2
- lenseva3
- lenseva4
- LENSEVAL
- lenseval5.
- lenseval5
- lenseval5a.
- lenseval5a
- leveling audio in video projects
- leveling audio in video projects2
- levels of DV camcorders available
- Li-ion battery use
- Li-ion vs gel-cel...
- liberals vs conservatives on photo NG...
- life size focusing
- light darkrooms
- light F3 outfit
- light for PC-1...
- light spills from frame to frame
- light, small SLR body
- light, small, versatile camera system
- light-pole as tripod
- lightening exposures with EM
- lightening footage in Premiere ..
- liking Premiere 5.1...
- limited-DOF shooting with D8...
- limiting DOF in video
- line-in on TRV900
- line-level audio input
- linear vs circular polarizers
- lines of resolution...
- lines on prints
- lithium-ion batteries...
- Lithium-Ion battery run-times and charging
- Lithium-Ion battery run-times and charging2
- lithium-ion inflated run times
- lithiums in Nikon
- Lloyds loader
- loaders and cassettes for rolling your own...
- locking gain with the TRV900...
- long FL, cheap, light, compact lenses...
- long heavy lens 2
- long heavy lens 3
- long heavy lens steadier
- long lens advice...
- long lens for back-packing
- long lens performances
- long lens sharpness problem...
- long macro lenses
- long Mini-DV tapes
- long Nikkors with two converters
- long video edits
- long, good, cheap teles
- long-clip playback
- long-format P-5.1a suggestions
- long-lens camcorderchoice...
- long-lens problems
- longer enlarger lens
- longer lens for enlarging
- longer lens...
- longer TTL and shutter-release cables...
- longest hand-held exposure
- loose bayonette
- loose lens parts
- loose MF lenses...
- losing flash TTL w. N2000
- loss of color in sunset print...
- loupe recommendations 2
- loupe recommendations 3
- loupe recommendations
- loupes 2
- loupes.
- loupes
- low color saturation in TRV-9
- low distortion tele zoom
- low light and 1-chip digital camcorders
- low light and 1-chip digital camcorders2
- low light and 1-chip digital camcorders3
- low light problems
- LOW LIGHT with SONY 1-CHIPPERS...
- low-light camera...
- low-light shooting...
- low-light ability of VX-1000
- low-light ability usefulness...
- low-light and PC110 and lights
- low-light camcorder choice
- low-light camcorders...
- low-light DV camcorders
- low-light DV camcorders2
- low-light limit for DV camcorders.
- low-light optimization of camcorders
- low-light red in video cameras...
- LOW-LIGHT WITH SONY 1-CCD MINI-DV
- low-priced tripod...
- lower contrast films 2
- lower contrast films 3
- lower contrast films
- lower shutter speed for -film- look...
- lower shutter speed for -film- look...2
- LP vs SP Mini-DV tape recordings
- LP vs SP Mini-DV tape recordings2
- LP-mode compatibility...
- LP-mode experience ...
- LP-mode - REVISITED
- LP-mode failure...
- LP-mode Mini-DV
- LP-SP compatibility among camcorders
- LP-vs-SP for Mini-DV and dropouts
- Lumiere . . .
- Lumiere...
- Lumiere
- lux ratings related to light levels...
- lux-ratings....
- lux-ratings....2
- M a c r o..
- M A C R O
- M A flash setting for diff ASA
- m a s t e r i n g DV projects..
- m a s t e r i n g M i n i - D V ..
- m e t e r i n g 2
- m e t e r i n g 2
- m e t e r i n g
- m i x i n g Mini-DV tape
- m u l t i c o a t e d f i l t e r s ..
- m u l t i c o a t e d f i l t e r s ..2
- m u l t i c o a t i n g . . .
- m u l t i c o a t i n g . . .2
- m u l t i c o a t i n g . . .3
- m u l t i c o a t i n g . . .4
- m u l t i c o a t i n g . . .5, and SLEMN standards
- m u l t i c o a t i n g . . .6
- M90 on EM
- Mac vs PC religion...
- Mac vs PC render speed - and things OK in NGs
- Mac vs PC render speed - and things OK in NGs2
- Mac vs PC render speed - and things OK in NGs3
- Mac-religion...
- macro for video...
- macro gear
- Macro Lens Add-Ons
- macro questions
- macro around 2-4X
- macro combinations 2
- Macro Combinations
- macro DOF
- macro equipment
- macro flash rig
- macro gear & 500 mirror comments
- Macro gear...
- macro lens advice
- macro lens choice
- macro lens field flatness
- macro lens for infinity-focus
- macro lens performance
- Macro lens vs zoom w. macro
- Macro lenses for infinity-focus
- macro lighting
- macro options
- macro speed loss
- macro TC comments...
- Macro technique
- macro w zooms
- macro with converters vs tubes
- macro with video
- macro, bellows-factor, and the 70-180mm Nikkor ..
- macro, w-a, filter advice
- macro-lens accessories
- macro-video
- macros near infinity 2
- macros near infinity
- Macrovision...
- MACRO_RE
- magazine reviews ...
- magazine reviews comments...
- magazine reviews...
- magnification ratio meaning
- MainConcept vs Canopus DV-codecs...
- MainConcept vs Canopus DV-codecs...2
- make an offer
- making 3-D images
- making 3-D photos
- making 800mm lens focus to 20 feet
- making a big shade for WA lens
- making better VHS copies
- making clean titles
- making contact prints
- making long videos with too-small HDs
- making Premiere intuitive
- making sharp photos
- making sharper images
- making sharper images2
- making Star Wars tittles...
- making Star Wars tittles...2
- making stereo images simply
- making stereo images
- making transitions in Premiere, variations...
- making VHS copies of DV originals
- making videos interesting...
- Malcolm Knight on video DOF
- Mamiya 50mm PC
- Mamiya lens quality
- manual vs AF focus...
- manual vs AF, AE
- manual AF body
- manual apertures stepless
- manual body with mirror lockup
- manual camera metering of variable-stop lenses
- manual control vs auto
- manual focus vs AF for stills...
- manual vs auto AE, AF
- manual WB setting...
- manual WB setting...2
- market forces vs lens quality
- masking video image to match TV area
- mass and length as steadier
- mass and length with long lenses
- massing up camera
- mastering media ...
- mastering edits to tape...
- match-needle Nikons
- matching clip audio levels
- matching color and B&W video footage...
- matching converters and lenses for size and quality...
- matching different camcorders in post...
- matching different camcorders in post...2
- matching multi-camcorders
- Matrix vs center-patch metering
- matte box for video ..
- max flash power 2
- max sharp portraits lenses
- maximizing video quality
- maximizing video quality2
- maximum size for high-quality stills from video cameras
- MC scam outcome...
- MD-11, 12
- MD-11, 12
- MD-15 flash operation
- MD-4
- ME advantages
- meaning of Mint and LN
- meaning of MINT
- measuring flash trigger voltage
- measuring flash trigger volltages 2
- Med format lenses
- medical-Nikkors
- Medion digital camera...
- megapixel CCD camcorders ..
- megapixel vs non...
- megapixel camcorders in low light
- megapixel CCD video cameras
- megapixel CCDs vs 3-chippers
- megapixel CCDs vs non-megapixels
- megapixel CCDs vs non-megapixels2
- megapixel CCDs vs non-megapixels vs 3-chippersdoc
- megapixel effects on video image
- megapixel vs not in video....
- megapixel vs not in video....2
- megapixels good for video image quality...
- Mel Brown, printer
- memorable stereos
- memory stick file names...
- mercury bat replacement
- meter collor error, again
- meter color compensation
- meter color errors 2
- meter color errors
- meter calibrating
- meter cell aging
- meter color error
- meter color error
- meter color resp - again
- meter matching 2
- meter matching
- meter reading variation
- meter reading variation2
- meter spectral sensitivity
- meter spot attachments
- Metering Colors
- metering filters
- Metering for Exposure
- metering mirror w AI body
- metering technique
- metering technique2
- metering through colored filters
- metering through filters
- metering w colored filters
- metering with colored filters and incident-direct averaging
- metering with colored filters and incident-direct averaging2
- metering with colored filters and incident-direct averaging3
- metering with colored filters and incident-direct averaging4
- metering with custom lenses
- metering with MF lenses on AF bodies
- meters and color response ..
- meters and color response ..2
- meters with indication range...
- MF vs AF 2
- MF vs AF
- MF EOS lenses
- MF lenses no longer made...
- MF on AF bodies
- MF override of AF with N90...
- MF vs AF
- MF vs AF....
- MF-21 databack
- mic advice for interviews
- mic for PC100-110
- mic for TRV-900 camcorder
- mic for TRV30
- mic input to computer...
- mic pad for VX2000
- mic placement on mini-Mini-DV camcorders
- mic tips...
- Mic-Xdev
- Michael Cantrell scam
- micing PA and speakers...
- micro lenses 2
- micro lenses 3
- micro lenses
- mics for camcorders
- mics and stereo comments...
- mics for documentary...
- mics for loud sounds
- mics for speakers
- mics for stage play
- MICS for VIDEO
- mid-range zoom choice....
- mid-range zoom choice...
- mid-range zoom choice...2
- mid-range zoom...
- mid-range zoom...2
- mid-range zooms compared
- mid-range zooms compared2
- mid-range zooms
- MIDI software...
- MIDI software...2
- MIDI to WAV recording
- mini - DV drives . . .
- Mini - DV dropouts
- mini anti-zoom rant...
- mini- DVCAM tapes...
- mini-disc recorder and synching
- mini-disc recorder and synching2
- Mini-Disk sound for video
- Mini-Disk sound for video2
- Mini-Disk sound for video3
- Mini-Disk sound for video4
- Mini-DV camcorders
- Mini-DV camcorders2
- Mini-DV tape compatibility ...
- Mini-DV vs BetaSP...
- Mini-DV and DVCAM...
- Mini-DV cleaning tape use...
- Mini-DV cleaning tape use...2
- Mini-DV cleaning tape use...3
- Mini-DV cleaning tape use...4
- Mini-DV cleaning tape use...5
- Mini-DV cleaning tape use...
- Mini-DV deck...
- Mini-DV drive question...
- mini-DV drives ...
- Mini-DV dropout prevention
- Mini-DV dropouts
- mini-DV editing computer advice...
- mini-DV editing computer that works
- Mini-DV tape brand differences ...
- Mini-DV tape dropouts with mixing brands....
- mini-DV tape dropouts...
- Mini-DV tape recommendations...
- Mini-DV tape recommendations...2
- Mini-DV tape recommendations...3
- Mini-DV tape storage
- Mini-DV vs D8 ..
- Mini-DV vs D8-2
- Mini-DV vs D8...
- Mini-DV vs D8
- Mini-DV vs Micro-DV ..
- Mini-DV 4-channel recording...
- Mini-DV artifacting and codecs-JD
- Mini-DV artifacting and codecs
- Mini-DV camcorder noise...
- mini-DV camcorder comparison referrals
- Mini-DV camcorder for high image quality
- mini-DV camcorder for low light levels
- Mini-DV camcorder for scateboarding
- mini-DV camcorder head life
- Mini-DV cameras as decks...
- mini-DV capture...
- mini-DV capture...2
- Mini-DV cleaning tape
- mini-DV drive requirements
- mini-DV drives, again, again, again, again..
- mini-DV drives, again, again, again..
- mini-DV drives, again, again..
- mini-DV drives, again...
- mini-DV drives, again...2
- mini-DV dropout preventives
- mini-DV dropout preventives2
- Mini-DV edge effects...
- Mini-DV edge effects...2
- Mini-DV edge effects...3
- Mini-DV edge effects...4
- Mini-DV faults...
- mini-DV flag-shaped image bits...
- Mini-DV for broadcast...
- mini-DV for stills, green-screening...
- Mini-DV generation losses...
- Mini-DV generation losses
- mini-DV info...
- mini-DV LP vs SP vs DVCAM...
- Mini-DV multi-camera holding of synch
- Mini-DV play compatibility among brands...
- Mini-DV play compatibility among brands...2
- Mini-DV play compatibility among brands...3
- mini-DV sound quality
- mini-DV stair-stepping
- mini-DV stuff needed...
- mini-DV tape brands to use
- Mini-DV tape differences....
- Mini-DV tape types, and brand mixing...
- mini-DV tape...
- mini-DV vs analogue.........
- mini-DV vs analogue........
- mini-DV vs analogue.......
- mini-DV vs analogue......
- mini-DV vs analogue.....
- mini-DV vs analogue....
- mini-DV vs analogue...
- mini-DV vs Beta SP vs SVHS...
- Mini-DV vs BIG-SPENSIVE gear...
- Mini-DV vs D8 camcorders
- Mini-DV vs D8 camcorders2
- Mini-DV vs D8 camcorders3
- Mini-DV vs D8 camcorders4
- Mini-DV vs lesser medium...
- mini-plug problems and directional mics
- MiniDV SP vs LP recordings
- minimizing DOF...
- minimum RAM for Premiere
- Minolta 135mm f3.5
- Minolta Autocord
- Minolta lenses
- Minolta 135mm f3.5
- Minolta 28mm f2.8
- Minolta hot-shoe adapter
- Minolta III
- Minolta lenses
- Minolta mirrors.
