On 22 Jan 2003 00:16:28 GMT, contaxman@aol.comnospam (Lewis
Lang) wrote:
>>Subject: Re: "learning" wide angle lenses?
- L - "Perception Vs. Perspective"
>>From: d_ruether@hotmail.com (Neuman - Ruether)
>>Date: Tue, Jan 21, 2003 8:35 PM
>>Message-id: <3e2fac31.4555389@newsstand.cit.cornell.edu>
>>On 21 Jan 2003 10:17:03 GMT, contaxman@aol.comnospam
(Lewis
>>Lang) wrote:
>>[...]
>>>When you are viewing a scene your unaware of how
your mind alters the total
>>>picture while it processes all these scans, so
yes it does take some "training"
>>>to see photographically and see the difference
between what we see/perceive
>>>w/ our eyes and what we will record w/ a camera,
but in actuality, a camera
>>>placed at the same exact spot as one of our eyes
should, in effect, see the same
>>>arrangement of shapes/compostion/perspective
relationships between foreground,
>>>middleground and background see the exact same
image relationships as the
>>>eye does.
>>[...most snipped...]
>>I guess I disagree with much of this post, though
your
>>first line above may indicate why... For those who
see
>>"narrowly", your explanation may make some
sense - but
>>for those of us who see "widely", it is
obvious that
>>the perspective type commonly thought of as
"correct"
>>(rectangular perspective - in which all subject
straight
>>lines are rendered straight in the image) is not as
good
>>a representation of the way we see as the
"wrong" one is
>>(spherical [or "fisheye"] perspective).
See for more
>>www.David-Ruether-Photography.com/articles.html#perspective
and
>>www.David-Ruether-Photography.com/perspective-correction.htm.
>>BTW, it is very easy to show in a couple of ways
that
>>our eye-viewing perspective-type is not rectangular,
>>and that some of the effects you noted (verticals
staying
>>parallel on tipped views of buildings, for instance)
>>are simply characteristics of spherical
perspective...
>> David
Ruether
>Our eyes may see more spherically in perspective but our
minds are trained to
>see or accept more rectangular perspective (or
perspective conventions) as more
>normal.
[...]
Yes, this is true - but it is useful to say why extreme
wide-angle images often look "wrong", in addition
to reasons related to learned conventions. If one uses only a 50mm (or
so) lens on a 35mm camera (particularly if it has no linear
distortion), this view may seem "normal", though
it is FAR
more restricted in angle than what most people can easily
see. If one goes to a 15-20mm lens (which is closer to
the normal angle of view for many), it is obvious that
image characteristics that still follow the rules of
rectangular perspective (the learned "correct" perspective...) do not
look right, though the perspective type may follow the conventions precisely.
(It was amusing to see an old painting once which presented a wide angle of
view of a courtyard with a row of columns with arches on top
on the right side. Most of the image followed the rules
of rectangular perspective, but the arches were
progressively rendered more in spherical perspective as
the edge of view was approached. The painter obviously knew
how to draw the arches "correctly" in rectangular
perspective, but just as obviously, he decided to modify
the shapes that would have otherwise looked
"wrong",
regardless of the conventions...) I think it is useful for
people to understand how they see, so that they can resolve
issues of "distortion" themselves, if they wish
(or they can
just keep shooting with a 50mm, if they don't...;-). BTW, if
you place a full-frame fisheye lens on a camera in place of
a rectangular-perspective super-wide, you may note a few
things: the forground-to-background object relative
proportions change, favoring the fisheye for looking
"natural"; if you place rounded objects in the
field that
can be viewed with both lens types, these will look more
normally rendered near the edges with the fisheye; if you
tilt the view upward and look at the renderings of
parallel vertical lines on normal-distance/normal-height
buildings, they are shown more nearly parallel in the
fisheye view; if you place very long straight lines
off-center in the fields of view, the
rectangular-perspective lens will look more natural
(though it isn't - we see these lines as curved, much
as people resist this idea...!;-); if you limit the coverage
of both lens types to that of a 50mm, the images from
both will look quite similar...