On Wed, 21 May 2003 11:34:55 -0700, James Gifford <jgifford@surewest.net> wrote:

>Jim Patterson wrote:

>> I'm doing some surgery on a corrupt Premiere project file, and the audio

>> rubberbands are kind of messed up. I'm wondering if there is a way to

>> check to make sure that I have the rubberbands at "0" throughout the

>> entire project rather than just looking at them visually (it's hard to

>> tell if they're actually in the center of the audio timeline, and I don't

>> want Premiere to do anything to the audio at all). Or is there a way to

>> tell Premiere to bypass the rubberband settings and export all audio at

>> the original settings? Thanks

>Check the manual regarding precision adjustment of the rubberbands. I

>believe you click on a handle and hold Shift to get a numerical display

>you can nudge up and down.

>

>Other than that, no. The rubberbands are simple and intuitive, but

>awfully crude and hard to use. I'd love to see an option for a bigger

>display and more precise control over adding, deleting and adjusting

>handles.

Uh, go to the single-frame level on the timeline scale

will give you plenty of precision...;-) If this is not

enough, you can set up a magnified screen image area in

Windows, for a BIG view of where the mouse is. BTW,

optical mice work better for making those 1-pixel-scale

mouse moves more easily...;-) And, as JP pointed out,

simply copying track settings works, too...

There is a lot in Premiere that is not too obvious, and

I still get those "WOW, never knew that!" moments with

it...;-)