In article <31d5c8b1.139593961@news.scruznet.com>, pierce@scruznet.com says...

>I shot a wedding w/ 120 Reala, and it came out gorgeous, but it was
>outdoors, in the shade, with a lot of flash fill. Ditto, indoor shots
>at the reception w/ both direct and bounce flash came out great.
>Never tried it under flourescents (frankly, nothing I've done under
>flourescents has EVER come out OK even with a lot of flash fill!) You
>might just fall back on B&W! No amount of filtering or color
>correction can do much with flourescent light, its just too 'peaky' of
>a spectrum...

One can always fall back on this transparency-shooter's solution to
flourescents: cc30 Magenta filter on the lens plus cp30 Green filter
on the flash, splitting the exposure between available and flash
light - works great when the source is entirely flourescent! When
there is daylight mixed in, an FLD filter on the lens (with the
reverse on the flash) works well. For negative films, a bit of
overexposure combined with some green on the flash works (the
green is removed in printing by any competent color printer).
BTW, I have heard that NPH, like Reala, has an extra color
layer to help with flourescent light balancing.....
Hope This Helps