- Minolta mirrors
- Miro DC20 sync
- mirror checking - ND filters
- mirror lens filters
- mirror lenses
- mirror lock bodies
- mirror lock w A mode
- mirror shake
- mirror strike w Tamron zoom
- mirror up metering
- mirror vs standard long lens
- mirror-lock-up bodies
- MIRRORCL
- mirrors...
- MIRRORS
- mixing DV tape brands...
- mixing DV tape brands...
- mixing Mini-DV tape brands, again...
- mixing Mini-DV tape brands, again...2
- MIXING MINI-DV TAPE BRANDS ..
- MIXING MINI-DV TAPE BRANDS ..2
- mixing Mini-DV tape brands
- mixing Mini-DV tape brands2
- mixing Mini-DV tape brands3
- MIXING Mini-DV tape brands ..
- mixing Mini-DV tape brands...
- mixing Sony tape types ...
- mixing achromat and lens brands
- mixing analogue and DV formats
- mixing audio in Premiere...
- mixing Mini-DV tapes again...
- mixing Mini-DV tape brands...
- mixing Mini-DV tape brands...2
- mixing Mini-DV tape brands...3
- mixing new and old type Sony DV tape
- mixing new and old type Sony DV tape2
- mixing older and newer Sony DV tape types
- mixing Sony and other Mini-DV tapes
- mixing tape brands, again...
- mixing tape brands and Sony old-new tape
- mixing tape brands and Sony old-new tape2
- mixing tape brands and Sony old-new tape3
- mixing tape brands, camcorders, record-modes...
- mixing TRV0900, PD-150 footage...
- mixing unmatched camcorders...
- MKE-300 mic
- MKE-300 and flash-brackets...
- MKE-300 mic
- MKE-300 vs 908C mics
- MKE-300 wind-screen...
- MKE-300s and the VX2000 ...
- MKE300 and TRV900 noise pickup...
- MKS - 80-200 f45 versions
- ML's fractional stop list
- modern body
- modifying a frame in Premiere...
- modifying eyecup for FG-N2000
- modifying TC20E to fit other lenses
- money in little league
- monitor display differences...
- monitor display differences...2
- monitor display differences...3
- monitor gamma - sites
- monitor selection...
- monitor selection...2
- monitor TV for video editing...
- monitor TV for video editing...2
- monitors for Premiere...
- monitors for Premiere...2
- monitors for Premiere layout
- monitors for Premiere layout2
- mono mics into a stereo input
- mono mics into a stereo input2
- mono mics on the VX2000.
- mono mics on the VX2000.2
- mono mics on the VX2000.3
- mono mixer to VX2000 input...
- mono mixer to VX2000 input...2
- mono-ing tracks in Premiere
- monochrome finder image with B&W
- MONOCULR
- monopod V top
- monopod features
- monopods vs other for video
- monopods.
- monopods
- more expensive FireWire cards...
- most compact SLR lens
- most used lens
- most used lenses ...
- motor drive value
- motor for Nikon F
- motor noise in camcorders ...
- motor rate increase
- motors that power bodies 2
- motors that power bodies
- mounting large prints
- mounting suggestions
- mounting the 8mm f8 on the F4...
- movie frame FL equivalents
- movie stock type
- moving clip sets in Premiere
- moving titles in Premiere
- moving up from the VX2000...
- moving video image and seeing...
- MSP-6 vs. Premiere
- Mt. St. Helens...
- multi - camera edits...
- multi - camera edits...2
- multi - camera edits...3
- multi - camera edits...4
- multi - camera edits...5
- multi-camera editing with Premiere...
- multi-camera editing in Premiere
- multi-camera editing in Premiere2
- multi-camera editing with Premiere..
- multi-camera editing with Premiere
- multi-camera editing with Premiere2
- multi-camera editing with Premiere3
- multi-camera editing with Premiere4
- multi-camera editing with Premiere5
- multi-camera editing with Premiere6 - and VX2000
- multi-camera edits in P-5.1a...
- multi-camera edits in P-5.1a2...
- multi-camera shooting of performance...
- multi-coating...
- multi-coating
- multi-exposures w F body
- multi-exposures w registration
- multi-generation effects of rendering DV.
- multi-generation Mini-DV
- multi-take editing in Premiere
- multi-take editing in Premiere2
- multi-track sound
- MULTIF2
- multiple slides of BW prints
- multiple sound tracks for events
- multiple video cameras...
- multiplied light source images in zooms
- MULTTLFL
- music for video complaints...
- music recording and different tapes
- music recording and different tapes2
- MW TRV900 web page...
- MX-3000 vs VX-2000...
- MX2000-2500-3000-5000 vs DVX100 ..
- MX300 vs TRV900 and VX2000...
- MX300 vs TRV-900...
- MX300 vs VX2000
- MX3000 vs TRV900
- my background 2
- my background
- my bad writing...
- MY CAMCORDER URLs.....
- My lens choices
- my mini-DV editing computer
- My URLs pointer for camcorder info...
- my VX2000 review in CHs site...
- my web article on intuitive Premiere set-up
- N ikkors vs C anons
- N wides vs off-brand zooms
- N2000 AA bat holder
- N2000 problems
- N2000-2020 comments
- N2000-2020
- N2000
- N2020 C & L
- N2020 flashing AF lights
- N24-120, N28-85, N28 f2.8, T28-70 f2.8, S28-70 f2.8
- N50 vs 6006
- N6000 etc
- N70, D feature
- N80....
- N90 major flaw
- N90 vs 8008 2
- N90 vs 8008 3
- N90 vs 8008
- N90s VF unsharpness and AF errors 2
- N90s VF unsharpness and AF errors
- names
- naming tracks in Premiere
- narative shoot advice...
- narrow-angle mic for Sony Camcorder
- Nat Geo tech poor photos 2
- Nat Geo tech poor photos
- ND filter use on VX-1000
- ND filters and reduced sharpness..
- neat rant against lens tests
- neg color in tungsten
- negative color shifts with exposure
- negative popping
- Neopan 400 dev
- Neopan 400 processing
- net transactions 2
- net transactions
- Netscape...
- Netscape...2
- networked computers
- new 28-70 and 80-200 S-lenses...
- New 360 + degree imaging method
- new 80-200 f2.8 AF
- new and old style 500mm f8 Nikkors
- new and old style 500mm f8 Nikkors2
- new Canon -VX1000-...
- new F screens
- new lenses on old bodies - and reverse
- new Nikon and lens...
- new Spark 2 works!
- new vs old cameras...
- new...
- newer body advantages, disadvantages
- newer lenses on older bodies
- newer meters vs old-types...
- newer vs older VFs, AF vs MF for accuracy
- NG communication problems...
- NG formatting complaints ..
- NG posting comments ..
- NiCad discharger
- NiCad charging
- Nicad discharger
- Nicad bat probs 2
- Nicad bat probs
- NiCad dischargers
- NiCads in SB-24
- NiCads...
- Nicolas Mathieu warning post
- night-shot usefulness, and Sony reliability...
- Nikkor 28mm lenses ..
- Nikkor 28mm's
- NIKKOR FISHEYES
- Nikkor 105mm f1.8 ...
- Nikkor 35's
- Nikkor 35mm's
- Nikkor 50's
- Nikkor 500mm f8's
- Nikkor mid-range zooms ..
- Nikkor PC lenses
- Nikkor types
- Nikkor used value
- Nikkor wide-angle distortion ..
- Nikkor 1.4X converters
- Nikkor 15's
- Nikkor 180s
- Nikkor 20mm f2.8 vs....
- Nikkor 28's
- Nikkor 28-105mm zoom
- Nikkor 28mm's 2
- Nikkor 28mm's
- Nikkor 50's
- Nikkor 50mm f1.2 vs f1.4 vs f1.8-2
- Nikkor 50mm f1.2 vs f1.4 vs f1.8
- Nikkor 85s
- Nikkor AF 50mm f1.8 or f1.4-2
- Nikkor AF 50mm f1.8 or f1.4-3
- Nikkor AF 50mm f1.8 or f1.4
- Nikkor lens types
- Nikkor Lens Designations
- Nikkor lens evaluations
- Nikkor listing
- Nikkor MF lens availability
- Nikkor Mirrors
- Nikkor prime vs off-brand zoom super-wide
- Nikkor vs Olympus
- Nikkor vs other filters, prices...
- Nikkor wides vs the El Cheapos...
- Nikkor zoom vari-focal-ness
- Nikkormat meter problem
- Nikkormats
- Nikkors for movie use
- Nikkors good wide open
- Nikkors on 16mm film cameras...
- Nikkors vs Canons
- Nikkors vs off-brand...
- Nikkors vs others...
- Nikkors vs others
- Nikkors without rotating fronts
- Nikon or Canon...
- Nikon EM ..
- Nikon parts.
- Nikon parts
- Nikon vs Canon
- Nikon vs Others
- Nikon www page comment
- Nikon - what special (GD)
- Nikon 28's
- Nikon bayonette problem
- Nikon body questions
- Nikon buying advice
- Nikon E-lenses
- Nikon F's (F3)
- Nikon Filter List
- Nikon flash on other camera, and small filter on tele ..
- Nikon flash with NiCads
- Nikon G-lens quality...
- Nikon lenses and letter designations ..
- Nikon lenses
- Nikon meter variations
- Nikon moisture problems
- NIKON Normals
- Nikon parts dept
- Nikon Parts phone number 2
- Nikon Parts phone number
- NIKON Price List
- Nikon quality image
- Nikon repair costs
- Nikon slide holder for duping-scanning
- Nikon vs Canon 2
- Nikon vs Canon
- Nikon vs Contax 2
- Nikon vs Contax 3
- Nikon vs Contax 4
- Nikon vs Contax 5
- Nikon vs Contax
- Nikon's Canon lessons
- NikonvsCanon
- NIKOR4X5
- NLE advice...
- NLE is practical...
- NLE system audio outfit
- no speed change with WA converter
- no speed change with WA converter2
- no speed change with WA converter3
- no-no to zooms bit
- no-sound on video cause
- no-sound on video cause2
- noise - reduction...
- noise reduction
- noise reduction2
- noise in TRV-900 and others
- noise in VX2000-PD150 audio, again, and AGC...
- noise in VX2000-PD150 audio, again, and AGC...2
- noise of stabilizer gyro on VX2000
- noise reduction
- non-AI lenses on AI bodies
- non-AI lenses on some AI bodies
- non-AI PC on AI body
- non-AI lens on AI body
- non-AI lens on AI body 2
- non-AI lens on AI body...
- non-AI lens on AI body..
- non-AI lens on AI body.
- non-AI lens on AI body
- non-AI lenses on FE
- non-AI on FG
- non-AI PC lenses on AI bodies
- non-AI PC's on AI bodies
- non-AI TC's
- non-AI vs AI identification
- non-dead FG...
- non-Memory-Sticks in Sony camcorder...
- non-Nikkors in SLE(MN)
- non-square pixel handling in Premiere
- non-square pixels
- normal bad pixel count-conditions for Sony camcorders
- normal bad pixel count-conditions for Sony camcorders2
- normal bad pixel count-conditions for Sony camcorders3
- normal bad pixel count-conditions for Sony camcorders4
- normal bad pixel count-conditions for Sony camcorders5
- normal for 16mm film
- normal vs high-pixel-count CCD picture differences
- not using rear filters...
- not-too-expensive long lens
- NSilva, exposure consistency
- NTSC and PAL Mini-DV...
- NTSC and PAL Mini-DV...2
- number of drives for computer video editing...
- OCed CPUs for video editing
- odd-sized caps
- off-brand lenses....
- off-brand lenses...
- off-brand lithium-ion camcorder batteries...
- off-brand vs Nikkors
- off-center lens image in finder
- Off-eye finders
- off-world photographer needed
- offering turnkey miniDV editing computers
- oil on diaphragm
- oil on diaphram leaves
- oil in 55mm
- oil stuck shutters
- OIS vs DIS
- OIS vs DIS 2
- OIS vs DIS
- old 28mm f3.5 N vs Tokina new...
- old 35 1.4 ASPH vs new
- old 85 vs new zooms
- old F and lens questions 2
- old F and lens questions 3
- old F and lens questions
- old slide film color cast
- old stories...
- old vs new 35mm f2 MF
- old vs new flash TTL 2
- old vs new flash TTL
- old vs new Nikon flashes
- old vs newer gear feel
- older flashes on newer Nikons
- older-body MF vs newer...
- omni stereo mic suggestion ..
- Omni-Bounce comments
- on -bokeh- 2
- on -bokeh- 3
- on -bokeh- 4
- on -bokeh-
- On bokeh...
- On bokeh...2
- On bokeh...3
- ON LENS CHECKING
- ON USING FLASH ..
- on 3rd party lenses
- On accuracy in video picture and sound display
- On accuracy in video picture and sound display2
- On AF and MF
- On archiving video footage ..
- ON B&W COLOR FILTERS
- On bad bokeh
- On bad bokeh2
- On buying a TV for video monitoring
- On buying a TV for video monitoring2
- On buying a TV for video monitoring3
- On buying a TV for video monitoring4
- On CCD Number and Pixel-Count Effects
- On cleaning lens surfaces
- on connecting cables...
