In article <32fc0525.12627444@news.themall.net>, lull@acm.org says...
>In the waning years of the 20th century, d_ruether@hotmail.com (Bob Neuman)
>wrote (with possible deletions):

>> using (as much as possible) available light

>Might I ask what film you're using? If daylight balanced, are you
>filtering at all for either incandescent or fluorescent lighting, or
>just doing all color correction during printing?

Correcting during printing, with about 2/3rds stop overexposure
of the film to help. I shoot Reala at 64 for outdoor weddings
on bright, sunny days; Royal-Gold 400 at 250-400 for bright
interiors, or dull-day exteriors; and Fuji 800 or Ektapress
1600, both at 650 or so for dark interiors. With color
negative, I fill-flash everything (at -1 stop, TTL)
except the ceremony photos, and distant-subject
exterior photos.
Hope This Helps