Dim light, AWB...

VX2000 (PD150, DSR250)
   With gain to spare at this light level, the VX2000 image is smooth (see wall,
    upper left), sharp, with good color, and with good blacks.
TRV900
   The TRV900 image is less smooth and has inferior blacks compared with the
    VX2000 image in the same low light level, but it still has good (though less
    neutral) color. 
TRV30 (TRV50, PC115, PC120)
   With gain at +18db, the TRV30 image is still fairly smooth and sharp, with good
    color neutrality - but color saturation and tonal "brilliance" are poor. Turning
    off the stabilizer and using manual exposure with a one "notch" shift away
    from maximum brightness and/or using "portrait"-mode often improves the image
    quality with the TRV30 (see the last two images below for more).
PC100 (PC110, TRV20)
   With gain at +18db, the PC100 shows considerable color noise and poor color
    and brilliance. Turning off the stabilizer and/or using manual exposure with a
    one "notch" shift away from maximum brightness often improves the image quality.
PC9 (PC5, TRV11, TRV17, TRV18, TRV19, TRV22)

   With gain at +18db, the PC9 shows considerable color noise, but fair brilliance
    and somewhat better color than the higher pixel-count PC100 and TRV30.
    Turning off the stabilizer and/or using manual exposure with a one "notch" shift
    away from maximum brightness may improve the image quality (also see below). 

PC9 (PC5, TRV11, TRV17, TRV18, TRV19, TRV22)
   At the cost of increased color noise, the PC9 picture shot at this light level can be
    improved using filters available in many good non-linear editors. (This example
    is at the practical limit, but in slightly brighter light, the results can be acceptable.)
 
TRV30 - low-light (different conditions from above)
     Stabilizer on, AE on, standard program...
TRV30 - low-light
     Stabilizer off, ME on (-1, to move gain from +18db to +15db), or portrait program.

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