- on connecting cables...2
- on creation...
- on creation...2
- on creation...3
- On developing and contact printing B&W
- On developing and contact printing B&W2
- On DIFFRACTION In Lenses
- ON DOF....
- ON DOF....5
- on e-mail responses to NG posts...
- on filter quality....
- On filters for B&W work
- On Flash
- On Glasses And Manual Focusing 2
- On Glasses And Manual Focusing
- on hard-cutting bad-bokeh lenses
- ON INFRARED IN VIDEO...
- ON INFRARED IN VIDEO...2
- On IR and Video
- On Lanc Remotes...
- On Lanc Remotes...2
- On lens checkers...
- On Lens Distortion
- on lens flare
- On Manual Focus, Aging, and Glasses
- on micing with wireless and shotgun mics
- On Mics...
- On Mics...2
- On Mixing Mini-DV Tape Brands
- On Mixing Mini-DV Tape Brands2
- On Mixing Mini-DV Tape Brands3
- On MJ's lens comments..
- on my web page.....
- on my web page.....2
- ON MY WEB PAGE...
- On my web site design...
- On P-5.1a...
- on packing and blacking Mini-DV tape...
- on preparing photos for web use
- ON PS-MODE DISPLAY IN VIDEO
- on putting down discussions of product relative merits
- On setting clip levels...
- ON SLEMN, AND WHAT IT IS
- on some camcorder review sites...
- On T-Max...
- On testing, truth, and audio. ..
- on the GL-1...
- On the Lemon Lecture
- On the TRV-9 vs TRV-900 2
- On the TRV-9 vs TRV-900
- ON USING PC LENSES
- On various B&W films I have used...
- On various B&W films I have used...2
- on viewfinders...
- On WA Lens Converters for VIDEO
- On wedding video shooting and clients...
- On wide-angle shooting
- on-camera mics...
- On-Camera Flash Technique 2
- On-Camera Flash Technique
- on-camera lighting
- on-film lens tests
- OnDOF....2
- OnDOF....3
- OnDOF....4
- one lens for wedding
- one-chip vs 3-chip camcorders...
- one-chip pixel-count limitations...
- one-chip vs three...
- one-chip vs three...2
- one-over-FL rule of thumb errors
- online copyright info
- opening shutter in Nikon motor-drive bodies
- operating transitions in Premiere
- operationally-obvious cameras
- operationally-obvious cameras3
- optimizing graphics for video ...
- optimizing zoom performance
- Optura Pi vs TRV20 and others
- Oral photography
- ORDER
- our turn-key NLE system...
- out-of-focus types and DOF
- outdated film
- output format for recording edit to Mini-DV camera
- output format for recording edit to Mini-DV camera2
- outputting video to tape
- over three hours on the Premiere timeline...
- over three hours on the Premiere timeline...2
- over-age Kodachrome 200
- overclocking the CPU
- overexposed strip
- oversharpening...
- overuse of filters 2
- overuse of filters 3
- overuse of filters 4
- overuse of filters
- overwashing prints
- P and S with AI(S) lenses - Tom
- P and S with AI(S) lenses
- P as NLE...
- P Dual
- p o l a r i z e r s . . .
- p r o g r e s s i v e s c a n . . .
- p r o g r e s s i v e s c a n . . .2
- p r o g r e s s i v e s c a n . . .3
- p r o g r e s s i v e s c a n, again...
- P S - mode....
- P S - mode....2
- P S - mode....3
- P S - mode....4
- P S - mode....5
- P S - mode....6-Loren Amelang
- P timeline playback and scale
- P with non-AIS lenses
- P&S vs SLR
- P-4.2 vs 5.1 vs 6...
- P-5 vs P6, to change, or not...
- P-5.1 compatible capture cards...
- P-5.1 operating advice...
- P-5.1 phantom-clips playback...
- p-5.1 vs 4.2, and BUGS
- p-5.1 vs 4.2, and BUGS2
- P-5.1 vs....
- P-5.1 woes, a solution...
- P-5.1a BUGS and DISLIKES
- P-5.1a letterboxing
- P-5.1a vs Edit DV....
- P-5.1a vs Edit DV...
- P-5.1a vs EditDV...
- P-6 first impressions
- P-6 first impressions2
- P-6 first impressions3
- P-6 first impressions4
- P-6 first impressions5
- P-6
- P-A-S-M functions
- P-II vs C-300A OC'd performance
- packaging for shipping
- packing and blanking mini-DV tape
- packing and blanking mini-DV tape2
- PAL vs NTSC CCD pixel counts...
- PAL vs NTSC Mini-DV tape run-time
- Pan 10, 15 vs VX2000...
- Pan 10, 15 vs VX2000...2
- Pan 30U vs Sony TRV-900
- Pan vs Sony camcorder stabilizers...
- pan-tilt vs ball head
- pan-zoom still in premiere ...
- Pan. AG-DVC10...
- Pan. AG-DVC10
- Panasonic 952 ..
- Panasonic AG-DVX100
- Panasonic DVX100 vs PD150 review ..
- Panasonic DVX100 vs PD150 review ..2
- Panasonic DVX100 vs PD150 review ..3
- Panasonic DVX100 vs PD150 review ..4
- Panasonic DVX100 vs PD150 review ..5
- Panasonic DVX100 vs PD150 review ..6
- Panasonic MX3000 camcorder...
- panning and mono sound in Premiere
- panorama prints
- panoramas
- panoramic camera types
- panoramic cameras
- pans and zooms in video of photos...
- pans and zooms in video of photos...2
- pans and zooms in video of photos...3
- paper diaphragm for improving projector lenses
- paper negatives
- pays to check lenses
- PB-4 use
- PB-4 - PS-4 with 50mm
- PB-4 for tilt-shift
- PB-4 movements 2
- PB-4 movements
- PB-4 use
- PB-4 with 8008
- PC lenses
- PC vs Mac...
- PC + converter
- PC 110 ...
- PC and wides for architecture
- PC for best WA...
- PC image circle
- PC lens advantage...
- PC lens metering
- PC lens shift limits
- PC lens technique 2
- PC lens technique
- PC lens
- PC lenses and exposure
- PC lenses b
- PC lenses vs others...
- PC lenses vs others...2
- PC lenses vs others...3
- PC lenses
- PC recommendations
- PC use on various Nikon bodies...
- PC vignetting
- PC vs Mac for editing...
- PC vs Mac process time...
- PC vs Mac video render times
- PC vs Mac video render times2
- PC-1 battery advice...
- PC-1 battery advice
- PC-1 vs PC-100...
- PC-100 aperture go smaller than f4...
- PC-110 image problems...
- PC-110 vs VX-2000
- PC-5 light and WA...
- PC-5 vs. Optura Pi...
- PC-7 filter, shade, and cap
- PC-7 stabilizer
- PC-monitor brightness setting...
- PC100 vs PC120..., and video artifacting and film
- PC100 vs PC120...
- PC100 and low-light...
- PC100 inputs and manual controls
- PC100 munching tapes...
- PC100 munching tapes...2
- PC100 vs PC1 vs TRV11-2
- PC100 vs PC1 vs TRV11-3
- PC100 vs PC1 vs TRV11-4
- PC100 vs PC1 vs TRV11-5
- PC100 vs PC1 vs TRV11-6
- PC100 vs PC1 vs TRV11-7
- PC100 vs PC1 vs TRV11
- PC100 vs TRV30
- PC100 vs TRV900
- PC100, TRV30 stills
- PC100-110 still quality...
- PC100-110 vs TRV900
- PC100...
- PC101 model placement...
- PC101 vs PC100...
- PC101...
- PC110 vs TRV30...
- PC110 vs XL-1s.......
- PC115 add-ons..
- PC5-9-100-110...
- PC9 vs PC100 vs PC101 ..
- PC9 vs PC100 vs PC101 ..2
- PC9 vs PC100 ..
- PC9 vs TRV30...
- PC9 vs TRV30...2
- PC9 vs TRV30...3 - PICTURE CHARACTERISTICS
- PC9 vs TRV30...4
- PC9 vs PC100
- PC9 vs TRV30 vs TRV900
- PC9 accessories...
- PC9 and AGC ..
- PC9 exposure control issues....
- PC9 exposure control issues....2
- PC9 for production...
- PC9 issues....
- PC9 menus and...
- PC9 mpg videos for email, web pages
- PC9 vs PC110-2
- PC9 vs PC110
- PC9 vs PC110-2
- PC9 vs PC110
- PC9 vs TRV30 for motion video and stills
- PC9 vs TRV30 for motion video and stills2
- PC9 vs TRV30 for motion video and stills3
- PC9....
- PC9
- PD on Nikkor 105 versions
- PD-150
- PD100 vs PD150...
- PD100 a vs VX2000
- PD100 vs TRV-900
- PD100a vs VX2000 for skydiving
- PD150 - VX2000 difference
- PD150 - VX2000 difference2
- PD150 hiss, a g a i n . . .
- PD150 or XL-1s ...
- PD150 vs VX2000 vs GL2
- PD150 vs XL-1s
- PD150 accessories
- PD150 noise level...
- PD150 vs XL-1 vs JVC...
- PD150 vs PD100
- PD150 vs VX2000 vs GL-1 for auto-manual exp switching
- PD150 vs VX2000 vs GL-1 for auto-manual exp switching2
- PD150 vs XL-1 for concert shooting...
- PD150, JVC500, Pan 200....
- PDX10 vs TRV900 vs...
- pecking order of lenses, Bob Shell...
- peepsight fisheye 2
- peepsight fisheye
- Pen EE
- PEN-EE
- Pentax 110
- people lenses
- perfect camera meter ...
- perfect camera meter ...2
- PERF_NIK
- perspective types
- perspective and lens design 2
- perspective and lens design
- perspective change, and zooming...
- perspective of different FL lenses on different formats...
- phantom-power current needs
- phone nos 2
- phone nos of magazines agencies
- photo misinformation
- photo misinformation2
- photo ownership 2
- photo ownership 3
- photo ownership
- photo publishing
- photo vs non-photo Epson inkjet
- photo-mag advertisers
- photo-manipulation
- photographic recording accuracy...
- photos under flourescent light...
- picture differences VX-700 vs VX-1000
- Picture Publisher
- picture-in-picture in P-5.1
- picture-in-picture in Premiere
- pinhole info...
- PIP in Premiere
- PIP video...
- pixel count ...
- pixel count ...2
- pixel count...- FB-response
- pixel count in CCDs
- pixel count, PS-mode, and video picture quality
- pixel-count and FireWire transfer
- pixel-count and video resolution
- pixel-count, AV-inputs, zoom-range in choosing camera
- PIXEL-COUNT, CCD-SIZE, AND ....
- PK-13 for 1-1 with 55
- placing frames side-by-side in Premiere
- Planar speakers
- plastic vs cardboard mnts
- plastic vs cardboard slide mounts
- plastic vs metal bodies
- playing tapes in different camcorders...
- playing video from Premiere timeline on PC...
- PLSTICAF
- PN-11 for 1 to 1
- PN-11, PK-11, PK-11A
- POLARI20
- polarizer patterns...
- polarizer color
- polarizer filter justification 2
- polarizer filter justification
- polarizer on wa zooms
- polarizer type for VX-1000
- polarizers on wides
- polarizers with video
- POLARIZERS, circular vs linear...
- polarizerz
- polarz on wides
- politics on photo NGs...
- poor neg color prints
- poor optical alignment in zooms
- Pop SQF - MTF
- portrait lens choice
- portrait lens
- portrait lenses
- portrait zooms
- portrait-landscape-macro lenses
- positioning image with motion tool in Premiere
- post info...
- post responses...
- post's time frame - tilt-shift bellows
- posting advice...
- posting line lengths
- POTA - Tri-X at 25 asa
- practical DOF coverage
- Prarie Home Companion visuals...
- predominant eye 2
- predominant eye 3
- predominant eye 4
- predominant eye
- Premier
- Premiere transitions ..
- Premiere and interlace problem ..
- Premiere comments
- Premiere display quality ..
- Premiere dual-monitors
- Premiere for long projects
- Premiere layout...
- Premiere start-up basics
- Premiere vs MSP ...
- Premiere 4.2 vs 5.1....
- Premiere 4.2 vs 5.1...
- Premiere 4.2 vs 5
- Premiere 5.1 questions...
- Premiere 6 and problems with colored-edge transitions
- Premiere 6 and problems with colored-edge transitions2
- Premiere 6 and problems with colored-edge transitions3
- Premiere and prem50.prf.STANDARD
- Premiere and title tracks...
- PREMIERE and TITLING - MC comments
- PREMIERE and TITLING
- Premiere and transition possibilities
- Premiere as Tinker-Toys
- Premiere basics for timeline editing
- Premiere bug comments
- Premiere bugs comment...
- Premiere comments...
- Premiere complaints.....
- Premiere complaints....
- Premiere complaints...
- Premiere dual-monitor layout
- Premiere effects...
- Premiere experience...
- Premiere experience...2
- Premiere full, vs lite edition...
- Premiere intuitive layout ...
- Premiere intuitive operation method...
- Premiere intuitive operation method...2
- Premiere intuitive operation method...3
- Premiere intuitive operation method
- Premiere multi-track hints...
