On Tue, 15 Apr 2003 16:38:42 GMT, "David McCall" <davidmccall@attbi.com> wrote:

>"brian a. henderson" <bah@nautilus.shore.net> wrote in message news:dPVma.14341$RJ3.6399@news.primus.ca...

>> : I don't believe that any lasting handicap in videomaking abilities will

>> : be suffered by students that use lower cost or semipro equipment for

>> : their intoduction to the field.

 

>> Probably not, and admitedly my first experience was with Hi8 palmcorders.

>> However, I just sort of fell in to this business as many of us do. I

>> imgine my chief photographer would be hesitant to hire some one who had

>> only worked with palmcorders. I wouldn't want to send a person who is

>> uncomfortable with a big rig out on a breaking news story. Maybe I'm just

>> thinking in terms of my world.

 

>We all have to speak from our own perspective.

>

>Most people don't break into professional videography a director

>of photography, even if they did go to a good school. If this is not

>true, then it is a sad day for our business. Learning composition

>and storytelling using inexpensive cameras, with their auto functions,

>has tremendous merit, IMHO.

>

>If a student wants to learn film, without the expense of shooting real

>35mm motion pictures, then a used still film camera might be in order.

>That would be a great way to learn about exposure and lighting for film

>without the expense of shooting film. Using video to learn the technical

>aspects of shooting film may be a less than perfect solution.

>

>I think it is fine to do personal projects with consumer cameras while

>interning, and ultimately moving up the production ladder is a good idea.

>One of the things I really missed, once I moved up to being a full time

>lighting director, was being able to watch, and learn from, other

>professionals lighting a set. I think it is a mistake to rush to the top,

>while bypassing the wonderful learning opportunities of working with more

>experienced professionals, is a sad mistake.

 

I agree with the above, and I also

recommend buying the DVD of "Spy Kids 2" - not for

its so-so story-quality, or even for its spectacular

special-effects, but DEFINITELY for the voice-over

version of the movie with Robert Rodriguez speaking.

He is convinced that (HDTV) video is superior to film

(at least as it is presented in distribution) due to

its minimal generational losses, better tonality (!!),

and also to its greater ease of use (cameras, lighting

required, editing, etc.). For those into "film look",

this disk is a MUST! ;-) It is also interesting to see

what short-cuts he took and how much of the production

he did personally, using little more than home computer

gear... (the movie was made for $37 million, a small

budget compared with most major movies). He also

encourages people to just get started, using anything

available/affordable, and get practice...