- Premiere on two monitors
- Premiere output problems...
- Premiere previewing
- Premiere previews
- Premiere set-up for intuitive use ...
- Premiere soft dissolves
- Premiere speed suggestions...
- Premiere timeline longer than 3 hours
- Premiere timeline navigation
- Premiere timeline output to tape
- Premiere timeline output to tape2
- Premiere timeline output to tape3
- Premiere title fonts
- Premiere title ideas...
- Premiere titles
- Premiere transitions preview...
- Premiere transitions difficulties...
- Premiere vs. After Effects
- Premiere-Raptor transition preview bug
- preparing Mini-DV tape for use
- Presidential election comments...
- pressure-plate life
- preventing blown-out sky tones
- preventing Premiere crashes
- preview file functions in NLE
- previewing in Premiere...
- price of 77mm Hoya
- Pricing -Practices
- pricy body w cheap glass
- prime vs zoom superwide
- prime WAs vs zoom
- primes vs zooms 2
- primes vs zooms 3
- primes vs zooms 4
- primes vs zooms A
- primes vs zooms.
- primes vs zooms
- primes vs zooms.
- Primes vs Zooms
- primes vs zooms2
- primes vs zooms3
- primes vs zooms4
- print color difference cause
- print edge sharpness
- print mold
- prints and slides into video ...
- prints unsharp on one side...
- pro gear and repairing
- Pro Rates (Terp)
- Pro video vs mini-DV quality differences...
- Pro-Mist filter and film-look
- problem with still in Premiere...
- PROCEDURE FOR LENS CHECKING--
- processing scanned images - and lens alignment
- product comparisons
- progressive scan
- progressive scan2
- progressive scan3
- progressive vs interlaced still images
- progressive-scan comments...
- projection screen types
- projector lenses
- projector lenses
- projector lenses & screens 2
- projector lenses & screens
- projector lenses..
- projector lenses.
- projector lenses
- projectors - screens
- proportioning 16-9 for 4-3 video
- proportions for graphic in video for no distortion
- proportions for graphic in video for no distortion2
- PROPRICE
- PS vs interlaced...
- PS vs interlaced...2
- PS vs interlaced...3
- PS vs interlaced...4
- PS vs interlaced...5
- PS vs interlaced...6
- PS - mode, again . . .
- PS video mode
- PS vs interlaced, when to use...
- PS vs interlaced-mode video
- PS vs interlaced-mode video2
- PS vs interlaced-mode video3
- PS vs interlaced-mode video4
- PS vs non-PS
- PS vs normal scan mode for video
- PS vs normal scan mode for video2
- PS vs normal scan mode for video3
- PS, again . . .
- PS, again.......
- PS-4,5,6 and PB-4,5,6 bellows
- PS-mode again...
- PS-mode again...2
- PS-mode again...3
- ps-mode and motion-video...
- PS-mode and the VX2000
- PS-mode c o n f u s i o n . . .
- PS-mode . . . . . .
- PS-mode . . . . . . 2
- PS-mode speed...
- PS-mode, a g a i n . . .
- PS-mode, a g a i n . . .2
- PT on incidental usic in videos...
- public access TV as an outlet for videos
- pull processing color neg
- pulling for shadows
- purchase questions......
- PURPOSE OF PC-LENS AXIS-SHIFT
- push-pull processing
- pushed Velvia
- pushing and pulling B & W
- pushing and pulling film dev
- pushing film
- pushing Velvia
- pushing, pulling, and copy films...
- quad - screen in Premiere...
- quad screen in Premiere...
- quad-screen in Premiere...
- Quads
- quality of projection lenses vs film, lens
- quality-levels of camcorder formats...
- quality-levels of camcorder formats...2
- Quang-Tuan Luong 24-120 review site
- queing tape to not lose time code
- quick camera - lens checks
- quick lens checking
- quick video product life...
- quiet ambient-sound recording.
- quiet ambient-sound recording.2
- quiet DV camcorders...
- quote on using 5x7 for candids
- r.p.m and Shutterbug buying experience
- Raid and UDMA
- RAID comments...
- RAM amount for Premiere...
- RAM for Premiere ..
- Ramblings...
- ramping speeds, and 24p for video to film...
- rangefinder cameras vs SLRs
- Raptor analogue output
- Raptor clip logging
- Raptor driver version for P-6
- Raptor for editing....
- RAPTOR OVERLAY AND P-6 DO NOT WORK
- Raptor video overlay
- Raptor video overlay2
- Raptor video overlay3
- Raptor video overlay4
- Raptor vs DV300
- Raptor vs...
- Raptor-P5.1a video export
- Raynox .3X for VX2000...
- Raynox HD6600-58 vs. Sony VCL-ES06 vs. Canon WD-58 for VX-2000-2
- Raynox HD6600-58 vs. Sony VCL-ES06 vs. Canon WD-58 for VX-2000-3
- Raynox HD6600-58 vs. Sony VCL-ES06 vs. Canon WD-58 for VX-2000
- Raynox WA converters...
- Re 80-200 f28
- re-used tape
- reading photos
- README
- real-time FireWire cards...
- Reala
- realtor photos
- rear filter effects
- rear-curtain sync
- REASONS why Mini-DV tape dropouts may not be visible
- REASONS why Mini-DV tape dropouts may not be visible2
- Rebel vs F3 VFs 2
- Rebel vs F3 VFs
- recalibrating F, F2 meters
- recommendations of lenses
- recommended trip film
- recommended trip film2
- recording ambient sound
- recording ambient sound2
- recording ambient sound3
- recording both St1 and St2 DV audio tracks to computer
- recording from computer back to camcorder
- recording from one video camera to another
- recording long audio tracks only - on Mini-DV tape
- recording over DV tape...
- red and highlight problems in video
- red blooming in the VX2000
- red problems with VHS copying of Mini-DV
- redraw problems
- reducing DOF on video camera
- reducing grain in Premiere
- referal to my web page
- references for video info...
- references for video info...2
- REFERENCING camcorder, TV, and monitor to each other
- REFERENCING camcorder, TV, and monitor to each other2
- referencong video exposures
- regrettable photo story
- rejuvenating info-lithium batteries.
- religious fervor in discussions
- reloading cassettes 2
- reloading cassettes
- remotes interchangability
- removing stuck filter ...
- removing stuck filters
- removing whine from Mini-DV audio
- removing 1-2 frames in Premiere...
- removing bad color from IR footage...
- removing clipping from audio
- removing date stamp in DV
- removing echo in video audio...
- removing echo...
- removing flash frames from video ..
- removing flash frames from video ..2
- removing mark from print
- removing noise and voices from tracks
- removing stuck filter method
- removing stuck filter method2
- removing stuck filter method3
- removing stuck filter
- render speed ...
- render speed
- render before export in video editor...
- render speed increase...
- render time....
- render times...
- render times...2
- render-speed improvement with faster CPU
- render-speed improvement with faster CPU2
- rendering speed...
- repairing AF 52mm filter threads
- repairing AF 52mm filter threads2
- replacement Rollei screen
- replacing a poor 24-120...
- replacing codec in Premiere - The Mask
- request for info on enabling hidden features on cameras
- resampling sound in Sound Forge...
- reserve power for PD150
- resizing to avoid TV-cropping...
- RESOLUTION TESTS vs real-world photography
- RESOLUTIONS in video and photography
- resolutions for transfers...
- response to 28-200T post
- response to ad-post complainer..
- response to CH on XL-1 vs XX on NGs...
- response to CH on XL-1 vs XX on NGs...2
- response to CH on XL-1 vs XX on NGs...3
- response to CH on XL-1 vs XX on NGs...4
- response to CH on XL-1 vs XX on NGs...5
- response to CH on XL-1 vs XX on NGs...6
- response to CH on XL-1 vs XX on NGs...7
- response to CH on XL-1 vs XX on NGs...8
- response to CH on XL-1 vs XX on NGs...9
- restoring Lith-ion battery run-time
- restoring lithium battery capacity
- retrofocus vs non-retrofocus WA designs
- retrofocus vs non-retrofocus WA designs2
- Return Addresses!
- reusing Mini-DV tape . . .
- reusing film
- reusing Mini-DV tape
- reusing Mini-DV tape2
- reusing Mini-DV tapes
- reversed audio channels on VX2000..
- reversing lens boards
- reversing lenses for macro
- reviews comments...
- revivinglithium batteries
- right-angle finder
- Ring light vs standard TTL flash
- Ring light vs standard TTL flash2
- ring-light
- RM-95 and check-sum...
- RM-95 service-mode Lanc controller
- Rodinol
- Roland Vink Nikon lens list
- roll-o-th-dice description of Matrix metering
- Rollei 35
- Rollei 35 2
- Rollei 35
- Rollei 35 bat mod
- Rollei 35 dial
- Rollei 35 f2.8 vs f3.5...
- Rollei 35 Lenses
- Rollei 35 story
- Rollei 35 Xenar vs Sonnar 2
- Rollei 35s
- Rollei prices
- Rollei Repair Station (MARFLEX)
- rolling text in Premiere...
- rolling text in Premiere...2
- Rollyourown
- rotating a logo in Premiere...
- rough trip camera
- royalty-free MIDI music for video
- RRS vs Kirk QR plates
- rt angle and mag finders
- RT viewing of Premiere effects...
- rubbing during focus
- Russian 300mm f28
- Russian fisheye...
- S B - 1 5
- S B - 15
- S B - 24 2
- S B - 24
- s l o w m o t i o n . . . in Premiere
- s l o w - m o t i o n in Mini-DV...
- s t i l l s from video...
- s t i l l s from video cameras...
- s t i l l s from video cameras...2
- S. AV lenses flat-field
- safe flash TTL shoe 2
- safe flash TTL shoe
- safe flashes on newer Nikons
- safe-area in preview window...
- sales-tax and rant on right-wing hypocracy
- sales-tax and rant on right-wing hypocracy2
- sales-tax and rant on right-wing hypocracy3
- sales-tax and rant on right-wing hypocracy4
- Same lens, different optics
- sample variation 2.
- sample variation 2
- sample variation 3 - body alignment
- sample variation
- saturating or desaturating before codec...
- saving noisy audio tracks
- saving audio tracks ...
- saving to prevent P-crashes
- saving underexposed video...
- saving video sound as WAV file
- SB - 17
- SB - 16
- SB - 12
- SB - 15
- SB - 17
- Sb - 23
- Sb -15 use
- SB-11 vs newer flashes
- SB-15 flash
- SB-15 vs SB-24-5-6
- SB-15
- SB-16 controls
- SB-16 vs 17, and TTL fill...
- SB-17 flash for F3
- SB-17 on F3
- SB-17 or 15 for macro 2
- SB-17 or 15 for macro
- SB-23 flash ...
- SB-24 external pack vs NiCads
- SB-24 for evening illumination
- SB-24 for evening illumination2
- SB-24 for evening illumination3
- SB-24 on Canon F-1
- SB-24 on FA
- SB-24 standby
- SB-24 vs Quantum flash
- SB-24
- SB-26 as Auto flash
- SB-27 zoom range
- SB-28
- SB16a blinking 2
- SB16a blinking
- SB24 - red-eye
- SB24 with non-TTL cam
- SB24-5-6-8 compared
- SB24-5-6-8 compared2
- SB24FILL
- SB24MULT
- SB24SHAD
- SC-17 with flash flip bracket
- scam outcome
- scanning res - Digimatrix
- School, or -
- scope adapter
- scope converter
- scratch in 8008
- scratches from Nikon body
- screen in F
- screens and zoom focusing
- screens for 2020
- SCSI or IDE drives for mini-DV
- Seagate buy-out music for video
- seamless playback of multiple AVI files
- Seattle locations
- second camera for VX2000...
- second curtain sync.
- SEEING and PERSPECTIVE...
- SEEING and PERSPECTIVE...2
- seeing at high frame-rate...
- seeing brightness range
- seeing plain GG well
- seeing VF sharply
- Seing In Spherical Vs Rectangular Perspective 10
- Seing In Spherical Vs Rectangular Perspective 11
- Seing In Spherical Vs Rectangular Perspective 12
- Seing In Spherical Vs Rectangular Perspective 13
- Seing In Spherical Vs Rectangular Perspective 14
- Seing in Spherical vs Rectangular Perspective 2
- Seing in Spherical vs Rectangular Perspective 3
- Seing in Spherical vs Rectangular Perspective 4
- Seing in Spherical vs Rectangular Perspective 5
- Seing in Spherical vs Rectangular Perspective 6
- Seing in Spherical vs Rectangular Perspective 7
- Seing in Spherical vs Rectangular Perspective 8
- Seing In Spherical Vs Rectangular Perspective 9
- Seing in Spherical vs Rectangular Perspective
- selecting a TV ..
- selecting a TV ..2
- selecting a TV ..3
- selecting a TV ..4
- selecting a cam corder...
- selecting a camcorder...
- selecting a video camera ..
- selecting a $1200C camcorder...
- selecting a camcorder.....
- selecting a camcorder....
- SELECTING a camcorder...
- selecting a camcorder
- selecting a mini-DV camcorder...
- selecting a WA converter...
- selecting camcorder accessories...
- selecting just two lenses...
- selecting the best Mini-DV camera...
- selecting the best Mini-DV camera...2
- self-zooming complaints
- selling photos
- Senate e-mail 12-20-98
- sending video to tape with Raptor-premiere
- Sennheiser MKE300 on VX2000-2
- Sennheiser MKE300 on VX2000-3
- Sennheiser MKE300 on VX2000
- sepia in video...
- sequence of lenses for landscapes ..
- ser no position on AF lens
- serial no location on Nikkor AF lenses
- Series E, and SLE(MN) sites
- Series I lens quality
- Series I's.
- Series I's
- Series VII adapter
- setting aperture on flash in TTL...
- setting F2 meter for prong-less lenses
- setting reference standards for video exposures
- setting SB24 fill ratio
- setting TTL flash fill ratios...
- setting up 4 cameras in Sage...
- shade for 28mm f4 PC
- shade for 55mm f3.5
- shade for camcorder
- shade for Raynox .66X on VX2000-2
- shade for Raynox .66X on VX2000-3
- shade for Raynox .66X on VX2000
- shade for WA for VX-2000
- shade on 35-105
- shades and compendia
- Shades and Nikkors
- shades for WA converters
- shades for WA converters
- shades for WA converters2
- sharp 300mm
- sharpest Nikkors...
- sharpest Nikkors...2
- sharpest Nikkors...3
- sharpest Nikkors...4
- sharpest Nikkors...5
- Sharpest Aperture R-O-T
- sharpest stop 2, and 2-stop rule
- sharpest stop, and small-stop decline
- sharpest stop
- Sharpie vs Stabilo pens
- sharpness importance
- sharpness-nut, and limitations of being one...
- Shhhhh...
- shift and tilt
- shifted PC lens
- shippers
- SHIPPING
- shooting 400 at 800
- shooting 8 hours of IR
- shooting bats with IR camcorders...
- shooting fall color with video
- shooting from a helicopter...
- shooting macro stills with video cameras...
- shooting minerals
- shooting night sky with DV camcorder...
- shooting people A
- shooting people B
- shooting snow scenes
- shooting speakers...
- shooting the sun with video-2
- shooting the sun with video
- shooting the sun with video
- shooting the sun
- shooting through a glass door...
- shooting with UV light 2
- shooting with UV light
- short companion for 50-135
- short converters for VX-1000
- short FL lenses for speed
- short FL macros
- short lens choice
- short zoom vs primes...
- short zooms for concert shooting...
- short, fast, good zoom for portrait range
- short-shotgun mics...
- shortening an SC-17 TTL remote cord ..
- shotgun mic camera noise pickup
- shotgun mics....
- showing date display on video copies
- showing video frame grabs...
- showing video frame grabs...2
- Shutterbug arrival times
- Shutterbug dealing experience 2
- Shutterbug dealing experience
- Shutterbug incident revisited...
- Shutterbug incident revisited...2
- Shutterbug incident revisited...3
- Shutterbug incident revisited...4
- Shutterbug ratings 2
- Shutterbug ratings
- Sigma 8mm
- Sigma 28-70 f2.8-2
- Sigma 28-70 f2.8
- Sigma 90mm
- Sigma vs Minolta
- silica gel use
- silica gel 2
- silica gel
- silicone in lens tissue
- Silicone lens cleaners
- silly-features on camcorders
- sim higher ASA
- simple and fast video editor
- simplifying Premiere use
- simulating zoom effects in Premiere...
- single or dual monitors for video editing .
- single vs multi-coated filters..
- single- vs multi-coated filters 2
- single- vs multi-coated filters
- single-timeline in Premiere
- sizing a graphic in Premiere
- sizing a graphic in Premiere2
- sky color variations
- skylight 1A vs 1B
- SLE sites - altavista
- SLE sites, etc
- SLE(MN) pointer...
- SLE(MN) pointer...2
- SLE(MN) pointer
- SLE(MN) - lenseval6
- SLE(MN) 5
- SLE(MN) background
- SLE(MN) comments
- SLE(MN) sites 1-97
- SLE(MN) sites 2
- SLE(MN) sites 8-97
- SLE(MN) sites...
- SLE(MN) sites..
- SLE(MN) sites.
- SLE(MN) sites
- SLEMN pointer ..
- slemn - on nicke...
- slide flatness
- slide copying with 60mm f2.8
- slide dupers 2
- slide dupers
- slide duping problems
- slide exposure error
- slide film exposure
- slide film preferences
- slide film prefferences 2
- Slide or VF rotation
- slide processing labs
- slide projection
- slide projection2
- slide projector problems
- slide scanning with video camera
- slide-show for web
- slidelandscapes
- SLIDES TO VIDEO
- slides vs negatives for sharpness
- slo-mo in Premiere
- slo-mo ...
- slo-mo video
- slo-mo...
- slow B&W films
- slow flash sync.
- slow servers
- slow shutter speeds and selecting speeds w Sony 1-chippers
- slow shutter speeds and selecting speeds w Sony 1-chippers2
- slow shutter speeds and selecting speeds w Sony 1-chippers3
- slow shutter speeds in video...
- slow sync and ambient light
- slow video shutter speeds
- slow zoom rate...
- Slow-Mo in Premiere
- SLOW-MOTION in Premiere
- SLOW-MOTION methods
- slow-motion video
- slow-motion with DV
- slow-motion with Mini-DV...
- slow-motion with Mini-DV...2
- SLR viewfinder variations ...
- SLR as P&S...
- SLR split-image focus aids...
- SLR systems-body as BIG P&S...
- SLR VIEWFINDER desireable characteristics ..
- sluggish Premiere...
- small and light macro outfit
- small bright circle on lens
- small camcorder...
- small camcorders vs large for weddings ..
- small camcorders vs large for weddings ..2
- small camcorders vs large for weddings ..3
- small camcorders...
- small cheap mech body
- small DOF - Nikon prof services
- small, light FG
- small, sharp Mini-DV camcorder...
- smaller CCD size effects
- smaller format lenses on larger format
- smallest flash
- smart-rendering video-editing software
- smooth assembly of multiple AVI files
- smooth assembly of multiple AVI files2
- smooth slow motion in Premiere
- smoother slow-motion
- Snappy advice
- Snappy capture timing...
- Snappy clarification
- Snappy comments
- Snappy for animations
- Snappy video frame grabbing
- snow exposures 2
- snow exposures.
- snow exposures
- Snow photos
- soft focus lens vs out-of-focus
- Soft Images vs TMY
- soft-edged wipe in Premiere
- software for seamless multi-AVI playback
- software that cuts video captures into clips
- solor eclipse lenses
- some like the 70-300...
- someones EOS MF focus woes
- Sony 1-CCD stabilizers ..
- Sony DIS
- Sony EX vs PR Mini-DV tape...
- Sony EX vs PR tape...
- Sony tape types
- Sony tape types2
- Sony 0737HG-X WA converter
- Sony 5-9-11-17 vs. 20-100-110-2
- Sony 5-9-11-17 vs. 20-100-110
- Sony AA pack replacement for Li-Ion batteries
- Sony and Panasonic mini-DV cams
- Sony and Panasonic mini-DV cams2
- Sony and Panasonic mini-DV cams3
- Sony and Panasonic mini-DV cams4
- Sony batteries for camcorders
- Sony batteries for the PC9...
- Sony battery charge time ..
- Sony bottom-loading camcorders...
- Sony camcorder AGC ...
- Sony camcorder auto and manual controls
- Sony camcorder info...
- Sony camcorder IR and X-ray effect...
- Sony camcorder line split...
- Sony camcorder line...
- Sony camcorder manuals...
- Sony camcorder manuals...2
- Sony camcorder pricing...
- Sony d-a, a-d box for analogue capture
- Sony daylight-IR feature
- Sony DIS
- Sony DSR-250...
- Sony ECM-Z157 mic
- Sony EX vs PR Mini-DV tape...
- Sony filters...
- Sony Hi-8 and D8 color aliasing
- Sony infolithium battery substitute...
- Sony instruction manuals...
- Sony IP7...
- Sony IR lights...
- Sony Lanc for canon...
- Sony lux ratings...
- Sony megapixel camcorders...
- Sony mini-DV editing computer...
- Sony Mini-DV model history
- Sony model line pecking order...
- Sony MS908C vs S959C-2
- Sony MS908C vs S959C-JRose
- Sony MS908C vs S959C
- Sony new models in 2002...
- Sony new models in 2002...2
- Sony new models in 2002...3
- Sony NP-F950 vs 960 battery...
- Sony or Century tele converter on GL-1...
- Sony PC vs TRV camcorders...
- Sony PC vs TRV camcorders...2
- Sony PC vs TRV camcorders...3
- Sony PC-7 DV camcorder
- Sony tape types and Mini-DV and DVCam...
- Sony TRV-9 -see-through- hoax
- Sony TRV-9 -see-through- hoax2
- Sony TRV-9 -see-through- hoax3
- Sony TRV-9 -see-through- hoax4
- Sony TRV-9 -see-through- hoax5
- Sony TRV-9 comments
- Sony TRV-9 comments2
- Sony TRV-9 comments3
- Sony type 1-2 tape compatibilty
- Sony type 1-2 tape compatibilty2
- Sony type 1-2 tape compatibilty3
- Sony type I, II mixing problems
- Sony VAIO drive limitation
- Sony VAIO drive limitation2
- Sony VAIO drive limitation3
- Sony VCL-ES06 WA converter
- Sony VCL-ES06 WA converter2
- Sony VCL-ES06 WA converter3
- Sony Vega...
- Sony video camera names...
- Sony video tripods
- Sony vs Canon camcorders...
- Sony vs Canon camcorders...2
- Sony VX-1000 output quality
- Sony with Spark...
- Sony zoom controls ..
- Sony zoom lens part motion with power off
- sound for video ...
- sound card wanted, with good piano...
- sound editing programs
- sound editing programs2
- sound for weddings - lav mics
- sound importance to video...
- sound monitoring for video
- sounds for videos - and music ..
- sounds for videos ..
- source CP filters
- SP vs LP Mini-DV...
- SP vs LP Mini-DV recordings.
- SP vs EP VHS sound quality
- Spark comments
- Spark advice for good playback
- Spark batch capture
- Spark batch capture2
- Spark clip playback delay
- Spark comments...
- Spark comments.
- Spark comments
- Spark installation comments
- Spark problem...
- Spark record-preview problems
- Spark use advice
- Spark use, for assembling AVI's
- Spark ver.2 linking of multiple AVI files
- Spark vs analogue card
- Spark vs Raptor rendering
- Spark+ vs DV300...
- Spark+ vs DV300...2
- Spark....2
- Spark...
- specs do not tell all...
- specs for video cameras...
- specs...
- speculating on the TRV950
- speed of Velvia
- SPEED-CHANGE in Premiere
- speeding up rendering in Premiere
- speeding up rendering in Premiere2
- speeding up rendering in Premiere3
- speeding up video rendering
- spelling jokes
- spend more on body or lenses
- Spiratone plura-coat 400mm f6.3
- Split Flash
- split image and field curvature
- split RF darkening
- split-flash
- split-image focus aid comments...
- split-image focus aids
- sports finder 2
- sports finder
- sports-video camcorder settings...
- spot metering
- spot in image
- spot in lens
- Spot metering
- spot-metering and accuracy...
- spots on lenses
- spots on prints
- Squiggle Drawings
- stabilizer characteristics
- stabilizer characteristics2
- stabilizer characteristics3
- stabilizer on or off with tripod...
- stabilizing a camera...
- STABLE editing computer parts
- stable video-editing computer with P-5
- stacked filters OK...
- stage-lighting and video
- stair-stepping video
- stairstepping and Mini-DV...
- stamp pad ink
- standards for monitors and TVs for web and video
- step up rings for filters
- step-down CU lens w 80-200 f2.8
- step-down rings with achromats
- step-up rings - and shades...3
- step-up rings...
- step-up rings...2
- step-up vs step-down rings
- stepless aperture selection
- stepless aperture settings
- STEREO TV
- STEREO TV2
- stereo 6.2mm photos...
- stereo 6.2mm photos...2
- stereo photos2
- sticky 55mm diaphram
- sticky leaf shutters
- still images from video cameras...
- STILL vs VIDEO TRIPOD REQUIREMENTS
- stills from video ..
- stills from video cameras...
- stills - resizing, and smoothing, for Premiere use
- stills for video...
- stills for video...2
- stills for video...3
- stills for video...4
- stills from video...
- stills from video
- stills to video
- stills vs video of VX-2000...
- stills-quality from video . . .
- stolen camcorder advice...
- stop-down metering
- stop-down metering
- stop-down metering 2
- Stop-Down Metering
- stop-down metering
- stop-motion animation
- stop-motion animation2
- stopping motion in Premiere
- stopping motion in Premiere
- storage of Mini-DV masters
- storing tape ..
- storing tape ..2
- Storm vs Raptor render times...
- straps
- stress in filters
- striping DV tape
- stuck diaphragm in 55mm f2.8
- Styrofoam cup
- Styrofoam cup on flash
- Styrofoam cup on flash
- Styrofoam cup
- SU-4 flash module...
- SU-4 use
- subjective comparitive testing vs objective scientific...
- substitute exposures...
- subtitles....
- sun - and filters for video
- sun-plant shooting technique
- Sun-Plants example of light-source effects...
- Sun-Plants example of light-source effects...2
- Sun-Plants example of light-source effects...3
- Sunfire
- sunny 16 and vari-aperture zooms 2
- sunny 16 and vari-aperture zooms
- sunny 16 rule, grass 2
- sunny 16 rule, grass
- Sunny-f16 problems...
- Sunpak 622 and flash
- Sunpak ISO flash on F3
- sunrises and sunsets in video...
- super wide illumination
- super wide-aperture limitations
- super-wide photos on my web page...
- super-wide polarizers
- super-wide recommendations
- superwide zooms vs fixed
- surgeons camera 2
- surgeons camera
- sync speed of 8008
- synching multiple cameras
- synching 8 camcorders
- SYNCHING MULTIPLE CAMERAS
- synchronizing multiple camcorders
- T - M a x
- T C 14 C
- T M Z again
- T Max, film dev
- t r i p o d a d v i c e 2
- t r i p o d a d v i c e
- t r i p o d s for video...
- T R V - 9 0 0 vs V X - 2 0 0 0
- T-MAXDE2
- T-MAXDEV
- T-stops
- T120, T160 VHS tape...
- Tam 200-400
- Tam 28-135 vs Nik 35-135
- Tamron 28-135mm
- Tamron 180
- Tamron 28-200 again
- Tamron vs Nikkor 500 f8
- tape for best DV quality...
- tape for Sony mini-DV camcorders
- tape for VHS EP mode...
- tape for VX-1000
- tape vs. CDs for video storage...
- tapeguys...
- TC 14 C.
- TC 14 C
- TC for 500mm f8
- TC for 80-200, 300
- TC for 85, 180 AF
- TC performance & uses
- TC use 2
- TC use
- TC's on 180 AF
- TC's with F and 300mm f4.5
- TC-lens combinations
- TC14 C...
- TC14 not fit ED 180's
- TC14 vs 14A for various lenses
- TC14's
- TC14A lenses like
- TC14A w 180, 85 AFs
- TC14C comments
- TC16 A
- TC16 vs 16A
- TC16A on manual-focus body
- TC16A.
- TC16A
- TC200 on AF body
- TC200 vs 201
- TC200 vs TC14A
- TC200 vs TC300
- TC201 vs 301
- TC20E on 80-200
- TC20E on 80-200 vs 400mm
- TC20E
- TCs for 80-200...
- TCs for 80-200mm f4.5...
- TCs on 180 AF
- TCs on 300mm f4.5 EDIF
- TCs on 500mm mirror
- TCs on short FL lenses.
- TCs on various lenses...
- Technidol
- techniques for best sharpness
- tele AF trade for good construction, optics
- tele choice
- tele converters with WAs 2
- tele converters with WAs
- tele zoom choice
- tele zooms vs primes
- teleconverter recommendations
- telling AI from non-AI lenses - AGAIN!
- telling UV from skylight
- Tessar vs Sonnar
- Test chart reading for video cameras...
- testing long lenses + converters 2
- testing long lenses + converters
- testing philosophy...
- testing religion
- tests
- text letters drifting apart in Premiere...
- text over a moved bmp in Premiere
- thanks for post...
- thanks for post...2
- The Nikkor TCs
- the Snappy
- the 100-105 Nikkors...
- the 500mm Nikkor mirrors
- the 50mm f1.8's...
- the 50s
- the 8008...
- the best Mini-DV camcorder...
- the clip filter in Premiere...
- the history of mini-DV ins and outs
- THE LEMON LESSON, and more...
- THE LEMON LESSON, and more...2
- the state of my French...
- the wonderful SB-24 flash ..
- Thenks fer da kompliment!
- things that slow rendering of unchanged video
- thread size vs magnification...
- three-band motion-image question...
- Tiffen filters .
- Tiffen filters...
- Tiffen filters...2
- Tiffen fogging
- Tiffen Black Pro-Mist no1...
- Tiffen filters again
- Tiffen filters, step-down, etc
- Tiffen vs Hoya
- Tilt and Shift
- tilt-shift adapter
- tilt-shift lenses
- tilt-shift PB-4
- tilt-shift
- time lapse video
- timecode on both VHS copy and timeline...
- timeline playback problems...
- tinny sound...
- tiny camcorder with good picture, low-light range...
- tiny camcorders....
- tiny camcorders...
- TINY travel-camera outfit
- tirade response - DR
- tirade response
- tirade response2
- Titanium .45X for 30mm mount
- titanium vs brass and plastic
- titanium vs chromed or painted brass
- Titanium WA converter
- title programs ...
- title effects in Premiere...
- title overlay in Premiere
- title tricks in Premiere...
- title-motion in Premiere...
- titler programs...
- titles in Premiere....
- titles in Premiere...
- titles in Premiere...2
- titles and proportions in editing
- titles in Premiere with DV...
- titles in Premiere with DV
- titles in video...
- TMPGEnc mpg-compression of video
- TMY pushing
- TMY vs Tri-X
- TMZ speed, again 2
- TMZ speed, again
- TMZ developers
- TMZ
- to deck, or not to deck...
- to mono, or not to mono...
- to shade or not to shade
- to UV, or not to UV...
- to UV, or not to UV...2
- Tokina 17mm
- Tokina 17mm2
- Tokina 17mm3
- Tokina lenses ..
- Tokina 28-80mm f2.8-2
- Tokina 28-80mm f2.8
- Tokina 70-210
- Tokina 80-200 f2.8 vs Nikkor
- Tokina 80-200mm f2.8 vs
- Tokina f2.8 mid-range zooms...
- Tokina vs Nikkor - and the 2-stop ROT
- Tokina vs Nikkor 80-200mm f2.8
- Tokina zoom performance
- toning
- too-light video tripod...
- touch-screen menus....
- touting my video reviews...
- TR700 Hi8...
- track predominance in video editor
- TRANFILM
- Transactional Rules
- transparency in Premiere
- travel lens selection ..
- travel gear
- travel lenses...
- travel lenses...2
- travel lenses...3
- TRAVGEAR
- Tri-X developers
- Tri-X 1000
- Tri-X 800-1600
- Tri-X at 200
- Tri-X at 400 in D-76
- Tri-X developers for 400 and 800
- Tri-X Pro and Tri-X
- Tri-X, Neopan development
- trip outfit
- tripod choice for video
- tripod damping
- tripod advice
- tripod and Lanc controller advice...
- tripod conversion for video use...
- tripod conversion for video use...2
- tripod conversion for video use...3
- tripod damping - and 8008 tripod socket
- tripod damping
- tripod foot problems with 500 f8
- Tripod use with non-D 80-200 f2.8
- tripod vs hand-holding
- tripods and heads
- tripods for long lenses
- tripods for video
- tripods...
- TRI_XD76
- TRV 900 ...
- TRV-20 vs TRV-11...
- TRV-30 vs TRV-900
- TRV-9 vs TRV-900
- TRV-9 vs Optura
- TRV-9 and daylight-IR capability
- TRV-9 lock-up problem...
- TRV-9 normal shutter speed
- TRV-9 picture quality...
- TRV-9 picture...
- TRV-9 shut-down cause...
- TRV-9 sound problems
- TRV-9 stabilizer and noise
- TRV-9 vs Optura...
- TRV-9 vs TRV-11
- TRV-9 vs what...
- TRV-9, VX-1000, Pan 3-chip camcorders
- TRV-9, VX-1000, Pan 3-chip camcorders2
- TRV-900 comments...
- TRV-900 comments...2
- TRV-900 comments...3
- TRV-900 stills...
- TRV-900 vs VX-1000
- TRV-900 camera noise, and noise removal
- TRV-900 first impressions...
- TRV-900 for event work...
- TRV-900 impressions...
- TRV-900 in low light...
- TRV-900 review
- TRV-900 shade-filter order and suggestions
- TRV-900 vs VX2000...
- TRV-900 vs EZ30U
- TRV-900 vs GL-1.
- TRV-900 vs GL-1
- TRV-900 vs PC-100
- TRV-900 vs PC100
- TRV-900 VS VX-2000
- TRV-900 VS. TRV-9 VS. VX1000!
- TRV-900....
- TRV17 low light ability...
- TRV17 stabilizer...
- TRV17 stabilizer...2
- TRV17 vs TRV30 vs PC9 vs TRV900...
- TRV17 vs TRV30...
- TRV18 vs TRV27 ..
- TRV18 vs ZR45 ..
- TRV18 vs ZR45 ..2
- TRV18 vs megapixel 1-chippers
- TRV18 vs megapixel 1-chippers2
- TRV18 vs TRV27
- TRV20 vs Optura Pi and VHSC
- TRV20 vs TRV900 vs PC1 vs EZ30U...
- TRV20 vs TRV900 vs TRV950 vs VX2000...
- TRV25 and low-light...
- TRV27 vs TRV30...
- TRV27 vs TRV30...2
- TRV27 vs TRV50 for low-light
- TRV30 - how to optimize...
- TRV30 3-D images...
- TRV30 and portrait mode...
- TRV30 vs TRV900
- TRV30 vs TRV50
- TRV30 vs TRV900-2
- TRV30 vs TRV900-3
- TRV30 vs TRV900-4
- TRV30 vs PC120...
- TRV30 vs TRV900-2
- TRV30 vs TRV900-3
- TRV30 vs TRV900-4
- TRV30 vs TRV900-5
- TRV30 vs TRV900-6
- TRV30 vs TRV900-7
- TRV30 vs TRV900...
- TRV30 vs TRV900
- TRV30 white lines vs TRV900-2
- TRV30 white lines vs TRV900-3
- TRV30 white lines vs TRV900-4
- TRV30 white lines vs TRV900-5
- TRV30 white lines vs TRV900
- TRV30, TRV900 MF...
- TRV30...
- TRV30
- TRV50 touch-screen and spot-metering
- TRV50 touch-screen and spot-metering2
- TRV50 touch-screen
- TRV50 vs TRV30...
- TRV50, etc. filters...
- TRV50, etc. filters...2
- TRV50-30 vs...
- TRV740 vs TRV730 ..
- TRV740 vs TRV730 ..2
- TRV840 and VX2000 comparison...
- TRV9 advice ..
- TRV9 advice ..2
- TRV900 vs VX-2000...
- TRV900 audio...
- TRV900 audio...2
- TRV900 vs VX2000
- TRV900 vs others...
- TRV900 vs PV952 vs VX2000 ...
- TRV900 vs TRV950 ...
- TRV900 vs TRV30
- TRV900 ...
- TRV900 and 950...
- TRV900 color balance...
- TRV900 common faults
- TRV900 mic problem...
- TRV900 sound and picture ...
- TRV900 vs one-chippers - and camera reviews...
- TRV900 vs VX2000 for compactness
- TRV900 vs VX2000 for compactness2
- TRV900 vs VX2000 for compactness3
- TRV900 vs VX2000 for compactness4
- TRV900 vs VX2000 for compactness5
- TRV900 vs GL-1 vs DV952
- TRV900 vs several one-chippers
- TRV900 vs TRV30-2
- TRV900 vs TRV30-3
- TRV900 vs TRV30
- TRV900 with external mics...
- TRV950 and low light ...
- TRV950 and low light ...2
- TRV950 low-light range...
- TRV950 low-light range...2
- TRV950 low-light range...3
- TRV950 low-light range
- TRV950 vs TRV900 vs 1-chippers
- TRV950 vs VX2000 for weddings ..
- TRV950 vs VX2000 for low-light .
- TRV950 vs TRV900 vs VX2000 vs GL2
- TRV950 vs VX2000, and magazine reviews ..
- TRV950, early comments...
- TRV950, early comments...2
- TRV950, early comments...3
- TRV950, early comments...4
- TS lens for arch models 2
- TTL fill ratio
- TTL fill, N6000,6006
- TTL flash ASA limits 2
- TTL flash meter
- TTL flash on F3
- TTL flash on non-TTL camera
- TTL flash with fill-ratio for FE-2-2
- TTL flash with fill-ratio for FE-2
- TTL flashes for FG
- TTL meter filter factors
- TTL metered cameras
- TTL metering through filters
- TTLlimit
- tubes do, close-up lenses don't, lose light...
- tubes do, close-up lenses don't, lose light...2
- tubes vs achromats 2
- tubes vs achromats 3
- tubes vs achromats vs converters
- tubes vs achromats vs converters2
- tubes vs achromats vs converters3
- tubes vs achromats vs converters4
- tubes vs achromats
- tubes vs bellows
- tubes, achromats, or tele-converters for macro ..
- tubes, achromats, or tele-converters for macro ..2
- tubes, achromats, or tele-converters for macro ..3
- tubes, achromats, or tele-converters for macro ..4
- tungsten correction 2
- tungsten correction
- tungsten color negative 2
- tungsten color negative
- tungsten-flourescent correction
- turning off internal camcorder mics
- TV geometric and other problems ..
- TV resolutions....
- TV vs computer monitoring...
- TV and monitor preview while editing...
- TV extreme closeups
- TV for editing...
- TV for video monitoring...
- TV resolution - source vs display resolutions ..
- TV resolution - source vs display resolutions ..2
- TV resolution - source vs display resolutions ..3
- TV RESOLUTION and Mini-DV
- TV RESOLUTION and Mini-DV2
- TV-safe area in editing
- TV-safe area in editing
- TV-safe viewing vs computer viewing area, solution
- TV-safe viewing vs computer viewing area, solution2
- TV-video played on computer-video device
- TVRESOLV
- two clips in same frame in Premiere
- two drives on same cable..
- two filters on ED lenses
- two mics into TRV-900...
- two mics to stereo input...
- two mics to stereo input...2
- two mini-mono inputs to camcorder
- two-mic connections to camcorder
- two-mic connections to camcorder2
- U V filters...
- U V filters
- U V Filters again
- U V filtration, again...
- UDMA drives again...
- UDMA drives again...B
- UDMA drives for mini-DV
- UDMA drives for mini-DV2
- UDMA drives for mini-DV
- UDMA drives for PAL mini-DV
- uh, AF-AE vs MF-ME
- uh, camera recommendations...
- uh, Nikkor list pointer...
- unbalanced vs balanced audio lines
- under-$300 video tripods
- under-1800 dollar camcorder...
- underexposing color negatives ..
- underexposure = darker image
- underexposure problem
- undoing fisheye perspective
- undoing vignetting in video...
- uneven development cures
- unflat slides
- unfocused sun reflections images
- unimportance of filter characteristics...
- unjamming FE
- unlikely wedding events...
- unsafe non-TTL flashes
- unsharp 24mm
- unsharp mask
- unsticking FE
- Untitleconverters w 80-200 f28
- updating comp. for DV-editing
- updating SLE(MN)
- upgrading cameras and lenses...
- upgrading old computer for video editing...
- upright Sony sound problems...
- upright vs standard-form camcorders
- UPS experience
- UPS lost check 2
- UPS lost check
- UPS, other shippers
- upside-down video correction
- URLs for camcorder advice ..
- URLs for camcorder review sites
- URLs for Mini-DV camera comparisons...
- USB and FireWire for downloading video
- USB or FireWire for full-res video download...
- use for FireWire input on camera...
- useable paper prints from TRV30-PC120
- useable-gain, auto-mode, and picture-quality
- used Nikkors ...
- used VX2000 .
- Used gear ratings
- used item condition ratings
- uses for the 55mm f1.2 CRT Nikkor
- using Premiere...
- using Premiere...2
- Using UV filters - IR...6
- Using UV filters - IR...7
- Using UV filters ...
- Using UV filters ...2
- Using UV filters ...3
- Using UV filters ...4
- Using UV filters ...5
- Using UV filters ...8
- Using DOF Control
- using Premiere intuitively - more
- using Premiere intuitively
- using Premiere intuitively2
- using Premiere...
- using super wides
- using 1.4X + 2X
- using 2X converters ..
- using 2X converters ..2
- using 2X converters ..3
- using 2X converters ..4
- using 2X converters ..5
- using 500mm mirror
- using analogue camera with DV deck...
- using B & W filters
- using camcorder as deck...
- using camcorder as a deck
- using camcorder for stills...
- using camcorder for stills...2
- using dual Azden wireless systems
- using DV tapes again
- using DV tapes again2
- using filters in Premiere
- using fisheye add-on
- using glasses with myopia
- using image-matte in Premiere...
- using lens protection filters
- using light tripod
- Using long lenses
- using LP-mode and Sony Mini-DV tapes...
- using mini-DV for editing other formats
- Using Mirrors 2
- Using Mirrors
- using multiple video drives
- using PC lenses
- using Sony Lanc remote...
- using Spark capture list files with newer card...
- Using Spark playlist
- using still-mode when setting up camcorder
- using the 500mm f8
- using the 80-200 versions
- using the Matrox G-400 dual-head card
- using various-resolution clips during editing..
- Utah Parks
- UV filter effects 2
- UV filter effects
- UV filter value...
- UV filters ...
- UV filters
- UV filterz
- UV photography
- UV vs Skylight filter
- UV vs Skylight
- UV vs Sky
- UV and polarizer usefulness in video
- UV and Sky filters
- UV And Sky Filters2
- UV and skylight filters
- UV fil-ter...
- UV filter effects
- UV filter effects
- UV filter all the time...
- UV filter and lens protection
- UV FILTER EFFECTS
- UV FILTER EFFECTS2
- UV filter use, etc...
- UV filter use, etc...
- UV filters -- AGAIN
- UV filterz AGAIN
- UV filtration...
- UV passed by lenses...
- UV passed by lenses...2
- UV passed by lenses...3
- UV protecter
- UV transparent lenses
- UV visibility in video
- UV, again..., + polarizer...
- UV, multicoating
- UVfilter
- V e l v i a
- V elvia
- v i d e o advice...
- V X - 2 0 0 0 h i s s, uh, problem...
- V X - 2 0 0 0 h i s s, uh, problem...2
- V X - 2 0 0 0 h i s s, uh, problem...3
- V X - 2 0 0 0, uh, hiss, uh, problem...
- V1 closed or open in Premiere...
- value of 50mm f1.4...
- value of used VX1000...
- variable aperture zooms.
- variable aperture zooms
- variable aperture
- variable-aperture zoom metering
- variable-filters in Premiere
- variable-magnification micro lenses
- variable-magnification micro lenses2
- various flash-lens comments
- various lens questions ..
- various things about focusing screens...
- various types of audio files in Premiere
- various VX-2000, audio questions...
- varying photos and backgrounds in Premiere
- VCD quality
- VCD-VHS resolutions
- VCD-VHS resolutions2
- VCL-ES06 WA converter
- VCL-ES06 vs other WA converters
- VCRs and cameras in Mini-DV...
- Velvia at 40...
- Velvia reciprocity numbers
- Velvia speed and saturation control
- Velvia speed shift with color
- Velvia speed, and metering
- Velvia speed, and slide latitude 2
- Velvia speed, and slide latitude
- Velvia speed
- Velvia vs X 2
- Velvia vs X
- vertical white lines in video
- vertical-line stairstepping
- vertical-line stairstepping2
- VERY low light and seeing, video, and photography ..
- VERY low light and seeing, video, and photography ..2
- VERY low light and seeing, video, and photography ..3
- VERY low light and seeing, video, and photography ..4
- very WA for digital cameras
- very-best-value in Sony Mini-DV...
- VF centering, coverage
- VF distortion
- VF dust
- VF rotations
- VF shortcomings 2 DOFocus
- VF shortcomings 3 DOFocus
- VF shortcomings
- VF and glasses
- VF battery indicator accuracy...
- VF brightness diff w diff lenses s speed
- VF distortion and zoom focus shift 2
- VF distortion and zoom focus shift
- VF distortion checking
- VF edge darkening w PC lens
- VF errors
- VF lens testing
- VF linear distortion and focus error ..
- VF mask error vs print framing
- VF od XL1 vs VX2000...
- VF quality in Sony Mini-DV cameras
- VF related to print
- vf rotation
- VF screen brightness 2
- VF screen brightness
- VHS and DVD copies of Mini-DV
- VHS compensations when copying to it...
- VHS tape brands to use...
- VHS tape differences
- VHS-C vs VX1000...
- VHS-C vs VX1000...2
- video slow motion
- video slow motion2
- video slow motion3
- video tripods...
- video drives...
- video editing computers...
- video enhancement ..
- video image standards ...
- video light suggestion
- video on computer look...
- video resolution ..
- video titles...
- video tripod and head
- video tripods . . .
- video tripods . . .2
- video tripods...
- video tripods
- video audio concerns...
- video B&W VF peaking to show correct focus...
- video batteries...
- video cam stills...
- video camcorder complaints......
- video camcorders for stills......
- video camcorders for stills...
- video camera advice...
- video camera auto-shutter
- video camera for film student...
- video camera for reading ..
- video camera for stills
- video camera for video and stills...
- video camera gain
- video camera in-outs...
- video camera pixel count...
- video camera stabilization implementation differences...
- video camera support...
- video camera support...2
- video camera support...3
- video camera support...4
- video camera support...5
- video cameras with aperture control...
- video cams for prints - still cams for video...
- video card as source of Premiere problems..
- video card for large monitor
- video comments
- video corrections during editing...
- Video DV Editing System
- Video DV Editing System2
- video editing with a mono audiotrack
- video end title advice...
- video extreme macro
- video filters
- video fisheye
- video footage and copyright
- video format for...
- video format resolutions...
- VIDEO FORMATS, plus choosing small-cheap
- video frame grabbing
- video image contrast
- video image contrast2
- video image contrast3
- video image contrast4
- video image quality and codecs
- video info...
- video IR without -Nightshot- ..
- video LENS SHADES
- video light for VX-2000
- video macro lenses...
- video mastering - and cables...
- video narration and music...
- video of Christmas lights
- video picture quality...
- video prints
- video slide show
- video sound for music ..
- video sound
- video sound2
- video speed changing
- video system recommendation
- video system
- video tape problems
- video tele, close-ups, and polarizing
- video tele, close-ups, and polarizing2
- video time lapse...
- video time-lapse
- video title quality aids
- video to mpeg1 with the TRV11...
- video tripods...
- video tripods...2
- video under flourescent lighting
- video under flourescent lighting2
- video vs film..
- video WA converters and filters ..
- video white balance...
- video zoom longer than 10X
- video-film RANT
- video-format resolution effects
- video-related file saving
- Video-Senders...
- videoing insects
- videoing the sun...
- videos on the 'net...
- videouniversity VX-1000 board...
- Vidisat tubes...
- viewfinder 2
- viewfinder 3
- viewfinder 4
- viewfinder distortion
- viewfinder history
- Viewfinder Optics & Glasses
- viewfinder, TV, monitor brightness setting
- viewing DV tapes
- viewing fields in video
- viewing TV on PCs...
- vignette vs illum rolloff
- vignetting on older 28mm f3.5-2
- vignetting on older 28mm f3.5
- vignetting, and illumination roll-off...
- vignetting, edge-darkening, and CCD-centering
- vignetting, roll-off, best stops, exposure...
- virus alert...
- virus alert...2
- visible lens defects
- Viv 17-28mm
- Viv Macro-converter
- Viv 2X macro 2
- Viv F3 TTL adapter
- Viv Macro 2X
- Viv Macro Converter
- Vivitar 2X Macro converter
- Vivitar F3 TTL adapter shoe
- Vivitar Series I, Cosina, and Nikkors...
- Vivitar Solid Cats
- Voightlander lenses on a Hexar ..
- voltage of non-TTL flashes
- VPS, 400MC, RG400, Realla
- VX- 2000 coments
- VX- 2000
- VX- 700
- VX-1000 vs TRV-900
- VX-1000 +'s and -'s
- VX-1000 battery run time
- VX-1000 forum goodbye
- VX-1000 in low-light, tips...
- VX-1000 sound solution
- VX-1000 vs TRV-9 vs TRV-900!!!
- VX-1000 WA converter advice
- VX-1000..
- VX-2000 comments...
- VX-2000 comments...
- VX-2000 h i s s . . .
- VX-2000 h i s s . . .2
- VX-2000 h i s s . . .3
- VX-2000 h i s s . . .4
- VX-2000 h i s s . . .5
- VX-2000 h i s s . . .6
- VX-2000 h i s s . . .7
- VX-2000 h i s s . . .8
- VX-2000 h i s s . . .9
- VX-2000 -hiss- problem...
- VX-2000 AF...
- VX-2000 AGC...
- VX-2000 AGC...2
- VX-2000 and GL-1
- VX-2000 audio noise
- VX-2000 audio noise2
- VX-2000 comments...
- VX-2000 sound...
- VX-2000 sound...2
- VX-2000 sound...3
- VX-2000 sound...4
- VX-2000 sound...5
- VX-2000 sound...6
- VX-2000 - PD-150 custom control settings
- VX-2000 AF
- VX-2000 AF2
- VX-2000 and GL-1 for long-lens and close-up work
- VX-2000 and myths on the 'net...
- VX-2000 and myths on the 'net...2
- VX-2000 and myths on the 'net...3
- VX-2000 and PS sports shooting...
- VX-2000 and XLR adapters...
- VX-2000 audio gain and hum problems
- VX-2000 comments
- VX-2000 custom controll settings
- VX-2000 exposure comments
- VX-2000 exposure control...
- VX-2000 exposure control...2
- VX-2000 grip methods
- VX-2000 in exterior low light
- VX-2000 in exterior low light2
- VX-2000 in exterior low light3
- VX-2000 in exterior low light4
- VX-2000 level-testing...
- VX-2000 mic in wind
- VX-2000 observations-B
- VX-2000 observations
- VX-2000 observations2
- VX-2000 uh hiss problem...
- VX-2000 vs XL-1s
- VX-2000 vs XL-1s2
- VX-2000 vs VX-1000 - observational differences
- VX-2000 vs.....
- VX-2000 vs.....2
- VX-2000 vs.....3
- VX-2000 WB and mercury vapor...
- VX-2000-PD150 exposure controls
- VX-2000-PD150 exposure controls2
- VX-2000...
- VX-2000...2
- VX-3000 wish-list
- VX-3000 wish-list2
- VX-3000 wish-list3
- VX1000 vs GL1....
- VX1000 vs GL1....2
- VX1000 vs VX2000...
- VX1000-2000 mic sizes
- VX1000-2000 mic sizes2
- VX2000 -hiss- -problem-......
- VX2000 comments...
- VX2000 vs GL-1 ...
- VX2000 vs XL-1
- VX2000 and GL2 pictures...
- VX2000 audio comments
- VX2000 audio comments2
- VX2000 audio comments3
- VX2000 audio comments4
- VX2000 audio comments5
- VX2000 audio comments6
- VX2000 audio comments7
- VX2000 audio comments8
- VX2000 audio...
- VX2000 custom controls uses
- VX2000 line-in...
- VX2000 line-in...2
- VX2000 negatives...
- VX2000 negatives...2
- VX2000 negatives...3
- VX2000 negatives...4
- VX2000 negatives...5
- VX2000 negatives...6
- VX2000 Q and A s
- VX2000 sound quality...
- VX2000 vs MX3000, and reviewing...
- VX2000 vs MX3000, and reviewing...2
- VX2000 vs MX3000, and reviewing...3
- VX2000 VS PD100a
- VX2000 vs TRV50 ..
- VX2000 vs XL-1 image....
- VX2000 vs TRV900 vs TRV30...
- VX2000 - PD150 controls
- VX2000 - PD150 controls2
- VX2000 - PD150 controls3
- VX2000 - PD150 controls4
- VX2000 - PD150 controls5
- VX2000 - PD150 controls6
- VX2000 - PD150 controls7
- VX2000 - PD150 controls8
- VX2000 . . . .
- VX2000 and custom controls and color
- VX2000 and stairstepping...
- VX2000 and TRV900 stills...
- VX2000 AUDIO
- VX2000 filters, settings for daylight, flourescent, tungsten...
- VX2000 firefly effect
- VX2000 for film production...
- VX2000 for all-purpose use...
- VX2000 for music sound...
- VX2000 for music sound...2
- VX2000 for studio camera...
- VX2000 hiss problem again...
- VX2000 hiss problem again...2
- VX2000 in low light...
- VX2000 latitude - and image looks...
- VX2000 lens accessories...
- VX2000 price and warranty
- VX2000 problems...
- VX2000 shooting CP-SETTINGS
- VX2000 shooting CP-SETTINGS2
- VX2000 shooting CP-SETTINGS3- AUTO
- VX2000 support devices...
- VX2000 vs AG-DVX100 vs GY-DV300-2
- VX2000 vs AG-DVX100 vs GY-DV300
- VX2000 vs DSR 300...
- VX2000 vs GL-1 vs AG-DV10
- VX2000 vs TRV900 vs PC110...
- VX2000 vs XL-1 again. . .
- VX2000 vs XL-1 for flower macro work...
- VX2000 vs ZR50...
- VX2000, MS DV-codec, and clamped whites...
- VX2000, XL-1s, DV500, Pan200 - and film-look...
- VX2000, XL-1s, DV500, Pan200 - and film-look...2
- VX2000, XL-1s, DV500, Pan200 - and film-look...3
- VX2000, XL-1s, DV500, Pan200...
- VX2000-PD150 noise
- VX2000-PD150 noise2
- VX2000-PD150 noise3
- VX2000-PD150 noise4
- VX2000-PD150-DSR250 vs JVC-DV500 VS XL-1s...
- VX3 recorded to Mini-DV tape...
- VX3 recorded to Mini-DV tape...2
- VX3000 .........
- w e d d i n g gear
- WA converters ...
- WA converters....
- WA converters....2
- WA converters...
- WA converters for the VX2000-PD150
- WA converters for video
- WA converters for video2
- WA converters for VX-2000
- WA converters for VX2000...
- WA lens converters for PD150
- WA camcorder lens converter advice
- WA camcorder...
- WA camcorder...2
- WA converter for the TRV30...
- WA converter advice for small cameras
- WA converter for 30mm mount...
- WA converter for the GL-1
- WA converter for the TRV-7-9
- WA converter types for video
- WA converter universality...
- WA converters for 30mm camcorders...
- WA converters for 30mm and 37mm lens threads ..
- WA converters and distortion
- WA converters and XL-1
- WA CONVERTERS for the VX2000-PD150
- WA converters for 35mm
- WA converters for camcorders
- WA converters for the VX-2000-2
- WA converters for the VX-2000-3
- WA converters for the VX-2000-4
- WA converters for the VX-2000
- WA CONVERTERS FOR THE VX2000-PD150-2
- WA converters for VX1000 and VX2000
- WA converters for VX1000
- WA converters...
- WA converters...2
- WA converters...3
- WA converters...4
- WA converters...5
- WA flash
- WA for TRV900-2
- WA for TRV900
- WA for VX-2000
- WA for 37mm threaded camcorder lenses
- WA for camcorders
- WA for camcorders2
- WA for digital cameras
- WA for TRV11-17-PC9
- WA for video
- WA for VX-1000
- WA for VX-2000
- WA home-made shade
- WA IR light source...
- WA lens converters for the VX-2000-2
- WA lens converters for the VX-2000
- WA lens linear distortion
- WA lens linear distortion2
- WA lens linear distortion3
- WA on PC-5...
- WA suggestions...
- WA video converter duster
- WA video infinity detail level...
- WA vs tripod for landscapes 2
- WA vs tripod for landscapes 3
- WA vs tripod for landscapes 4
- WA vs tripod for landscapes 5
- WA vs tripod for landscapes
- WA vs tripod, again, again
- WA vs tripod, again
- WA zooms vs primes
- WA zooms for camcorders...
- WA zooms vs primes
- WA's for legal photography
- waiting for newest camcorder model.....
- wants manual body, motor
- WAs for VX-2000
- WAs for VX-2000
- washed out photos 2
- washed out photos
- water-drop transition
- ways to get sharper images w cheap zoom
- WAYS to improve Sony low-light picture
- WB-contrast-exposure control in editing
- WB-contrast-exposure control in editing2
- WB-hold with Sony 1-chippers
- WD-58 vs Sony WA converter for VX-2000
- web page description...
- web page pointer----
- web pointer
- web TV considerations...
- web update notice
- web update notice2
- web URL change 2-22-99
- wedding camcorder...
- wedding camcorder
- wedding camcorder2
- wedding camcorder3
- wedding equipment.
- Wedding equipment
- wedding gear
- wedding photography advice
- wedding photography client expectations ..
- wedding photography client expectations ..2
- wedding photography
- wedding still lens choices
- wedding videography ...
- wedding advice
- wedding coverage prices...
- wedding film, equipment
- wedding films
- wedding gear preferences
- wedding gear
- wedding photo approach
- wedding photo-video comments...
- wedding photog 4
- wedding photography ideas ...
- wedding pricing 2
- wedding pricing 3
- wedding pricing 4
- wedding pricing
- wedding videography advice...
- wedding-video delivery schedules...
- wedding-video delivery schedules...2
- weddings simple sound
- Weddings
- Wega gooey picture look...
- weight and size aid steadiness...
- Weston cleaning
- Weston repair
- WHAT F-STOP IS ..
- WHAT F-STOP IS ..2
- WHAT F-STOP IS ..3
- WHAT F-STOP IS ..4
- WHAT F-STOP IS ..5
- what is needed in a good digital Nikon body...
- what needed for professional video production...
- what TC's with what lenses
- what to expect from a good 35-105 MF
- what use - what do in photography
- when shades not used
- when to buy into video...
- when to CLA
- when to service camera
- when to turn off Sony EIS
- when, or when not, to use shades
- where buy Nikkors
- which camcorder...
- which 50mm
- which macro lens best
- which tele-zoom
- whine in mini-DV camcorders ...
- whine in audio of DV camcorders
- white balancing ...
- White AI'ing
- WHITE BALANCE with Sony 3-CCD cameras
- white on slides
- white pixel in video...
- white pixel NORMAL count for Sony...
- white pixels at slow speeds...
- white pixels in VX-2000
- white-balancing Sony DV camcorders
- why F3-4 over N bodies
- why Mini-DV VCRs are more expensive than cameras...
- why no full-res video on web...
- why no lens above 5, Canon vs Nikkors
- why TRV950 worse in low light than TRV900...
- why zooms are slow...
- wide angle preferences
- wide lens sequencing
- wide prime vs zoom
- wide stepping-ring sizes
- wide stop film dispersion
- wide,telehard
- wide-angle zooms
- wide-angle converters for camcorders
- Wide-angle for VX2000-2
- Wide-angle for VX2000-3
- Wide-angle for VX2000
- wide-angle sharpness
- wide-angle zooms
- wide-range zooms
- wide-range zooms
- wide-screen in Premiere
- wideangle distortion
- wider lens to pair with 24mm..
- wides good at wide stops
- wilds outfit
- Win98, 2k, and XP...
- window cleaner for lenses
- window cleaner for lenses2
- window cleaner for lenses3
- windscreen help
- Wire as transmission-line, etc.
- Wire as transmission-line, etc
- wired remotes
- wireless + shotgun mics + pol on TRV-900
- wireless mics for music...
- wireless mics for music...2
- WOODEN 4x5 advice, mods
- work-area for renders in Premiere
- wrinkled F shutter
- wrinkled shutter in F2...
- wrist strap
- writing video to CD...
- wrong exposure
- WTR-BATH
- wunnerful Leitz lenses...
- X L 1 ..
- X L 1 s ...
- X L - 1 . . .
- X-ray daylight IR, a g a i n . . .
- X-ray camcorder advice...
- XL-1 VS VX2000-PD150 . . .
- XL-1 vs PD150...
- XL-1 vs VX2000 resolution and oversharpening...
- XL-1 vs VX2000-PD150 lens...
- XL-1 and marketing....
- XL-1 as web-cam...
- XL-1 color limitations...
- XL-1 controls...
- XL-1 fanatics....
- XL-1 fanatics....2
- XL-1 fanatics....3
- XL-1 fanatics....4
- XL-1 fanatics....5
- XL-1 fanatics....6
- XL-1 fanatics....7
- XL-1 fanatics...
- XL-1 for macro
- XL-1 picture vs PD150 - and sound...
- XL-1 sound
- XL-1 sound2
- XL-1 vs PD150 2
- XL-1 vs PD150 3
- XL-1 vs PD150
- XL-1 vs GL-1 2
- XL-1 vs GL-1
- XL-1 vs JVC
- XL-1 vs VX-1000-2000-PD150 sharpness
- XL-1 vs VX-1000
- XL-1 vs VX-2000 vs DV500
- XL-1 vs VX-2000-2
- XL-1 vs VX-2000-3
- XL-1 vs VX-2000-PD150A
- XL-1 vs VX-2000
- XL-1 vs VX2000 for snow-shooting
- XL-1 vs VX2000 for snow-shooting2
- XL-1 vs VX2000 for snow-shooting3
- XL-1 vs VX2000 picture look...
- XL-1 vs XL-1s vs GL-1 vs VX2000
- XL-1, again......
- XL-1s vs JVC500....
- XL-1s vs VX2000-PD150, again...
- XL-1s vs VX2000-PD150, again...2
- XL-1s manual lens...
- XL-1s vs VX2000-2
- XL-1s vs VX2000-3
- XL-1s vs VX2000-4
- XL-1s vs VX2000
- XL-1s vs PD150...
- XL-1s vs PD150...2
- XL-1s vs PD150...3
- XL-1s vs PD150...4
- XL-1s vs PD150...5
- XL-1s vs PD150...6
- XL-1s vs PD150...7
- XL-1s vs....
- XL-1s, again ...
- XL1s vs ....
- XL1s vs VX2000-2
- XL1s vs VX2000-3
- XL1s vs VX2000-4
- XL1s vs VX2000-A
- XL1s vs VX2000
- XLR vs mini-plug...
- yellow filters 2, misquotes
- yellow filters
- Yellow Pages
- ZDnet camcorder reviews...
- zdnet reviews...
- Zeinikleican-brand lenses
- Zeiss 18mm 2
- Zeiss 18mm
- Zeiss vs Nikkor lenses...
- Zeiss, Rollei 35's
- Zeiss-Contax vs Canon-Nikon
- zoom controls ...
- zoom + conv vs p 2
- zoom + conv vs prime
- zoom and VF distortions
- zoom characteristics
- zoom choice...
- zoom focus advice
- zoom focus error
- zoom focus problem
- zoom focus shift.
- zoom focus shift
- zoom focus
- zoom for interiors
- zoom illumination problems...
- zoom mics and compact directional mics...
- zoom ranges vs quality
- zoom recommendation
- zoom, IF, and standard focussing
- zoom, uh, c o n v e n i e n c e . . .
- zooming-while-moving effect
- zooms vs non-zooms
- zooms vs non-zooms
- zooms vs non-zooms2
- zooms vs primes...
- zooms vs primes
- zooms and linear distortion ..
- zooms for F2A, flash
- zooms for Nikon MF
- zooms for Nikon MF2
- zooms for Nikon MF3
- zooms near 80-200mm
- zooms vs primes
- zooms vs primes 2
- zooms vs primes.
- zooms vs primes
- zoomz vs primes
- Zorkendorfer description - not mine
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Go to: David Ruether Photography
Email: d_ruether@hotmail.com